Atlantique, latitude 41°

Three years ago I wrote comments on the 1997 James Cameron film "Titanic" for this database. Either because of the number of Oscars collected by this film, or its fantastic production cost of some two hundred million dollars, I felt ashamed when reporting that I found it to be a most uncomfortable combination of a historical documentary and an entirely fictional romance. I found it hard to understand why such a major film should have been split between two such disparate styles of presentation. Although I had recognised that several scenes in Cameron's "Titanic" appeared to have been directly copied from the excellent 1979 TV film "S.O.S. Titanic", I did not feel this was adequate to explain the strongly documentary flavour of so many other sequences. All was explained very recently when, thanks to TCM, I had an opportunity to see "A Night to Remember" for the first time. This is an almost completely documentary 1958 film based on a very thoroughly researched and near definitive book of the same name that was prepared from the testimony given at the official enquiries in the U.K. and the U.S.A., and written by Dr. Walter Lord.. Much of Cameron's film was also documentary and appears to have been directly based on this much earlier film, the remainder was a romantic drama that was essentially incompatible. Cameron probably decided on this approach because ANTR, with no well known stars in the cast, failed to achieve the same success in the U.S.A. as in the U.K. I can now understand that featuring the romance in the way which Cameron did was probably intended to enable his film to create a greater degree of viewer involvement with the unfortunate passengers on the liner and so help to avoid this problem. Unfortunately in my view the documentary and the fictional parts of his film never melded.

These comments on the more recent film are necessary before I can meaningfully report my impressions when watching ANTR Although filmed in monochrome and created with a much more modest budget, ANTR is a film that I will find it very hard to forget. Characterisation of both the passengers and crew seemed to me to be spot on, there were none of the occasional caricatures which jarred so severely in the later film. The drama of the events was left to speak for itself and this created a much more powerful film. The three aspects of the Titanic disaster which have gripped public interest so strongly for almost a century are the sudden impact on a community of 2,000 ordinary people from all stations in life as they gradually realize that they probably only have another hour to live, the impact of the rigid class structures of the period on the way in which this situation was handled both by the passengers concerned and by those in authority, and the enormous number of "what if?" questions that the disaster raised (such as what effect pressure to win the Blue Riband for the fastest Atlantic crossing may have had on the seamanship shown by the officers). All three of these aspects are fully featured in the film, but often in quite subtle ways, and none is given excessive weight. The camera-work and attention to details of presentation, such as the creaking and groaning from the tortured ship, are truly outstanding. Special effects in the 1997 film are admittedly much superior (after all $200 million must buy something!), but those in ANTR are quite advanced for its time and are more than adequate to prevent any serious jarring notes from arising as the film is viewed. Ultimately a film has to be judged primarily by the credibility of the acting and direction, not from the special effects, and I certainly support the view of the majority of IMDb users that these raise ANTR to the status of an exceptionally fine, if not almost unique, movie. A documentary presentation of a major marine disaster which is realistic enough to closely involve most of its viewers will never be everybody's choice of film to watch; but for those who wish to see it, this film will provide an exceptionally rich viewing experience.

Including the very first movie that dealt with the Titanic disaster, SAVED FROM THE TITANIC (1912) starring Dorothy Gibson, an actual survivor who wore the same outfit in the movie that she had on that fateful night just a few months earlier, there have been TEN movies made covering the sinking, A NIGHT TO REMEMBER, based on Walter Lords' ultimate reference work of the same name, was the 6th. The film has no equal! For those who are interested, the other nine ARE chronologically:

TITANIC (1915) TITANIC: DISASTER IN THE ATLANTIC (1929) TITANIC (1943) TITANIC (1953) A NIGHT TO REMEMBER (1958) SOS TITANIC (1979) TITANIC (1984) TITANIC (1996) TITANIC (1997)

