Contre-espionnage à Gibraltar

I was particularly tickled by the sight of James,as himself,during his training in a sequence where he observes himself,as Monty in order to study his demeanour,walk & mannerisms, before the real masquerade. Now that's acting! The news theatre at the end where Mills & James watch the newsreel was clearly the former Times by Baker St underground & close to Madame Tussauds. Would make a good double feature to support "The Man Who Never Was" - a similar intelligence con to mislead the Nazis on plans for the invasion of Europe. Probably the biggest laugh comes from the icy and withering remarks of John Le Mesurier (as James' adjutant)on his contempt for the acting profession, in a brief early scene where he initially reports for "duty" as a lowly corporal.

When the British intelligence service is faced with the challenge of convincing the Germans that they intend to invade from North Africa they are stumped - the attack is clearly going to come across the channel into France, they know it and the Germans' know it. However, when Major Harvey visits a theatre he happens upon an actor who impersonates General Montgomery as part of the show. Within days Corporal Clifton-James is recruited to impersonate Monty in the Mediterranean in order to trick the enemy into thinking an attack is due from that direction.

I only found out about this film after hearing the Goon show's spoof `I was Monty's treble'; at that time I was vaguely aware of the history, but not of the details and not of this film. The film is based on the memoirs of the events from the point of Clifton-James himself and are reasonably factual, despite the fact that the film has an enjoyably comic tone to it for the majority. What it does do very well is to portray him as a real person; his reluctance to take the job, his nerves, his insecurity and so on - at no point is he a strong-jawed, guns-blazing hero, instead he is a man doing what he needed to do in wartime. This really helps the film and is actually complimented by the comic tone.

What helps it even more is the presence of Clifton-James as himself. His performance is very normal - by which I mean he never plays to the fact that he is a hero, he comes across as a very unassuming gentleman, as I find those who serve in the military in a low/medium rank for some time tend to be. In both his book and this film he could have made himself look more heroic and less reluctant but he never does. Mills is excellent in the supporting role and enjoys a more comic touch than many of his war films allow him. The support cast are just as good and it is fun to see so many well known faces including Cecil Parker, Sid James, Leslie Philips and John Le Mesurier sending up the profession of acting! Of course it is Clifton-James who is the draw even alongside these big names; he is a true hero - and it's impossible to forget that as you watch this, these are not fictional risks, he lived this for the greater good.

And it is this that made the film so fascinating to me. Many flag waving films will miss this point, but heroism is often not natural; it often comes forced onto people and is found in the most unlikely of places. In this film we see first hand how an ordinary man with no real confidence or ability is called and rises to the challenge, not because it is his dream or desire but because his country needs him and needs must. Although he plays it quite light here, I will always remember what he did and who he was - I shall be looking for his book on the internet once I finish writing here.

Overall this is a tremendously fun war movie. It lacks action until the end and focuses on Clifton-James as a person as he goes from put upon little actor in the military to one of the most important people in the Normandy landings. A fascinating story, a real inspiration and a funny film to boot - should be seen by as many people for as long as possible. Lest we forget.

During World War II, a British actor (M A Clifton James who wrote and performed himself in the movie) is assigned by two Colonels (Cecil Parker , John Mills) to impersonate Field Marshal Montgomery in order to confuse and amaze the German intelligence in an attempt to make the Nazis believe that the invasion of Europe would come from North Africa . The Gigantic Hoax of World War II. You too , could have been fooled!

This is the true story of how an impersonator was recruited to impersonate Field Marshal Bernard L. Montgomery to mislead the Germans about their real intentions before the Normandy invasion . This great deception actually made Hitler hold a Panzer Division in the South of France . Interesting and compelling screenplay from Brian Forbes based on the book by M. E. Clifton James himself , it's a competently written piece of work . The only point in the scenario which may annoy to scholars of history turns out to be the fictional attempted kidnapping of Montgomery by the Nazis . The actual final was more amazing : James who had been seconded from an Army office went back to his base and he was arrested as a deserter . The main entertainment of the movie results to be to discover who notorious British seconday actor is appearing here and there , including the following ones : Patrick Allen , Patrick Holt , Leslie Phillips, Michael Hordern , Marius Goring , Barbara Hicks , Duncan Lamont , James Hayter , Sidney James, Bill Nagy , Edward Judd , Victor Maddern , Vera Day , Brian Forbes , Alfie Bass , John Le Mesurier , Walter Gotell , Allan Cuthbertson and Steven Berkoff who nowadays goes on playing .

This fascinating WWII movie was compact and professionally directed by John Guillermin . He had a long career , as John directed all kinds of genres , such as : Disaster films ( Skyjacked , King Kong, Kong lives ) , Airplane movies (Blue Max) , adventures ( Tarzan in India , Tarzan's greatest adventure , Sheena ) , Wartime ( Bridge of Remangen , Guns at Batasi , I was Monty's double ) and intrigue ( Death on the Nile , Shaft in Africa , The whole truth ) . John Guillermin usually worked with George Peppard in various films ( such as P. J , House of cards and Blue Max) and Peter Sellers (Never let go , Walz of the Toreadors) , being his last one , a Western title The Tracker (1988) with Kris Kristofferson . Rating : 7/10. Better than average , well worth watching . Essential and indispensable seeing for WWII enthusiasts.

This is a wonderful war film--mostly because it is NOT about fighting and shooting--we certainly have had a lot of that sort of film. I like films that show a different side--the seldom-known acts of heroism such as the film "Dam Busters" or "The Man Who Never Was". In "Hell, Heaven or Hoboken" (a badly renaming of "I Was Monty's Double"), you have the true story about a regular enlisted man and actor who was chosen to imitate General Montgomery--the leader of the British forces during WWII. The plan was to have the double go on a tour of North Africa around the same time as the Normandy invasion in Northern France--so that the Germans would assume the assault would come from the South as well as much later. This film is about the formation and execution of this ultra-top secret plan. It's filled with tension and is very, very watchable--much of it due to good writing, direction and excellent acting (it sure didn't hurt having John Mills and Cecil Parker along with the real-life double, M.E. Clifton-James in this leading role).

I say watch this interesting film--it's a dandy. However, I did have one problem with the film--albeit a minor one and one more for history buffs like myself. The film used a lot of stock footage--most of it reasonably good. However, some of it was way too grainy and scratchy and made the film look cheap in spots--such as the footage of Bf-109s and Spitfires scrambling. Also, SOME of this real-life story is NOT real-life--such as the very exciting finale involving Nazi commandos! Still, a lovely little film and there's an awful lot to like!

It helped in this film to have the actual person that really did impersonate Montgomery. Clifton James give a good performance as both himself and Montgomery. An excellent Bryan Forbes script that is well delivered by Cecil Parker and John Mills.