Les géants et les jouets

Giants and Toys is a movie with lots of very interesting ideas and if the movie would have been done right it could have easily been a 9/10 for me, which, if you know me, is not a score I give a movie for free. The directing of this movie however missed the point and there was no focus which made the movie seem like a bit of a mess and after you finish it, rather than a coherent picture only bits and pieces stick with you which were the great parts and ideas of the movie.

The tone for example was all over the place. It started off as a fast paced comedy and then later introduced dramatic and thought provoking concepts that deal with the ruthlessness of business and the suffering people have to endure to succeed. Those 2 tones don't really mix well and slowing down your pacing in order to really capture your image of business would have helped to really convey the idea.

The movie also deals with the idea of how people change and become monsters when they become inclined in the nature of business, but sadly didn't manage to capture that with their most important character, the protagonist. He starts off as a naïve young guy new to business and ends in the same way while everything around him changes. I sadly very rarely see in Japanese movies this sort of character development where a good guy is turned into some sort of monster through his environment (you have a few movies which go somewhat in that direction, such as Akira, but you don't have those character developments in Japanese movies as you see in: Citizen Kane, the shining, lord of war, blow or prestige). This sort of character development that can really hammer home the ideas behind the movie is sadly missing in some movies that would really need it, most noticeable this movie. So yeah, Giants and Toys is a good movie, its entertaining well-acted, nicely shot, has a lot to say about businesses and how they are run and is surely worth a watch, but with the right focus to what this movie actually should be, it could have been way better (but ofc also way worse depending on the focus).

Japan, 1958. As fierce competition goes on between the Giant, World, and Apollo candy companies, Nishi, an advertising executive for World, finds on the streets a cute hillbilly girl called Kyoko with rotted out teeth, bad clothes and tadpoles as pets. Sensing she possesses some sort of weird appeal, he immediately thinks she would make a great model for the next World campaign, selling candy in a space suit (Space themes, the execs reason, should score big as a new theme for advertising in Asia; let's remember this movie was made a year after the Sputnik). As she becomes more famous, of course, Kyoko develops a more independent streak, and resents more and more being manipulated around by the World people. So she tries to pursue the dream of being a singer in the new medium of television. It is amazing that this satire of advertising, capitalism and consumerism was made in 1958, since it is unlike any other movie from that time, including American movies. A film relatively (and undeservedly) unknown, it's full of pop imagery a decade before pop took over the world. It only shows once again that since the 1950s, Japan has been ahead of the rest of the world (including other rich countries) by decades. By the way, I saw it in a terrific color print, that makes the Japan of almost 50 years ago look as if it was shot yesterday.

Giants & Toys - One the main reasons I watched Giants & Toys was for the simple theme of the 1950's space craze. I love that era and 1950's Science Fiction. And I wasn't disappointed, I loved to see all the toys used as props in the movie, more than once stopping to get better look at them. What that stuff would be worth on eBay! It seems frivolous, but it did get me to watch the movie.

Giants & Toys is biting commentary on then contemporary 1950's Japanese life. It shows a society where corporations have taken over the Samuri Class role. Life belongs to your company. In the end, even beating down the most idealistic employee. From all I've read about Japanese corporate culture, this is what it is like.

More than just commentary on Japanese life, Yasuzo Masumura (director), Takeshi Kaikô (novel) and Yoshio Shirasaka (writer) are prophetic in the assessment of pop culture and media even in today's society. About thirty minutes into the movie there a line about "stars getting their 15 minutes of fame." Now that line may have not been a literal translation from the Japanese, but even so. Worhol's comment on fleeting fame wasn't made until 1968, ten years after Giants & Toys. I would love to find out what actually was said in that scene (anybody care to translate). I also wonder if this movie was an inspiration to Worhol.

I definitely put this into a must watch category. I look forward to checking out more Masumura films.

Corporate intrigue between the Giant, World, and Apollo caramel companies. Nishi is an ad exec for World, his best friend from college works in the advertising division of Giant, and his girlfriend works in the advertising division of Apollo. Nishi's boss, Godo is married into the family that runs the company, and it is obviously not a happy marriage, Godo disrespects his wife and has worked himself into a bleeding ulcer. When Godo and Nishi discover a cute hillbilly girl with rotted out teeth on the streets, Godo thinks she would make a good model and convinces her that Nishi is in love with her. While the rival companies create competing campaigns the young workers attempt to find a middle ground between loyalty to the company and loyalty to your friends. Eventually things turn very bad, and this may be the only movie in history where a guy walking around in a spacesuit with a bubble helmet, shooting a toy gun is a downer ending. The movie features a very weird musical number where Kyoko the hillbilly girl (after getting her teeth fixed) sings a jazzy little number about death, destruction and cannibalism. It is amazing that this film was made in 1958, it is light years beyond any other movie from the 50's I've ever seen. The use of Nishi's lighter to trigger montages is a really interesting idea visually, and I've never seen anything like that before. I give it a 10, and now I definitely need to see more of Masumura's films- the only other one I've seen is Blind Beast which is a horror/sexploitation flick in the style of The Collector.

I haven't seen any of Masumura's other films, but, if they are anything like "Giants and Toys," they are extremely strange. Think "Four Hundred Blows" crossed with "Greed is good" American-style capitalism in post-war Japan, and you've got a good idea of what the story is about. Wickedly on-target satire, good performances, and interesting visual ideas (including Warhol-esque shots of ads featuring World Caramel's poster girl) converge in a very good, if surreal, movie. It's not quite good enough to be a classic, but it is unpredictable and enjoyable to watch.