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Les nus et les morts

Titre original : The Naked and the Dead
  • 1958
  • Tous publics
  • 2h 11min
NOTE IMDb
6,4/10
1,9 k
MA NOTE
Les nus et les morts (1958)
Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.
Lire trailer2:35
1 Video
32 photos
Political DramaDramaWar

Pendant la Guerre du Pacifique de la 2ème Guerre Mondiale, les thèmes de l'accomplissement de sa mission, sauver les vies des soldats sous ses ordres et imposer la discipline par la peur, pl... Tout lirePendant la Guerre du Pacifique de la 2ème Guerre Mondiale, les thèmes de l'accomplissement de sa mission, sauver les vies des soldats sous ses ordres et imposer la discipline par la peur, plutôt que par le respect mutuel, sont explorés.Pendant la Guerre du Pacifique de la 2ème Guerre Mondiale, les thèmes de l'accomplissement de sa mission, sauver les vies des soldats sous ses ordres et imposer la discipline par la peur, plutôt que par le respect mutuel, sont explorés.

  • Réalisation
    • Raoul Walsh
  • Scénario
    • Denis Sanders
    • Terry Sanders
    • Norman Mailer
  • Casting principal
    • Aldo Ray
    • Cliff Robertson
    • Raymond Massey
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,9 k
    MA NOTE
    • Réalisation
      • Raoul Walsh
    • Scénario
      • Denis Sanders
      • Terry Sanders
      • Norman Mailer
    • Casting principal
      • Aldo Ray
      • Cliff Robertson
      • Raymond Massey
    • 29avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Original Trailer
    Trailer 2:35
    Original Trailer

    Photos32

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    + 27
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    Rôles principaux44

    Modifier
    Aldo Ray
    Aldo Ray
    • Sgt. Sam Croft
    Cliff Robertson
    Cliff Robertson
    • Lt. Robert Hearn
    Raymond Massey
    Raymond Massey
    • Gen. Cummings
    Lili St. Cyr
    Lili St. Cyr
    • Willa Mae aka Lily
    Barbara Nichols
    Barbara Nichols
    • Mildred Croft
    William Campbell
    William Campbell
    • Brown
    Richard Jaeckel
    Richard Jaeckel
    • Gallagher
    James Best
    James Best
    • Rhidges
    Joey Bishop
    Joey Bishop
    • Roth
    Jerry Paris
    Jerry Paris
    • Goldstein
    Robert Gist
    Robert Gist
    • Red
    L.Q. Jones
    L.Q. Jones
    • Woodrow 'Woody' Wilson
    Max Showalter
    Max Showalter
    • Col. Dalleson
    • (as Casey Adams)
    John Beradino
    John Beradino
    • Capt. Mantelli
    • (as John Berardino)
    Edward McNally
    • Cohn
    Greg Roman
    • Minetta
    Henry Amargo
    • Sgt. Julio Martinez
    • (non crédité)
    Alan Austin
    • Lieutenant
    • (non crédité)
    • Réalisation
      • Raoul Walsh
    • Scénario
      • Denis Sanders
      • Terry Sanders
      • Norman Mailer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    6,41.9K
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    Avis à la une

    6jamesrupert2014

    Sanitised version of Mailer's searing book

    A platoon of marines led by callow, idealistic Lieutenant Hearn (Cliff Robertson) and battle-hardened, cynical Sergeant Croft (Aldo Ray) are sent on a dangerous recon mission by vainglorious but insecure General Cummings (Raymond Massey). Published shortly after the end of the war, Norman Mailer's book was a crude, unflinching, and critical view of war in the Pacific theatre. The much more superficial movie version, released 10 years later, returns to the usual Hollywood redemptive war narrative in which the good, while they may suffer, are ultimately rewarded, and the bad, while they may seem to succeed, are ultimately punished. The movie limits the book's philosophical dialogue between egalitarian Hearn and rank-conscious Cummings but then tacks on a final 'uplifting' exchange that is not (and could not be) in the book. The marine platoon is a little less stereotypical than in earlier war-era films but the soldiers still seem more like 'characters' than people. Ray is good as hard-assed Sgt. Croft (although the character has been toned down a bit from Mailer's sadistic sociopath). The film's combat scenes are a mixed bag: the scenes of fighting between the platoon and the Japanese defenders aren't bad (although the marines seem to be able to lob a hand-grenade pretty far), but the 'showpieces' rely largely on non-period footage and equipment (with the Japanese using easily recognizable American equipment). While pre-CGI filmmakers can be forgiven for not always being historically correct, I tend to watch these kinds of films for the 'combat' scenes and find the anachronisms distracting and disappointing. By the end of the 1950's, despite the Cold War jingoism, there were a number of good antiwar films but the producers of this film seem to have been unwilling to give vision to Mailer's harsh voice. Note: there are a number of IMDB reviewers more familiar with the book than I who have commented in depth about the differences between the two versions (which inevitably includes 'spoilers').
    6Evilmike

    A poor Hollywood remake of a classic novel.

