Ajouter une intrigue dans votre langueAdvertising executive Marshall Briggs finds his work in conflict with his love-life with fashion model Janice Blake.Advertising executive Marshall Briggs finds his work in conflict with his love-life with fashion model Janice Blake.Advertising executive Marshall Briggs finds his work in conflict with his love-life with fashion model Janice Blake.
- Réalisation
- Scénario
- Casting principal
Stephen Dunne
- Bob Sanders
- (as Steve Dunne)
Stanley Adams
- Cabbie
- (non crédité)
Suzanne Alexander
- Camera Girl
- (non crédité)
Suzanne Ames
- Luxenburg Girl
- (non crédité)
Paul Bradley
- Nightclub Patron
- (non crédité)
Tex Brodus
- Office Worker
- (non crédité)
Kay Buckley
- Camera Girl
- (non crédité)
Jeanne Carmen
- Camera Girl
- (non crédité)
Harry Cheshire
- Texan at Phone Booth
- (non crédité)
Jonathan Daly
- Young Law Clerk
- (non crédité)
Avis à la une
One of those frustrating comedies in which misunderstandings arise because the characters fail to talk to one another. Stand-up comic George Gobel is an ad exec married to Diana Dors (before weight gain turned her into a plump parody of the sex-bomb she once was), who used to be the model for his agency's leading client. A few bright spots - but not many - and Gobel and Dors come across as a second-rate Ewell and Monroe.
Diana dors is hot! But that's all! The writing is so bad, and the lead actor is so annoying, I can't dumb myself down to watch. I did watch the film, but I kept saying aloud, "this is so dumb!" The writing and characters are so weak and dumb. Had potential but I watched and it's so bad.
Wonderful to see the great Diana Dors in her prime. She really was an actress but was seldom allowed to show it, as in this film. The storyline is similar to romantic comedies of the '30s and '40s. Dors married to Gobel, somewhat reminiscent of the Marylin Monroe characters often matched with male characters thought not to be in her league, are an enjoyable couple. No doubt that this is a piece of fluff, but enjoable to watch both leads at the time their names were part of pop culture.
An alleged comedy starring George Gobel and Diana Dors' cleavage, this TV-style sitcom asks us to believe 1) George would win Diana, 2) they'd live in what looks like a $10 million Manhattan duplex on his salary as a junior ad executive, 3) she would never, never get the chance to tell him she's expecting, which would essentially end the movie, 4) he'd put up with Jessie Royce Landis's endless henpecking (cue the mother-in-law jokes), and 5) the ultimate symbol of screen urbanity, sophistication, and chivalry is
John Wayne. The writing is barely television level, and director Hal Kanter (later a TV mogul, responsible for "Julia" and other notable sitcoms), barely knows where to point the camera. The story's so thin that even at 85 minutes it feels padded. Diana, always good to look at and not an incapable actress, deserved better than this.
I Married a Woman was made in 1958 at the height of George Gobel's career. George is playing his usual henpecked character from television with an overbearing boss, an interfering mother-in-law, a dissatisfied advertising client and a few other things that make his life an adventure. But if you were married to the statuesque Diana Dors, somehow a lot of those problems would seem small. They don't for Mr. Gobel.
Gobel was a very big name in television at this time with a Saturday night variety show for NBC at 10:00 pm. I still remember from my youth the booming TV announcer for NBC announcing their fabulous Saturday night line up of COMO, CAESAR, GOBEL. It was sure superior to NBC's line up now.
Watching George Gobel for me is a piece of nostalgia. And looking at the shapely Diana Dors in a tight dress is reason enough itself to watch this film. Gobel's humor doesn't quite translate to the big screen however. You get the feeling you're watching one long skit from his old TV show.
One of the gags that doesn't quite work is have John Wayne make an unbilled appearance as Diana Dors's idea of a romantic leading man. Romantic? John Wayne? Wayne makes two appearances in the film. In a movie theater where Gobel and Dors are watching the Duke and Angie Dickinson mouthing some meaningless romantic dialog with the Duke looking quite debonair.
I have to believe that this was a gag meant for someone like Cary Grant or Tyrone Power who were great romantics on the screen. The Duke just looks ridiculous doing this. Maybe that in itself was a gag.
I'll let you be the judge if you see this film.
Gobel was a very big name in television at this time with a Saturday night variety show for NBC at 10:00 pm. I still remember from my youth the booming TV announcer for NBC announcing their fabulous Saturday night line up of COMO, CAESAR, GOBEL. It was sure superior to NBC's line up now.
Watching George Gobel for me is a piece of nostalgia. And looking at the shapely Diana Dors in a tight dress is reason enough itself to watch this film. Gobel's humor doesn't quite translate to the big screen however. You get the feeling you're watching one long skit from his old TV show.
One of the gags that doesn't quite work is have John Wayne make an unbilled appearance as Diana Dors's idea of a romantic leading man. Romantic? John Wayne? Wayne makes two appearances in the film. In a movie theater where Gobel and Dors are watching the Duke and Angie Dickinson mouthing some meaningless romantic dialog with the Duke looking quite debonair.
I have to believe that this was a gag meant for someone like Cary Grant or Tyrone Power who were great romantics on the screen. The Duke just looks ridiculous doing this. Maybe that in itself was a gag.
I'll let you be the judge if you see this film.
Le saviez-vous
- AnecdotesThe fictional film which George Gobel and Diana Dors are watching in the cinema is a Technicolor film "Forever and Forever and Forever" starring John Wayne and Angie Dickinson.
- Citations
Marshall 'Mickey' Briggs: All right. I'll tell ya'. This morning, right after breakfast, I flew to Mexico and had a mad, gay whirl with a lady bullfighter. I gave her my old fraternity pin and she gave me the ears to her bull. Now, let's have dinner and get to that ballgame!
- Crédits fousThe end of the film goes from black and white to colour, finishing with The End ? morphing into The End !
- ConnexionsFeatured in Talkies: Memories of Diana Dors (2017)
Meilleurs choix
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- How long is I Married a Woman?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Links und rechts vom Ehebett
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 25min(85 min)
- Couleur
- Rapport de forme
- 2.00 : 1
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