High School Hellcats

SUSANNE SIDNEY as "Dolly Crane" - see the pun in the name - steals the movie with her misplaced values (prides herself on teaching new girls how to steal). Would I be going too far to suggest there is a subliminal lesbian sado-masochist message in this campy romp? If ever I saw Freudian images, it was Dolly constantly playing with her knife, throwing it (which opened the credits) and gouging a tree while the "new" girl is ordered to make a date with another's girl boyfriend.

I recall when I first saw this movie. I was in college (1993) and AMC showed it one late night. I was so very taken by this movie. Of course, by today's standards it would be boring, but it was CLASSIC. Shear and utter nostalgia! The acting was interesting, but the plot was explosive. The relationship between Joyce and Mike was magical. The Hellcats were the first pink ladies! They were bad to the bone and yet they were still pretty wholesome. By 1958 standards, I am sure that the movie ruffled a few feathers. I searched for years trying to find the movie. I never knew the name. I even searched IMDB.COM and could not find the name of this movie. Finally, about a year ago - AMC showed it again. I LOVE HIGH SCHOOL HELLCATS. It takes you back to a period when simple acts of indecency (and murder) were shocking. Today those things are a "way of life" in society. HIGH SCHOOL HELLCATS reminded me of a more simple time, a time that I wish still existed.

Yvonne Lime is the new girl in school, and on her first day, she meets the Hellcats, an all-girl gang lead by Jana Lund. Lund tricks Lime into wearing slacks to school the next day, which is not allowed. (!!!) Having proven that she has guts, Lime is initiated and joins the gang and starts living wildly. It's all fun until a girl falls down the stairs and dies, and Lime turns against the gang with the help of her stand-up boyfriend Brett Halsey and sympathetic teacher Rhoda Williams.

This flick was one of two juvenile delinquent pics produced by Buddy Rogers (Mary Pickford's husband) and Ferde Grofe Jr. (son of film composer Ferde Grofe) for A. I. P. It's like a slightly inferior versions of the films Roger Corman was turning in during the same period. It's fun, but nothing to get excited about.

Essentially it's a classic exploitation film from the 50's. Good girl hanging with the wrong crowd in order to fit in, toss in a little romance, and some inevitable violence. Overall, a classic film for those in love with the 50s. amazing fashion, and perfectly representing the era. Also quite in line with traditional film noir acting. if you can't take film noir, you WILL hate every minute of this movie. If you can however appreciate the style, you'll love every second of it. Great as a comparison to our modern culture. highly recommended. Extremely quotable. It's also a short film, so it doesn't drag on or move too slowly, which is nice. If you're into rockabilly or 50's subculture, it's a must see, otherwise, i'd probably pass it by.

Joyce's dad spends most of his waking hours with his nose buried in a newspaper, complaining about nothing in particular, and using a suspicious amount of time commenting on his daughter's lipstick color and states of undress. Mama likes to play bridge and then come home to prepare her culinary specialty, Swanson's Turkey Roll with Assorted Vegetables and Asparagus Upside Down Cake TV dinner. Is it any wonder only child Joyce is drawn to the local high school girl group, the Hellcats. The Hellcats specialize in such deep criminal depravities as smoking, drinking, wearing slacks, and shoplifting $1.98 earrings from the local five and dime. Ma Barkers they ain't. But eventually something serious enough does happens that it makes Joyce have second thoughts about the path she is on.

Not quite funny enough to be camp, not quite bad enough to be a total waste, this is another in the series of where did the parents go wrong with their teens and thank goodness it only takes one death to turn things around. Not bad for the genre and entertaining for those who enjoy watching a lot of nose cone bras maneuvering around in tight spaces. And since it only runs 69 minutes, you don't feel too guilty, having spent such a short amount of time watching it.