NOTE IMDb
6,9/10
1,3 k
MA NOTE
Tod Lohman quitte l'Iowa pour le Far West. Il provoque accidentellement la mort de l'un des fils de Hunter Boyd. Il est obligé de fuir la poursuite impitoyable du père de la victime.Tod Lohman quitte l'Iowa pour le Far West. Il provoque accidentellement la mort de l'un des fils de Hunter Boyd. Il est obligé de fuir la poursuite impitoyable du père de la victime.Tod Lohman quitte l'Iowa pour le Far West. Il provoque accidentellement la mort de l'un des fils de Hunter Boyd. Il est obligé de fuir la poursuite impitoyable du père de la victime.
- Réalisation
- Scénario
- Casting principal
Malcolm Atterbury
- Hotel Clerk
- (non crédité)
Harry Carey Jr.
- Trueblood
- (non crédité)
Harry Fleer
- Cowpuncher
- (non crédité)
Irene Galindo
- Lupeta Bradley
- (non crédité)
Tom Greenway
- Doctor
- (non crédité)
Jon Lormer
- Grizzled Man
- (non crédité)
Dayton Lummis
- Padre
- (non crédité)
Avis à la une
I have to concur with most of the comments made by past reviewers. This film, starring underused actors Don Murray and Diane Varsi backed by outstanding support by fine character actors like R.G. Armstrong, Chill Wills, Adolfo Acosta and a young Dennis Hopper among others, is a tense film with many nuances. One thing I would love to be able to ask Hathaway. There is a one second scene of comic relief in this movie. Hathaway directs a scene of a cattle stampede coming directly at the viewer. Suddenly there is a full screen shot of actor Jack Elam's inimitable face with a look of horror on it because he is a cowboy in the path of the stampede! This is his only role in the film and he is not credited. I'd love to know the story on that scene. See this movie. Edk313@hotmail.com
If you have an all-region DVD player, which costs less than $100, you may order a very fine anamorphic widescreen copy of this film from Amazon Italy.
Don Murray, on the run after an accidental killing, eludes R.G. Armstrong and a very young Dennis Hopper in this stark western from Henry Hathaway. Along the way he meets a rancher and falls in love with the man's daughter. A fiery confrontation with the dead man's family finally brings closure to this violent chase story. Well developed characters not usually found in this genre.
Hard to find and well worth the effort.
Don Murray, on the run after an accidental killing, eludes R.G. Armstrong and a very young Dennis Hopper in this stark western from Henry Hathaway. Along the way he meets a rancher and falls in love with the man's daughter. A fiery confrontation with the dead man's family finally brings closure to this violent chase story. Well developed characters not usually found in this genre.
Hard to find and well worth the effort.
Henry Hathaway's westerns are more ambitious than simple action films,their high moral standards favorably compare to those of John Ford ,Henry King or Delmer Dames.At first sight,"from hell to Texas " seems a plea against violence ,but it's not only that.
Although a sharpshooter ,Don Murray's character is nothing more than a child who is clueless.The scenes by the river are revealing:he's a shy prudish lad ,whose only guide is his bible and his mother's photograph .In fact,he's desperately searching for a father.On his way,he will meet two older,wiser men for whom he's only a kid . It's really amazing how much these characters feel the hero's weakness and how they want to protect him.
Another father is his fiercest enemy because this man thinks he's responsible for his son's death.The screenplay smartly avoids the events that led to the chase.
On one hand,a young man trying to find a place he can call home (you do not like solitude,don't you,he says to a horse ),on another a blind father who destroys his family because of a false revenge.
The rebuilding of a family,with ,in parallel ,the nearly destruction of another one.
Although a sharpshooter ,Don Murray's character is nothing more than a child who is clueless.The scenes by the river are revealing:he's a shy prudish lad ,whose only guide is his bible and his mother's photograph .In fact,he's desperately searching for a father.On his way,he will meet two older,wiser men for whom he's only a kid . It's really amazing how much these characters feel the hero's weakness and how they want to protect him.
