La Nuit de tous les mystères

William Castle liked to promote his films with gimmicks, and the gimmick for THE HOUSE ON HAUNTED HILL was Emerg-O: at the peak of the action, a glowing skeleton "emerged from the screen" and flew out over the audience on a wire. By most accounts Emerg-O caused more laughter than chills, but fortunately Castle never relied on gimmicks alone: he also liked bona fide stars, and for HAUNTED HILL his star of choice was none other than the legendary horror star Vincent Price.

Like most Castle films, HAUNTED HILL's plot reworks a well-worn theme. Millionaire Price and his wife Carol Ohmart give a "haunted house party" for five strangers chosen at random and promised ten thousand dollars if they last the night. The catch: the doors lock at midnight, after which there is no escape until the caretakers return in the morning. While the story itself doesn't hold many surprises, the script is unexpectedly witty, and Price plays it in a slightly prissy, very high-camp manner with a tremendous dose of the black humor for which he was so famous--and the little-known Carol Ohmart is every bit his match, snapping out memorable lines ("Darling, the only ghoul in the house is you!") in every scene. Together they elevate the film well above what you might otherwise expect, and when combined with the largely wooden supporting cast and some of the silliest this-is-supposed-to-scare-you effects imaginable the result is a cult classic with plenty of camp appeal.

In addition to Price and Ohmart, the film is also surprisingly atmospheric. Shot in and around one of Frank Lloyd Wright's more famous structures, the grainy "late show" look of the film (due more to accident and age than deliberate intent) is very entertaining, the cinematic devices (everything from disembodied heads, irises, and jump-cuts) are very appealing, and the sound track (which sounds like a mix of piano bass keyes, synthesizer, and soprano vocals) is exactly what you'd want for this obvious but extremely entertaining flick. Of all the Castle films, THE HOUSE ON HAUNTED HILL is my personal favorite, and it should rate very high with fans of cult, camp, and Vincent Price. And I'll go further than that: of all his memorable appearances, I do believe this was among Price's best. A great choice for both family movie night or a sophisticated Halloween howl--very recommended! Gary F. Taylor, aka GFT, Amazon Reviewer

Of the many William Castle directed shockers of the '50's and '60's, this one is probably the most traditional in terms of being a "ghost story". The set up is irresistible (derivative of "Ten Little Indians" in a way.) Five unrelated people are chosen to spend the night in what is purported to be a haunted house. Several murders have taken place in the house in the past. If the participants stay the night, their host (Price) will give them each $10,000 (a nice chunk of change in 1958!) The house is surprisingly non-Gothic on the outside. It more closely resembles a piece of the 1937 "Lost Horizon" set. Inside, it has the more expected old woodwork, creaky doors, curtained alcoves, etc... Price is wonderful, as always, as the sardonic, mysterious host. His wife is played by a former beauty queen (Ohmart) who is attractive, if a bit frosty. They have some interesting repartee which reveals their mistrust and hatred for one another. The guests include leading man-type Long, ingenue Craig, nervous Cook, crusty Mitchum and debonair Marshal. Macabre Price gives the guests loaded guns as party favors! It doesn't take long for the unusual occurrences and minor creeps to begin. Soon, the inhabitants are locked in and couldn't leave even if they wanted to! Long and Craig play Fred and Daphne as they try to unravel the goings-on. Cook drinks and gets more paranoid. Marshal tends to the wounded, getting more involved as the story progresses. Mitchum (Robert's sister!) is given little to do and doesn't appear to be a very significant actress. The film is hokey, campy and illogical...full of contrivances and inanities. Yet, it is undeniably entertaining. All of the hallmarks of an old-fashioned scary movie are in place....the eerie music, the undependable lights, swinging doors, secret passages and without question the most hilarious, terrifyingly ugly housekeeper ever put on film!

Price is right at home in these surroundings and does much to make the film palatable. There are a couple of fun plot twists to keep it from being too stale and the running time is a very comfortable hour and fifteen minutes. It's just a fun, entertaining way to waste an hour or so. Sadly, Craig (who had a real set of lungs on her...one of the greatest screamers ever!) was felled by a gunshot in real life about twelve years after this film was made at age 36. In fact, Marshal was dead within three years of heart ailments at 56 and Long died 16 years after from a heart attack at 47! And they say "Poltergeist" was cursed!

I remember seeing this movie when I was a kid and how scary it was to me, especially the scene where Nora sees the old lady ghost for the first time. I haven't seen this movie since I was 6 years old and I remember watching with my mom recently the "100 scariest movies" on BRAVO and this movie was mentioned, I figured since I had the opportunity to see it again, why not? Like I said, it's somewhat lost it's edge, but still 'till this day, House on Haunted Hill will always remain a great movie to watch any stormy night.

Five strangers have been invited to a house on Haunted Hill, they are being offered by Vincent price $10,000 each, the catch? They have to spend the night at that house that has been cursed, thinking it's just a good old fashioned haunted party that Vincent's wife is throwing, they go along with it, especially since they could easily have $10,000. But things start to go a little crazy when horrible things happen to the guests, including the sights of ghosts. But questions are brought up when the wife seems pretty up on loosing her millionaire husband.

The story was great and the ending was one of the first great twist endings of our time. Again, I could always easily laugh at some scenes now a days, but I think it is because of the fact that I've seen so many horror movies. Because I still remember those horrible nightmares this movie gave me as a kid and that's what makes this movie special to me, it will remain as the greatest sleepover flick!

7/10

Forget the awful, senseless remake, the original 'The House On Haunted Hill' is one of the most entertaining and enjoyable chillers of all time. William Castle's over the top camp style is an acquired taste for many, but once you enter into the spirit of things you're in for a wild, fun ride. The legendary Vincent Price is in his element here as the cynical millionaire trapped in a loveless sham of a marriage, and Carol Ohmart, who I have only ever seen in the cult classic 'Spiderbaby', is a knockout as his tough as nails "better half". Their haunted house party guests, led by the much loved character actor Elisha Cook, Jr ('The Maltese Falcon' ,The Killing',etc.etc.), are well cast and amusing, and the whole thing is a hoot! I recommend this movie to all horror fans. It is quite possibly the single most entertaining horror thriller of the 50s. Supremely silly but still scary at the same time. Great stuff!

There's something to be said for a society that could be scared much more easily than they are now. These late fifties and early sixties horror movies always filled the bill. There was always a hand reaching from behind a curtain to touch a young lady's shoulder, there was always a room where we shouldn't go, there was always Vincent Price. In addition to the introductions at the beginning which I love, especially Elisha Cook, there are all the dark wonderings put forth for us to chew on. Right on cue, something would make us jump, a few minutes would pass, and there it was again. I remember when skulls and skeletons could drive anyone to hysterics. They are tame now; we want more gore, dismemberment, disfigurement. This is a nicely paced mystery story. It could be pretty average but for Price's consistently eerie presence. He is so pained all the time. I imagine he has been seen as the villain in almost every film in which he appears, but we always wonder. The young woman in this movie supplies enough screams for everyone, and well she should. She seems to be the one that is being used over and over. We have the handsome Richard Long who is consistently skeptical as his young romantic lead tells him story after story. She is being set up to shoot Vincent. And then the house, which looks from the outside like a sports museum, has the secrets. Cook keeps reminding us that seven have been killed. He is an absolute mess but we need someone to keep the ghostly element involved. Did anyone think it might be a good idea to do something about that vat of acid in the basement. Did anyone stay in their rooms when all mayhem was breaking out. It doesn't matter because this movie is what it is. A spook show for a Friday night in the late fifties.