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Le retour du satellite

Titre original : The Flame Barrier
  • 1958
  • 1h 10min
NOTE IMDb
4,6/10
242
MA NOTE
Robert Brown, Kathleen Crowley, and Arthur Franz in Le retour du satellite (1958)
HorreurScience-fiction

Ajouter une intrigue dans votre langueCarol Dahlmann enlists the Hollister brothers to help locate her missing husband. The husband was tracking a fallen satellite through the jungle. While tracking him down, the trio discover a... Tout lireCarol Dahlmann enlists the Hollister brothers to help locate her missing husband. The husband was tracking a fallen satellite through the jungle. While tracking him down, the trio discover an unusually strong acid killing animals and people.Carol Dahlmann enlists the Hollister brothers to help locate her missing husband. The husband was tracking a fallen satellite through the jungle. While tracking him down, the trio discover an unusually strong acid killing animals and people.

  • Réalisation
    • Paul Landres
  • Scénario
    • Pat Fielder
    • George Worthing Yates
  • Casting principal
    • Arthur Franz
    • Kathleen Crowley
    • Robert Brown
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    242
    MA NOTE
    • Réalisation
      • Paul Landres
    • Scénario
      • Pat Fielder
      • George Worthing Yates
    • Casting principal
      • Arthur Franz
      • Kathleen Crowley
      • Robert Brown
    • 13avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    Rôles principaux12

    Modifier
    Arthur Franz
    Arthur Franz
    • Dave Hollister
    Kathleen Crowley
    Kathleen Crowley
    • Carol Dahlmann
    Robert Brown
    Robert Brown
    • Matt Hollister
    Vincent Padula
    Vincent Padula
    • Julio
    Rodd Redwing
    Rodd Redwing
    • Waumi
    Kaz Oran
    • Tispe
    Grace Mathews
    • Mexican girl
    Pilar Del Rey
    Pilar Del Rey
    • Indian girl
    Larry Duran
    Larry Duran
    • Bearer
    Bernie Gozier
    Bernie Gozier
    • Wounded Indian
    Roberto Contreras
    Roberto Contreras
    • Village Indian
    Dan Gachman
    • Howard Dahlmann
    • Réalisation
      • Paul Landres
    • Scénario
      • Pat Fielder
      • George Worthing Yates
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    4,6242
    1
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    9
    10

    Avis à la une

    pmsusana

    Unusual Sci-Fi item; good fun

    Blob movies became suddenly quite fashionable in the late fifties; this lesser-known entry offers a few unique twists. Unlike the slipping, sliding blobs of other films, this one doesn't move, apparently content to remain stationary while digesting its first two victims, a space ship and its single human occupant. It does, however, have the ability to project a forcefield which instantly disintegrates any would-be rescuers who come too close. Anyway, this film is professionally made and acted, and has its share of suspenseful sequences. And the image of the man encased in the protoplasm, his face frozen in an agonized silent scream, is a horrific one.
    youroldpaljim

    A few good shocks, but a plot loaded with loose ends.

    This film was first released in 1958 to fill the bottom half of a double bill with the much superior RETURN OF DRACULA. I have an original poster for this double bill hanging in my living room. I first saw this film as a kid on T.V. in the mid sixties. It was frequently shown on "Supernatural Theater." It was one of my favorites when I was a kid. However, viewing the film as an adult, without eyes dimmed by nostalgia, THE FLAME BARRIER is just what it is; a quickly made thriller to back up a much superior film to fill a "shock" double bill.

    On the plus side: I will admit the film does have a few good shocks. One character suddenly burns to death and turns into a skeleton (for reasons that that are never adequately explained) and the shot of the dead scientist body embedded in protoplasmic mass are pretty effective. The cast is good and the direction involving enough that you forget half the film consists of the cast cutting through brush. However, the script has the feel of having been written very quickly. The film wraps up leaving the viewer with more loose ends than an old dish rag. When the explorers find the satellite and protoplasmic mass, they also find the monkey that was sent up in satellite still alive. Why did the protoplasmic mass not devour it or destroy it with its radiation when the monkey was in the satellite with it? As the previous reviewer here pointed out, this blob stays in one place and much of the plot depends on this. Yet, before the cast even encounters the blob, they encounter charred skeletons, a blood soaked Indian village, and then there is the Indian guide who was never near the blob encased satellite, who suffers from radiation burns and then mysteriously burns up down to a skeleton. Perhaps the satellite brought something else back with it that the adventurers didn't encounter? Perhaps more likely this film was rushed into production before the writers had time for a re-write to tie up all the loose ends.
    lor_

    It's hot in here

    One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Paul Landres; Produced by Arthur Gardner and Jules Levy, for United Artists. Screenplay by Pat Fielder and George Worthing Yates; Photography by Jack MacKenzie; Edited by Jerry Young; Music by Gerald Fried; Makeup by Dick Smith. Starring: Arthur Franz, Kathleen Crowley, Robert Brown, Vince Padula, Kaz Oran, Larry Duran and Rodd Redwing.

    Tense and original science-fiction adventure wherein scientists stave off the threat of an impenetrable electronic barrier which expands its radius periodically and inexorably, surrounding a gooey blob monster which returned from space after an early rocket launch.
    6dstillman-89383

    Another science fiction safari movie

    Like "Monster of Green Hell", much of this movie is taken up with a long African safari. The three principal characters argue, struggle and search mainly for a reason to continue. Natives provide it several times just as the party is ready to turn back. The acting is good and the continuing ambivalent relationship between the rich woman and the safari leader continues to warm up. There is no real special effects until they reach the location they sought after. The final scene is the only one that qualifies as science fiction. A good movie but light on science fiction.
    5jamesrupert2014

    Not bad for a cheapie with a meaningless title

    The search for a crashed satellite in the jungles of MesoAmerica finds instead a gelatinous existential threat from beyond "The Flame Barrier". The film opens with a nonsensical prologue that carefully explains how a rocket is going to attempt to penetrate the mysterious (and titular) flame barrier, which surrounds our planet at an altitude of 200 miles. The flame barrier is sci-fi pseudoscience at its worst but fortunately has nothing to do with the story and is never again mentioned. The film is a fusion of sound-set jungle adventure (the first ¾) and space monster in a cave sthick (1/4) and is surprisingly entertaining (consider its leaden pace, remarkably silly-looking monster and nearly incoherent plot). Considering the material they had to work with, the three leads (Arthur Franz, Kathleen Crowley, Robert Brown) are pretty good and there are some good lines "Excuse the cockroaches. Fortunately they don't bite...everything else does". As cheapie sci-fi horrors go, the pointlessly entitled "The Flame Barrier" is watchable and slightly memorable (especially the head sticking out of the blob). Crowley and Brown deserve credit for their casual and competent handling of the chimpanzee.

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    Centres d’intérêt connexes

    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Science-fiction

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      It was released in the US on April 2, 1958 by United Artists as a double feature with The Return of Dracula (1958).
    • Citations

      Dave Hollister: Excuse the cockroaches. Fortunately they don't bite... everything else does.

    • Connexions
      Featured in Weirdo with Wadman: The Flame Barrier (1963)

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    Détails

    Modifier
    • Date de sortie
      • 2 avril 1958 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Beyond the Flame Barrier
    • Société de production
      • Gramercy Pictures (II)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 100 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 10min(70 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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