    I saw this movie on a local PBS station about the same time I was writing a Term Paper on the novel. I have already read the novel several times, but I still thought that the movie perspective might be helpful. Needless to say I was wrong. The movie turns a book about the futility of the individual's role in war into a boiler plate feel good war movie w/ a happy ending. One of the most important parts of the novel, where Hearn is betrayed despite his best efforts to be a "good" leader, is scrapped. Hearn not only survives, but the movie goes on the kill the ass hole, Sgt Croft. In the book we see a group of individuals who all want to singlehandedly make a difference and who all end up failing because modern war has grown beyond the control of the individual. In the movie we see a division of good guys and bad guys where where good guys win and the bad guys get what's coming. Finally I would like to point out that this movie is a waste of time or unpleasant to watch. If its going to be on TV by all means watch it, but if you've read the book brace yourself to be VERY disappointed.
    Poseidon-3

    Not enough naked...Plenty of dead.

    Reportedly, Norman Mailer's best-selling novel was distilled and sanitized for the screen (what book isn't?!) Many people blame this for the rather weak resultant film. The film IS fairly weak, but the adaptation can hardly be the sole cause. "From Here to Eternity" and "Peyton Place" are just two movies adapted from adult novels that were made around this time and were referred to as "unfilmable", yet the end results were magnificent. This film concerns hard as nails, embittered Ray as an amoral Sergeant who's currently in charge of a motley troop of men in the South Pacific islands during WWII. Massey co-stars as a stern General who thinks of men as little more than beads on an abacus as he tries to figure out the strategies and percentages of war. His assistant Robertson clashes with him on various points and, after one particular battle, finds himself on a deadly mission alongside Ray and his band of not-so-merry men. Ray gives an okay performance in the film, but lacks the sort of leading man magnetism that could have put this over better. Robertson is thoughtful in his part, but doesn't really shine. Massey has a strong part with many nice moments. Several well-known TV and movie actors can be found in the troop including the always reliable Jaeckel, Best (who would later make a fool of himself weekly on "Dukes of Hazzard"), Campbell (famous for a guest role on the original "Star Trek" series), the ubiquitous Jones (who has an embarrassing role as a lovesick soldier) and Rat Pack comedian Bishop (who actually gives a nicely balanced performance.) There are some horrible flashbacks featuring various women. Ray's details his ludicrously presented relationship with trashy Nichols who laughs loudly and inappropriately at the end of it. Robertson has a dream involving a pallette of society girls he apparently had dabbled with, sometimes two at a time. Real life stripper St. Cyr makes a none too impressive appearance in the beginning of the film, inspiring Jones tremendously. The worst fault the film has is it's pedestrian nature. There is very little excitement generated throughout, even when arresting events are occurring. The film suffers from tiresome shots of the soldiers marching, climbing, walking, skulking..... A lot of the momentum gets lost along the way. This is countered somewhat by several bouts of unfunny physical comedy, heated arguments among the men and moments of drunken loudness. There is just a general unfocused quality in the film, possibly caused by shifts in the direction of the plot from the novel. What's worse is that in two hours of film, most of the men don't take their shirts off at all and when a few do it's in long shots. Maybe that's what was missing! The music does little to enhance the film. Bernard Herrman (who did such miraculous things to Hitchcock films) flounders here with unmemorable work. It's not the worst war film ever made, but truly falls short of being a great one.
    6SnoopyStyle

    a little messy

    It's 1943. A group of men set off for a Pacific island in a campaign headed by General Cummings (Raymond Massey). He's dictatorial and wants his men to fear him more than the enemy. His aide Lt Hearn (Cliff Robertson) is an idealist living under the shadow of his legendary father. Cummings sends Sgt Croft (Aldo Ray) and his men into the jungle on a seemingly pointless mission to test a mountain pass that should be easily defended by the Japanese. Croft is a hard-nosed leader who kills prisoners and has his men dig gold from the dead's teeth. After a dispute with Cummings, Hearn is also sent on the mission. Cummings goes off to headquarters to argue for more troops to stage a big attack. However the small pointless mission may actually hold the key to the island.

