Qu'est-ce que maman comprend à l'amour!

I saw this film with my family at Radio City Music Hall in 1958, the year of the film's release and it took the house down. The entire audience burst into applause at the film's conclusion. What simple days those were. Alas, I miss the great days of movies so much I haven't been in a movie theater in 30 years. Thirty years ago people were nice. Not any more. People in movie theaters are just as rude as they are everywhere else. To escape in such a simple delight as this film is all I can do these days aside from my daily solitude which I refer to as ZEN and which occupies most of my time. But occasionally along comes a delightful film like this and I am flooded with happy memories of my youth when everything came up roses. I have such fond memories of Kay Kendall not just in this film but also in Les Girls which was just as marvelous. She was a treasure, taken much too soon.

I can't add much to what has already been said of this delightful movie. But nobody has mentioned the costumes. It's astonishing to note that Balmain created the dresses for both Kay Kendall and Angela Lansbury. Nearly 50 years later, Kendall still looks ravishingly current in her haute couture day and evening wear. The magnificent red dress she wears in the first party scene is a perfect example and she had the stunning figure to enhance these wonderful costumes. Angela, who had a nifty figure herself, is a more full-figured woman. She's also playing a nasty bitch in this film, and her costumes reflect this aspect of her personality. Instead of looking chic, she looks dowdy.

Sandra Dee's costumes were created by MGM's Helen Rose. I didn't care for any of her daytime wear which was very much a product of the 50s, but it is with gowns that Rose's talent shines, and there's a lovely blue gown with tiny blue bows in the final scenes of this movie that you really notice, and Dee wears the dress like the prom queen she was.

Rex Harrison could wear stylish men's clothing with panache, and he does so here too.

I love this sophisticated movie, which I only discovered a few years ago. And the interior sets are equally beautiful.

I saw this one during its first-run release at the Beverly Theatre in Beverly Hills, Calif. The CinemaScope projection there was top-notch, doing full justice to Minnelli's always creative use of the wide screen. Among MGM's A-list ingredients was the casting of Kay Kendall, whose elegance and comic verve made this confection as enjoyable as one could have hoped. How I wish she had lived to make many more screen memories. Her early death was a real loss. This title appears to be available on video only in a VHS version, which no doubt means that it is probably not letterboxed. "There oughta be a law!"

I love this film... So does my wife, we love it together. love love love. Rex Harison is very dry, with always brilliant delivery a little Henry Higgins'esquire on occasion but funnier in my opinion this time round. Kay Kendall's Sheila is astonishing and full of wonder for her snobbery, competitive instincts and neurosis. She makes me hoot.

The foolish David Fenner is infuriatingly silly yet gold to watch.

The music captures the feel of the 50's beautifully, with an almost Cliff Richard like quality... Actually my wife is disputing that comment, it's much more American than Cliff in her opinion. It's jazzy. jazz jazz jazz. Big band. It makes me want to dance every time I see it. One of my favourite quotes from Sheila whilst dancing... "mmmmm, this song drives me out of my mind"

You can watch this film over and over, we have been for the last 15 years and it doesn't get old at all. Watch it with different friends and they will love you for it. That's what we do. love love love.

'The Reluctant Debutante' had a lot going for it, with talented actors like Rex Harrison, Kay Kendall and Angela Lansbury and a fine director in Vincente Minnelli. Also like comedy and romance and there are fine examples of both individually and both together.

Of which 'The Reluctant Debutante' is one of them. It is not without its imperfections. The story is thin which makes some of the middle act sluggish and repetitious. Some of Sandra Dee and John Saxon's lines are clunky and not a patch on the adults' material. John Saxon has his bland and wooden moments and Peter Myers is a bore. With all that being said, a huge amount of 'The Reluctant Debutante' works and incredibly well. Sandra Dee is a pert and charming presence and her chemistry with Saxon has its sweet moments. The adult supporting cast are much more impressive though.

Especially Kay Kendall (who died far too young a year later with much more to give), who is exquisite in every sense, comic timing, looks, everything. Rex Harrison delivers a lot of delicious lines with deft ease, with a flair for knowing comic timing and nuance. The film is actually worth seeing for their performances and irresistible chemistry alone. Angela Lansbury makes a thankless role interesting. Minnelli delivers on creating grand spectacle and gorgeous visuals, and paces everything that helps bring believability to the romantic and particularly comedic elements.

Scripting here is generally very good, at its best excellent. The comedic elements are delightfully witty and sophisticated and the romantic elements radiate with charm. There is a great deal of energy too. Lush music score too, with some great use of songs, the Cole Porter hits and "The Boy Next Door" are particular bonbons.

Visually, 'The Reluctant Debutante' looks wonderful. It's beautifully photographed, with opulently designed sets, gorgeous colours that pop out at you and especially those to die for costumes.

Overall, immensely charming and entertaining. 8/10 Bethany Cox