La Nuit de tous les mystères

This classic version of "House on Haunted Hill" is one of the most entertaining examples of the low-budget, black-and-white horror films that used to be such a mainstay for movie fans. It has few frills, but it does have some thrills, and in particular it has a cleverly written story that is told at a brisk pace, with a good deal of interesting and pleasingly macabre detail.

Horror legend Vincent Price is in his element as the mysterious millionaire who invites a houseful of guests to spend the night in a supposedly haunted mansion, and his performance will give his fans everything that they expect. The supporting cast is solid, led by Elisha Cook, who is very good as a nervous, tipsy character whose rambling proclamations of doom add the right touch of offbeat suspense. The settings are given plenty of detail that makes the characters' explorations of the house even more interesting.

The story is nicely written for the genre, making very good use of the possibilities in the setup, throwing in some good turns, and resolving everything in a resourceful fashion. And it's not without some real suspense - even those who normally watch low-budget horror features solely for the camp factor might get an actual start once or twice as everything plays out. And even if you don't find anything scary, there is plenty here that makes it enjoyable to watch.

William Castle liked to promote his films with gimmicks, and the gimmick for THE HOUSE ON HAUNTED HILL was Emerg-O: at the peak of the action, a glowing skeleton "emerged from the screen" and flew out over the audience on a wire. By most accounts Emerg-O caused more laughter than chills, but fortunately Castle never relied on gimmicks alone: he also liked bona fide stars, and for HAUNTED HILL his star of choice was none other than the legendary horror star Vincent Price.

Like most Castle films, HAUNTED HILL's plot reworks a well-worn theme. Millionaire Price and his wife Carol Ohmart give a "haunted house party" for five strangers chosen at random and promised ten thousand dollars if they last the night. The catch: the doors lock at midnight, after which there is no escape until the caretakers return in the morning. While the story itself doesn't hold many surprises, the script is unexpectedly witty, and Price plays it in a slightly prissy, very high-camp manner with a tremendous dose of the black humor for which he was so famous--and the little-known Carol Ohmart is every bit his match, snapping out memorable lines ("Darling, the only ghoul in the house is you!") in every scene. Together they elevate the film well above what you might otherwise expect, and when combined with the largely wooden supporting cast and some of the silliest this-is-supposed-to-scare-you effects imaginable the result is a cult classic with plenty of camp appeal.

In addition to Price and Ohmart, the film is also surprisingly atmospheric. Shot in and around one of Frank Lloyd Wright's more famous structures, the grainy "late show" look of the film (due more to accident and age than deliberate intent) is very entertaining, the cinematic devices (everything from disembodied heads, irises, and jump-cuts) are very appealing, and the sound track (which sounds like a mix of piano bass keyes, synthesizer, and soprano vocals) is exactly what you'd want for this obvious but extremely entertaining flick. Of all the Castle films, THE HOUSE ON HAUNTED HILL is my personal favorite, and it should rate very high with fans of cult, camp, and Vincent Price. And I'll go further than that: of all his memorable appearances, I do believe this was among Price's best. A great choice for both family movie night or a sophisticated Halloween howl--very recommended! Gary F. Taylor, aka GFT, Amazon Reviewer

William Castle has made several wonderful horror films; some obviously better than others, but at the top of the list are "Thirteen Ghosts" and "House on Haunted Hill." This movie might though have been all but forgotten if not one plucky guy recently remade this movie in to a much more gory movie. That movie is a remake in name only, but this one is obviously more superior because it has the incredibly creepy presence of Vincent Price and the nervous tick of Elisha Cook. The ghosts aren't very scary, nor do we see anything really supernatural, but the atmosphere and uneasiness of this film makes for an incredible who done it story as you wonder who will get it. The set is intoxicating inasmuch as you never really see all of it, nor is it really explained what such a dangerous pit is doing in such a precarious spot in the basement. Such a matter isn't important. On the other side of the coin, the music and the special effects are rather hokey, but then when this was in the theaters, a lot of the teenagers would have been making out to have really bothered to pick this movie apart. It is only in recent years that movies have turned away from gore and back to movies with style and substance that we appreciate films like this.

Of the many William Castle directed shockers of the '50's and '60's, this one is probably the most traditional in terms of being a "ghost story". The set up is irresistible (derivative of "Ten Little Indians" in a way.) Five unrelated people are chosen to spend the night in what is purported to be a haunted house. Several murders have taken place in the house in the past. If the participants stay the night, their host (Price) will give them each $10,000 (a nice chunk of change in 1958!) The house is surprisingly non-Gothic on the outside. It more closely resembles a piece of the 1937 "Lost Horizon" set. Inside, it has the more expected old woodwork, creaky doors, curtained alcoves, etc... Price is wonderful, as always, as the sardonic, mysterious host. His wife is played by a former beauty queen (Ohmart) who is attractive, if a bit frosty. They have some interesting repartee which reveals their mistrust and hatred for one another. The guests include leading man-type Long, ingenue Craig, nervous Cook, crusty Mitchum and debonair Marshal. Macabre Price gives the guests loaded guns as party favors! It doesn't take long for the unusual occurrences and minor creeps to begin. Soon, the inhabitants are locked in and couldn't leave even if they wanted to! Long and Craig play Fred and Daphne as they try to unravel the goings-on. Cook drinks and gets more paranoid. Marshal tends to the wounded, getting more involved as the story progresses. Mitchum (Robert's sister!) is given little to do and doesn't appear to be a very significant actress. The film is hokey, campy and illogical...full of contrivances and inanities. Yet, it is undeniably entertaining. All of the hallmarks of an old-fashioned scary movie are in place....the eerie music, the undependable lights, swinging doors, secret passages and without question the most hilarious, terrifyingly ugly housekeeper ever put on film!

Price is right at home in these surroundings and does much to make the film palatable. There are a couple of fun plot twists to keep it from being too stale and the running time is a very comfortable hour and fifteen minutes. It's just a fun, entertaining way to waste an hour or so. Sadly, Craig (who had a real set of lungs on her...one of the greatest screamers ever!) was felled by a gunshot in real life about twelve years after this film was made at age 36. In fact, Marshal was dead within three years of heart ailments at 56 and Long died 16 years after from a heart attack at 47! And they say "Poltergeist" was cursed!

Forget the awful, senseless remake, the original 'The House On Haunted Hill' is one of the most entertaining and enjoyable chillers of all time. William Castle's over the top camp style is an acquired taste for many, but once you enter into the spirit of things you're in for a wild, fun ride. The legendary Vincent Price is in his element here as the cynical millionaire trapped in a loveless sham of a marriage, and Carol Ohmart, who I have only ever seen in the cult classic 'Spiderbaby', is a knockout as his tough as nails "better half". Their haunted house party guests, led by the much loved character actor Elisha Cook, Jr ('The Maltese Falcon' ,The Killing',etc.etc.), are well cast and amusing, and the whole thing is a hoot! I recommend this movie to all horror fans. It is quite possibly the single most entertaining horror thriller of the 50s. Supremely silly but still scary at the same time. Great stuff!