Le fier rebelle

I grew up watching "Family Classics with Frazier Thomas", a program that featured a wide variety of family friendly movies. This was one of them(so was TOBOR THE GREAT but we won't get into that-I just finished reviewing that clunker a few minutes ago). Alan Ladd plays Civil War veteran John Chandler, who is seeking treatment for his mute son(played by real-life son David Ladd), and meets up with a town spinster (Olivia DeHavilland), who takes both of them in when Chandler is falsley accused of starting a brawl, facing thirty days in the town jail. In the meantime, a sheep herder (Dean Jagger) and his juvenile-delinquent sons attempt to force DeHavilland off her ranch. Chandler must also make the tough choice to sell young David's beloved dog to a breeder in order to pay for his treatment.

The performances are first-rate. Alan and David have one of the best father-son chemistries in movie history-(along with Jon Voight and Ricky Schroeder in THE CHAMP twenty or so years later). Also, Olivia DeHavilland, Dean Jagger, and veteran actor Harry Dean Stanton help make this one a must-see for all. Even horror veteran John Carradine makes a cameo appearance in the opening scene.

Sadly, this family classic makes the untimely death of Alan Ladd a few years later all the more tragic.

Rating: ****1/2 out of *****

The movie concerns a father (Alan Ladd), a Confederate veteran , and his mute son (David Ladd, in real life too) who after framing impeachment by a judge (Henry Hull) he finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town . A local spinster (Olivia De Havilland) pays his fine , as father and son find shelter in a ranch , providing that he works it off on her farm . The veteran is searching for a doctor who can cure his son , as the little boy suffers the emotional impact of the words he longed to tell them . Meanwhile , he soon finds himself involved in the struggle to keep her ranch from a local landowner and they'll have to confront a shepherd family (Dean Jagger and Harry Dean Stanton) and taking on a lot of dangers .

In the film there are glamorous landscapes , family drama , shootouts and agreeable feeling . This is a tale that reaches far and wide as the human life , being based on a story titled "Journal of Linnett Moore¨ written by James Edward Grant . The movie talks upon typical western old theme: fights between settlers and cattlemen . The final showdown amongst the protagonists and enemies is exciting . Runtime film is adjusted, one hour and half approx., it is neither dreary , nor tiring but enjoyable.

Alan Ladd's interpretation is top-notch likeness his son David Ladd (future marriage to Cheryl Ladd and father of Jordan Ladd) . Olivia De Havilland is enticing , gentle and sweet . Support cast is awesome , as Dean Jagger , John Carradine , Cecil Kellaway , Mary Wickes and Harry Dean Stanton (Paris, Texas) , an outstanding actor with a long career that today continues . Ted Mc Cord cinematography is riveting and glamorous . Jerome Moross musical score is fascinating , similar to soundtrack he composed in ¨Big country¨ deemed to be the best western score along with ¨ The magnificent seven¨ . The motion picture well produced by Samuel Goldwyn Jr was compellingly directed by Michael Curtiz . The yarn will appeal to western buffs and sentimental plot lovers . Rating : Good , better than average . Well catching .

Great acting by Olivia DeHavilland (!), Alan Ladd (!), and son David Ladd. Director Michael Curtiz (Casablanca) shows his soft side in this family film about a man selling his dog to heal his son's muteness. I loved this film when I was a pre-teen, and watched it again last night with my twelve-year-old, and she was pulled into it faster than I was. (Harry) Dean Stanton as the villain, good photography and effective musical score by Jerome Moross in the "Big Country" mold. Lackluster action scenes aren't bad enough to ruin the mood; but it will remind many viewers of "Shane".

The boy, David, is the focal point of this movie. The movie had a resounding impact on young boys coming of age in the late 50s and into the 60s. Its powerful impact at the time is what made it a successful movie. The many emotional ups and downs throughout the movie dealt with a wide variety of issues faced by a devoted war veteran father from the south, trying hard to steer away from violence as he travels the Midwest seeking medical resolution to his traumatized son who had been struck by aphasia after witnessing his mother's burning death in a Civil War atrocity . Some of the issues viewers are exposed to include the tragedies during and after the Civil War, the western range wars, the disenfranchisement of the southerners, an evil rancher and his evil sons, a frontier love story, and a son-dog-father saga. The traumatized boy-cum-hero is superbly portrayed by child actor, David Ladd, who becomes the film's hero at the climatic gunfight at the end of the movie, saving his father, reuniting with his dog and regaining his voice. The developing love story between the father portrayed by the ever stoic and stiff Alan Ladd and the widower farmer portrayed by Olivia de Havilland, takes second stage to the tear-jerking scenes superbly portrayed by the boy in two scenes: when he learns that his father had sold his dog, and when he regains his ability to speak at the end of the movie. A well-crafted movie and an outstanding performance by David Ladd who was eleven years old when the film was released.

The theme of the skilled gunfighter trying to lead a gun-free productive civilian life but is thwarted and forced back to his firearm to right an injustice, is a theme that recurs numerous times in western movies. In fact, this theme is quite common in the most successful of westerns including this movie, Shane and High Noon. The overriding message of this genre of movies is: if you are unjustly treated (justice commonly portrayed as inept or corrupt), then you may take up arms and take justice into your own hands, even if it means killing others. The hero and his gun are paramount.

I have long complained because there must have been a million western movies made over the years by Hollywood and practically all of them are variations on the exact Fsame half dozen (or less) themes. As a result, most westerns are repetitive and dull. Fortunately, this one is a bit different--with enough that is not familiar to make it worth viewing.

The film begins with a father and son (Alan Ladd and his real life son, David) traveling across the country. They are Southerners but have left Atlanta following the Civil War in order to locate a doctor who might be able to cure the boy. It seems that following witnessing his mother's death the child has been mute.

In one of the towns, the father meets up with a couple dirt-bags who pick a fight with him. However, it is Ladd himself who is convicted of assault and is sentenced to spend 30 days in jail or pay $30--which he just doesn't have. A local spinster (Olivia de Havilland) takes pity on them and offers to pay the fine if the father comes to her farm to work off the debt.

Once on this farm, it's obvious Olivia's having problems with the same dirt-bags that attacked Ladd earlier in the film. In this case, the men are trying to force her to sell them her struggling farm. Along the way, Alan comes to her aid in this struggle and it's also obvious that some real affection is forming--and it's hardly a surprise when the two decide to stay.

While the story is not monumental in scope, it's a nice story about people. It helped that an exceptional director (Michael Curtiz) and many excellent actors appeared in the film. In addition to the main characters, veteran character actors such as Cecil Kellaway, Dean Jagger, Henry Hull and Harry Dean Stanton appeared in the film as well--giving it nice color. Plus the writing was very good and made for an appealing film.

By the way, the sign language that David Ladd uses throughout the film isn't perfect, but it IS essentially correct. So, when he is trying to tell Alan that there is a fire, that IS what he is signing. It's actually funny, but several times during the movie the dad didn't seem to know what the kid was saying--and I clearly understood and felt like yelling out what he was signing! I especially liked when the boy was trying to tell de Havilland how much he liked her but no one seemed to understand that he was saying how much he liked her. The film makers COULD have just as easily had the kid just make some nonsense signs and hardly anyone every would have known. It's nice to see that they tried. Now here is the rub, however, the DVD is NOT captioned at all!!! So, deaf people who COULD understand the boy cannot watch the film and enjoy it.

Also, while not a huge mistake, in one scene late in the film the three leads are in town and it's pouring down rain--so much so that they need to stay there until it clears. Yet, when they arrive back at the farm, it's 100% dry--the same dessert-like place it's always been with dirt, dirt and more dirt.