Suite à une négligence, un savant se retrouve, le temps d'une expérience, enfermé dans appareil de téléportation avec une mouche. Le résultat de l'expérience qu'il effectuait sur lui-même es... Tout lireSuite à une négligence, un savant se retrouve, le temps d'une expérience, enfermé dans appareil de téléportation avec une mouche. Le résultat de l'expérience qu'il effectuait sur lui-même est qu'il se retrouve moitié homme, moitié mouche.Suite à une négligence, un savant se retrouve, le temps d'une expérience, enfermé dans appareil de téléportation avec une mouche. Le résultat de l'expérience qu'il effectuait sur lui-même est qu'il se retrouve moitié homme, moitié mouche.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Andre Delambre
- (as Al Hedison)
- Dr. Ejoute
- (non crédité)
- Club Member
- (non crédité)
- Orderly
- (non crédité)
- Policeman
- (non crédité)
- French Waiter
- (non crédité)
- Audience Member
- (non crédité)
- Club Member
- (non crédité)
- Gaston
- (non crédité)
- Audience Member
- (non crédité)
- Detective
- (non crédité)
- Police Doctor
- (non crédité)
Avis à la une
"The Fly" is classic Sci-Fi / horror from the 50s and what a nice surprise this was! Unlike many of its kind in the 50s, this one didn't have a childish feel. The context may seem silly here, but its executed with enough skill and handled in a relax manner by director Kurt Neumann to set above the rest. Just don't be expecting a monster on the rampage tale. This one veers more towards a much more broaden and imaginative story with a certain eeriness contained in its psychological material rather than visuals. Even though it doesn't scare you witless, it still does provide a couple of memorable and ingenious shocks that are hard to put out of your mind. The film opens with the horrific outcome of Helene's husband Andre and then it goes into flashback mode where we learn the fate of Dr. Andre Delambre. What does make it surprisingly good is that we're treated with such passionately vivid characters and a interesting set-up that pulls you in by taking a more serious approach with a dabble of irony along the way. The talkative first hour slowly builds up to its taut last half-an-hour, where we get a smart and venomously bleak climax. Although, it could have done without that preachy conclusion. The rational script by James Clavell works by being incredibly dense with it thriving on some quick wit and sincerity. The story is more about a woman trying to save the man she loves as he slowly fights the genetic effects of the fly's DNA. He may seem hideous on the outside, but inside he is still more so human and he's trying his best to keep control of his dieing humanity. This is proved by how much he cares for his family's safety when he's willingly to take his own life for the best of everyone. It's practical story telling at its best.
The look of the film is top shape with it being shot in vibrant Technicolor and the key is that the deformity is kept hidden, but when it's revealed it actually stands up rather well. It's ugly, that's for sure, but still it looks rather competent. They're also an inventive touch when we see the creature for the first time with multiple frames being used to represent the reflection from human fly's eyes. In Cronenberg's version we see the grotesque transformation, but because of the times and effects we don't see it here, but more so the aftermath of the mishap. All of the devices and gadgets in Andre's lab are well presented and the mounted score adds in a forceful touch with nice crisp sound effects. The performances are more than great by the likes of Al Edison, Patricia Owens, and Herbert Marshall and even though Vincent Price had a supporting role, you'll be in awe of his effortlessly suave performance.
An excellent classic of its field that's more concern about telling a moving and fascinating story than just giving us pointless action and cheap thrills to spice up proceedings. The more you stick it out, the more compelling it does become.
This is much better than a simple 50's B-movie. The story is actually quite compelling. The acting is relatively good. Vincent Price is playing it straight. The production looks good. The directions are a little stiff which is the style of the day. It is still the story that is so great and the reveal is absolutely iconic.
A woman named Helene Delembre phones her brother-in-law, Francois Delambre to tell him that she has just murdered her husband. Francois calls in the police and she admits killing him but refuses to say why. Later, Francois tricks her into telling the story to him and Police Inspector Charas. A scientist, Andre Delambre, has invented a teleportation device. After a few failed attempts, he succeeds with living organisms, deciding to go for the ultimate risk and transport himself. The first time works, but, unknown to him, a fly enters the cabin with him and the two are hopelessly scrambled together. The scientist emerges as a half-man, half-fly, a human with a fly's head, leg and arm/claw. His wife finds out something is wrong as she now sees him with a cloth over his head and a hidden arm. He eventually tells his wife what has happened and she first sees his claw and screams, then later sees his fly head and screams more. His wife, son and maid try to find the "fly with a white head" and fail. The son had caught it just after the accident but had been made to let it go, before any of them knew what it was. Andre attempts to reverse the process to return himself to normal, but fails and when he realizes that his mind is being overtaken by that of the fly he asks his wife to end his suffering by killing him with a heavy machine press.
The Fly is a fantastic and thrilling movie. I know that the ending sequence of "Help me! Help me!" was cheesy and over the top to some, but to me it was just plain creepy, it really scared me. The whole atmosphere of the film just felt uncomfortable and disturbing. Granted, I know these were not top of the line make up effects with the fly, I do have to laugh juts a little bit with seeing a fly in a trench coat. But still it was effective and made for a great sci-fi story. I love these old movies for a specific reason, this was the time when film meant something to the cast and crew making it and The Fly was made to give people the chills. It's just rare now-a-days, if this was made in today's world, it would be all gore and just stupid. So I do recommend that you see this film if you are looking for a good scare. Both this and the remake are terrific films and are a ton of fun to watch.
8/10
The Fly isn't an overly terrifying film, but the plot is really interesting. The film starts off as a murder mystery, and slowly evolves into a mix of sci fi and horror as we see the transformed Andre Delambre's mind slowly seep away while being replaced with the fly's. The make-up is really good for a 1950's movie, and it's almost believable that the scientist's head was replaced with a giant fly head.
The characters in the film are all portrayed by great actors of the time, such as David "Al" Hedison as Andre/The Fly and horror master Vincent Price as Andre's brother Francois. The Fly offers up good acting and a great plot and should be recognized for its artistic effect on movies. If you're looking for a classic to watch, pick this up.
7/10
Le saviez-vous
- AnecdotesThis film became the biggest box office hit of director Kurt Neumann's career, but he never knew it or even found out about it. He died one month after the film's premiere and only one week before it went into general release.
- GaffesIf the teleporter simply, and innocently, switched atoms from Andre's head and arm and the fly's head and leg, how were Andre's head and arm reduced to insect-sized proportions and the fly's head and leg enlarged to human-sized proportions? That would have involved either multiplying or destroying cells on a massive scale in both cases.
- Citations
Andre Delambre: [about the cat killed by the transporter] She disintegrated perfectly, but never reappeared.
Helene Delambre: Where's she gone?
Andre Delambre: Into space... a stream of cat atoms...
[sighs]
Andre Delambre: It'd be funny if life weren't so sacred.
- ConnexionsFeatured in Deadly Earnest's Spooky Colour Marathon (1975)
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Détails
Box-office
- Budget
- 700 000 $US (estimé)
- Montant brut mondial
- 1 501 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Rapport de forme
- 2.35 : 1