Cendres et diamant

I've seen this movie only twice, stumbling across it the first time in a theater in Skopje, Yugoslavia, and I left the theater almost in shock. I'd never seen such a combination of direction, editing, cinematography, and acting. (That business about Cybulski being "the Polish James Dean" is disregardable nonsense; like saying that Chopin was the Polish John Phillip Souza.) Wajda's other films didn't seem so impressive, but "Ashes and Diamonds" was simply superb. The images linger in the mind, even now, when artiness has become commonplace. The shattered crucifix hanging upside down; the final chase through the drying laundry; and Cybulski on his side, kicking himself around in circles atop a heap of garbage! It wasn't simply thought provoking, it was shocking. I can only remember one other time I felt stunned into silence on leaving a theater, and that was in LA after the first Bergman film I saw, which happened to be "The Seventh Seal." Don't miss it.

The post-war years were a difficult time for much of Eastern Europe, and ended with that region being plunged into dictatorship; so in many ways, it's surprising to see a film about that era (made under the communists) whose heroes are a pair of anti-communist assassins. One might more accurately say "anti-heroes", but the truth is, Andrzej Wajda's film is a critically sympathetic account of the motives on those on all sides in the conflict. Also marking this film out as modern is the dry script and mordant humour; while a big improvement over Wajda's previous movie, 'Kanal' (which had a horrible score) is the clever use of background music as orchestration. Some things do remind you that this film is (by now) almost fifty years old: not all the acting reaches contemporary standards. Still, it's as good a movie as was made in the 1950s, and all the more telling for its relative proximity to the events it displays.

At its most basic, Andrzej Wajda's "Popiol i diament" (called "Ashes and Diamonds" in English) may seem to be a look at where Poland would be going after WWII ended. The plot involves young Maciek Chelmicki (Zbigniew Cybulski), who has helped expel the Nazis from Poland. With the Soviet Union now taking over the country, he is ordered to shift his allegiance to them. Through Maciek's acquaintances with communist leader Szczuka and barmaid Krzystyna (Ewa Krzyzewska), a potentially explosive situation arises.

If you know nothing about how the movie got made, this seems to be the whole purpose. But there are other points. In a mini-documentary about the movie, Andrzej Wajda and his collaborators explain how the novel on which the movie is based had Szczuka as the main character. Wajda not only moved the focus to Maciek - and gave him sort of a James Dean look - but also stressed the scene where Maciek talks with the man who fought in the Spanish Civil War. Apparently, fighting like the man did is a Polish tradition. Therefore, the film likely appeals to the Poles in almost every way; the perfect Polish movie, if you will.

Although I've never seen any of Andrzej Wajda's other movies - hell, I'd never heard of him until the Academy Awards gave him an honorary Oscar - I staunchly recommend this one. One can clearly see how he used the movie to subtly challenge the Soviet domination of his country (of course, they couldn't openly say anything against the USSR). Poland's pro-Soviet government had approved the movie, but didn't want to let it outside Poland. Wajda got some people to smuggle it out of the country, and it reached much of the world. Probably the most amazing scene is the end. I won't spoil the end, but I'll note that blood on a white sheet looks a bit like Poland's flag (a nationalistic statement).

All in all, a great movie. Andrzej Wajda has every reason to be proud of it.

"Ashes and Diamonds" (Polish, 1958): And, this is the third of Wajda's trilogy about WWII in Poland, or perhaps better stated, inside the Polish people. This one is set on the last night of the war, and the following first day of official peace & freedom from German domination. As with both of the other films, nothing is as simple as it might first appear to us, or to the story's characters. Although it might not be "necessary" to view this trilogy three nights in a row (as I did), they SHOULD be seen in sequence. The writer and director chose exceptionally interesting and symbolic moments in time to place these stages. Note: NONE are upbeat, optimistic considerations of what war creates, except perhaps Wajda's inclination that the Poles do what they MUST for the greater good, even when it is for their individual worst.

This is a movie that becomes mostly great due to its fine directing approach. The movie at times picks an artistic approach but without disconnecting itself ever from its viewers.

It's really the way how this movie looks that made this an interesting and good watch for me. It features some beautiful black & white cinematography and it has some some really strong and unforgettable images in it.

The story in itself is being kept deliberately small and simple. The movie very rarely dwells, which is a good thing but it at the same time also prevents this movie from making a truly lasting impression with a good or powerful story. In my opinion the movie was lacking this, which prevented me from truly regarding this movie as a perfect movie, or a must-see classic, even though it is generally being regarded as perhaps the best and most definitive Polish movie ever made.

Neverhteless, the characters all do work out well, due to the movie its story and overall approach. It was also truly a pleasure to watch Zbigniew Cybulski act, who is known as the Polish James Dean. He was truly great and really solely carried the movie, for most part.

Due to the fact that the movie is being kept simple and small, there is also very little to indicate in this movie that it's actually one being set during WW II. Don't know whether this was done intentionally or not but anyway, I liked that about this movie. It's a war movie without the war and everything that goes along with that and basically all that ever indicates that there is war going on is shown by the presence of a few soldiers.

A solid but above all things beautifully directed movie, by Andrzej Wajda.

8/10

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