Another father is his fiercest enemy because this man thinks he's responsible for his son's death.The screenplay smartly avoids the events that led to the chase.
On one hand,a young man trying to find a place he can call home (you do not like solitude,don't you,he says to a horse ),on another a blind father who destroys his family because of a false revenge.
The rebuilding of a family,with ,in parallel ,the nearly destruction of another one.
It was a memorable film that i first saw on 'Saturday Night At the Movies" when I was 12 years old, (six years after it was released in 1958). Being raised on a diet of TV and movie westerns, 'From Hell to Texas' stood out from all of them; I identified with the lead and had a crush on Diane Varsi that lasted for years.
I saw this feature only one more time when I was 21, just before shipping out to Nam. This time I identified with the scope of the film and the depth of the characters. Chill Will gave a memorable performance definitely a cut above his typical side-kick comic relief roll, and I thought it interesting for a father to actually help his daughter's suitor in such a unstinting fashion. Opposite Wills was R.G. Armstrong and his son Dennis Hopper, though the heavies one could not really hate them. It was through these characters that it was easy to understand that it is not the person who is evil it is the deed. This film has always been in the back of my head and deep in my heart, for it stood out as having both action and a message. I hope it will be transferred to DVD soon. On memory alone I give it an '8'out of 10.
I saw this feature only one more time when I was 21, just before shipping out to Nam. This time I identified with the scope of the film and the depth of the characters. Chill Will gave a memorable performance definitely a cut above his typical side-kick comic relief roll, and I thought it interesting for a father to actually help his daughter's suitor in such a unstinting fashion. Opposite Wills was R.G. Armstrong and his son Dennis Hopper, though the heavies one could not really hate them. It was through these characters that it was easy to understand that it is not the person who is evil it is the deed. This film has always been in the back of my head and deep in my heart, for it stood out as having both action and a message. I hope it will be transferred to DVD soon. On memory alone I give it an '8'out of 10.
I switched on the TV today and accidentally caught this movie (having missed the first 8 mins) on (Freeview) FilmFour (UK) digital TV channel.
The "info" panel said it was first released in 1958 and directed by Henry Hathaway - a name I recognised from all those movie history books.
All the other reviewers have told all you need to know about the plot. There are no cardboard villains here. One feels empathy for the "bad" guys too!
If you enjoy watching intelligent movies that your parents (or your grandparents) may have enjoyed watching on the big screen in their youth then this is a movie you should try to catch!
Most of Hollywood movies of 90s and '00s seem such forgettable dreck compared with this movie!
The "info" panel said it was first released in 1958 and directed by Henry Hathaway - a name I recognised from all those movie history books.
All the other reviewers have told all you need to know about the plot. There are no cardboard villains here. One feels empathy for the "bad" guys too!
If you enjoy watching intelligent movies that your parents (or your grandparents) may have enjoyed watching on the big screen in their youth then this is a movie you should try to catch!
Most of Hollywood movies of 90s and '00s seem such forgettable dreck compared with this movie!
Le saviez-vous
- AnecdotesAccording to myth, Dennis Hopper required 85 retakes for one scene, causing director Henry Hathaway to yell at him, "You'll never work in this town again!" and that it was ten years before Hopper obtained another major role. Don Murray, however, has stated that this never occurred, and in fact, Hopper worked steadily through the 1960s, including twice more with Hathaway: Les quatre fils de Katie Elder (1965) and 100 Dollars pour un shérif (1969).
- GaffesAlthough the story takes place in the Old West of the 19th Century, Diane Varsi sports an up-to-the-minute 1958 D.A. hairstyle.
- Citations
Tod Lohman: Just let me take care of myself because I don't want anybody mixing into my trouble.
Amos Bradley: Looks like I might be mixed in anyway.
- ConnexionsReferenced in Kedamono no iru machi (1958)
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- How long is From Hell to Texas?Alimenté par Alexa
Détails
- Durée
- 1h 40min(100 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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