    This is based on Norman Mailer's novel which he infuses with some of his war experiences. First off, I don't like the start in Honolulu and the flashbacks. They take the audience out of the war experience. It feels melodramatic and old school like a bad 50s war movie. At its best, the movie has a feel of Malick's film 'The Thin Red Line'. The wide field of grass and shots that come out of nowhere give the movie a feeling of foreboding. The cast of characters get scattered in the mission. There is a message being delivered but it's a bit muddled. The movie needs to narrow the focus.
    7verbusen

    Don't Expect The Book and It's Decent

    The Naked and the Dead (1958), my rating 7 of 10. I see why this film has a middling score on IMdb after reading a synopsis of the book. If one comes to watch this film after reading the book and hope for it to be very faithful to the book such as a Cain Mutiny film did, you will not be happy. I watched the film without reading the book, which is considered by many to be one of the greatest novels of the 20th century, so I had no preconceptions of how the tale should unfold. For this reason, I'm happy I was able to enjoy the film on its own merits, I give it a decent score of 7. After reading a synopsis of the book, it contains much more personal information about the characters, especially pertaining to anti-Semitic bigotry and homosexual tendencies. Written in 1948, I bet this book turned some heads, it seems ahead of its time. 10 years later, America has fought in yet another war, and its appetite for war action dramas was changing to a more cynical side. The book mainly focuses on Aldo Ray's character along with some lurid domestic scenes involving soldiers and cheating wives and strippers. Aldo Ray is portrayed as a functioning psychopath, not really all that crazy but definitely a murdering sadist as he cold blooded murders a Japanese prisoner. Besides the Lieutenant/General conflict of Robertson and Massey's characters, two action supporting characters I personally like to watch had some decent screen time, LQ Jones and Robert Jaeckel. LQ's character is married to a stripper who sends him money (silly premise), I thought of a Z budget war film LQ was in, "Iron Angel" where he is in a strip club in Asia and there is a stripper there on the main stage up close and personal, with a very noticeable appendectomy or caesarian scar. Now that's a really good setting of a raunchy strip bar (although I think it had more to do with the film's low budget)! Richard Jaeckel gets some good screen time and shows his "I'm devastated" face he is usually called to perform in his films; hey he was a B movie action film guy and one of the few who consistently was called upon to show some emotion other than being angry. This was made by RKO Radio Pictures who was going out of business soon but the production values are decent. We see large military formations in the film, not just a squad. Perhaps the end footage was lifted from another film but I doubt it as the end says it was filmed in Panama and probably used our Canal Zone military units at the time for the large scenes. Purists may be dismayed that not much of the tank hardware is accurate but it looks better than the Battle of The Bulge and their newer tanks. Based solely as a war action drama and nothing more I am giving the film a 7 out of 10. If you are coming here after reading the book you may get about 40 percent of the character development (guessing) and I'm sure would not enjoy it as much. It should be remade now!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Norman Mailer, the author of the best-selling and critically acclaimed novel on which the film is based, was reported to have said it was the worst movie he had ever seen after viewing the film.
    • Gaffes
      A recon team would never be landed behind enemy lines in broad daylight, and from a large, noisy landing craft. Then after they land there is a lot of talking in their normal voices and all the yelling with the snake bite scene, they cross open ground in daylight, and they smoke, which can also be a giveaway.
    • Citations

      Lt. Robert Hearn: General... I've been thinking about what you said. Especially what you said about the power of fear and the fear of power. I never agreed with your point of view before, but I wasn't sure you were wrong. Now I'm sure. Two men carried me 18 miles through the jungle, a Baptist minister and a wandering Jew, but they didn't do it out of fear. They did it out of love. But they did something else besides save my life, they showed me something I've known all my life but I had forgotten. There's a spirit in man that'll survive all the reigns of terror and all the hardships. Man cannot achieve the authority of God. And no man, whether he's a politician or a general, should try. The spirit in man is God-like, eternal, indestructible.

    • Connexions
      Featured in The True Adventures of Raoul Walsh (2014)
    • Bandes originales
      Some Sunday Morning
      (uncredited)

      Music by Ray Heindorf and M.K. Jerome

      Played during Lt. Hearn's dream sequence

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    FAQ14

    • How long is The Naked and the Dead?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 janvier 1959 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Naked and the Dead
    • Lieux de tournage
      • Panama
    • Sociétés de production
      • Paul Gregory Productions
      • Gregjac Productions
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 11 minutes
    • Rapport de forme
      • 2.35 : 1

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