The REASON that A NIGHT TO REMEMBER excels, is that it is a straight up docudrama of the event. Historical accuracy (lets forget the "split,"... although actually "suggested" by a few eye-witnesses at the time, it was believed the ship had foundered intact) was observed, the main characters were vastly better portrayed than in later films and the "scale" of the disaster far more keenly felt, for all James Cameron's $180 million! Kenneth More made an unimprovable-upon Captain Lightoller and Laurence Naismith simply WAS Captain Smith. (The less said about Bernard Hill's loopy characterization in Cameron's epic, the better!) Those who wish to compare multi million dollar digitization to that which was available in 1958 need to get REAL and for all that money, and exciting as Cameron's was - it just didn't either LOOK or feel anything more than, well...a massive film-set! The 1958 version went to the heart of the tragedy...and took the viewer with them. A NIGHT TO REMEMBER will remain a tribute...THE tribute to that night of madness. Little things, David McCallum fighting for his life-vest, Michael Goodliffe as Thomas Andrews - dignity personified waiting for his last moments, the drunken cook - they were all worth more than $100 million dollars worth of fx! You can't BUY credibility. This could never have been an American tale - it didn't work with the 1953 Barbara Stanwyck version and it didn't ring true for Cameron (good though it was as a movie rather than as the tragedy!) Did anyone notice dear old "Q" (Desmond Llewelyn) below decks and old Brit-turned-Aussie favorite Stuart Wagstaff, as a steward in Steerage?

The Titanic disaster has provided material for quite an assortment of films, and a number of them have at least something to offer. This is one of the more effective, with its straightforward and, based on the knowledge then available, factually accurate approach. One particularly worthwhile aspect is that it spends more time detailing the reasons for the disaster than do most movies on the subject.

Often movies that try to stay close to the facts suffer from a lack of focus, especially when there is/are no central character(s) to hold things together. In this adaptation of "A Night to Remember", they solved the problem by focusing much of the action around Second Officer Lightoller, who was involved in some way in so many different aspects of what happened. As a device it works well, and there is enough action involving the other characters to keep it balanced.

Another inherent challenge in the story is that there are so many characters, and most of them hold some interest. In this adaptation, they chose simply to depict as many brief situations as possible, often without giving much with which to identify the characters. If you are familiar with Walter Lord's book, it is often possible to identify many of them, but otherwise, it might be a little confusing to sort through so many characters.

For such a detail-heavy story, this is an effective and commendable movie. With very few frills, it tells the story believably and sometimes memorably.

It does a pretty good job of meeting the main challenges, not telling the complete story, of course, but providing a worthwhile overview of events.

The original adaptation of the "Ship of Dreams", 'A Night to Remember' is a riveting and emotional study of the fateful maiden voyage of the RMS Titanic. A British production made on location at Pinewood Studios, Roy Baker's meticulous re-creation of the sinking of the Titanic is an utter masterpiece of cinema. The scale of the sets, the ingenuity of the visual effects and the stellar performances all make this a 1950's Brit-blockbuster at its very best. Whilst the '97 adaptation from James Cameron is a powerful piece of cinema, this stunning and melodramatic 1958 flick spends its 2-hour duration focussing on the lives of everybody aboard the ship instead of wandering off to study a love story between two characters. A film that relies on real-life survivor testimony, 'A Night to Remember' is in my opinion the best adaptation of the tale of the "unsinkable" ship and one of the best British films to have ever graced the screen.

I'm glad this fine piece of film-making from forty years ago is still readily available on video for all those who want an alternative view to James Cameron's gross, overhyped special effects extravaganza from 1997. Cameron spent more on making "Titanic" than the White Star Line spent (adjusted for inflation) on building the original liner and her two sisters, the "Olympic" and Britannic". The British producers of "A Night to Remember" spent in total on their film about as much as Cameron did on hairstyles for "Titanic", yet tell the story much better.

The style is semi-documentary from a book by Walter Lord, an American journalist who had actually travelled as a child on the "Olympic." Hence time and place are evoked seamlessly even if the representation of the ship using small models and back projection does not match Cameron's 9/10ths scale replica. Filming is in black and white, wholly appropriate as most of the action is at night, and there's not a bad performance from any of the large cast, several of whom went on to greater things.

All the story is there - the elegant huge new liner with passengers and crew neatly divided by class, the reckless overconfidence (21 knots into an icefield when several other ships had radioed they had stopped nearby,) the ignored ice warnings, the strange behaviour of the Captain of the nearby "Californian," the general heroism of the "Titanic's" officers and crew, and the lovers, young and old, who would not be parted.

Anyone who came out of Cameron's film feeling vaguely cheated (as I did) should see this movie for a much better presentation of the story, and a vastly better script. Not that that would have been hard - Cameron was a mug to write "Titanic" himself - his talents lie elsewhere, in appealing to the chimpanzee (primal fear) in all of us. The current interest in a shipping disaster which occurred 86 years ago does suggest it has a broader cultural significance than our desire to experience vicarious danger at the movies. "A Night to Remember" at least give some basis for thoughtful reflection.