Cri de terreur

Fairly grisly for the 50's, with the subjects of rape, child-killing and mass murder right out in the open. One of the greatest casts ever: James Mason, Rod Steiger, Inger Stevens, Angie Dickenson, Neville Brand, Jack Klugman! Wow! Exciting scenes of NY streets as Inger takes the ransom money to Steiger. Some of the other scenes are duds (the elevator shaft did nothing for me), but many are electric, and the generic evil generated by over half the cast takes up the slack.

Although this is one improbable story a great cast moves Cry Terror along. In watching this I suggest you do not take a bathroom break as you'll miss some kind of thrilling moment.

James Mason is a TV repairman with wife Inger Stevens and little daughter Terry Ann Ross and during the late war he was in underwater demolition with Rod Steiger. Steiger comes to Mason with a proposition that he build some kind of triggering device that they can sell to the Navy. Only Steiger puts it on some bombs and is making extortion threats against an airline run by Carlton Young.

Now that he's got Mason implicated in his extortion scheme Steiger takes Mason and family hostage and he has Stevens go to collect the payoff. She gives as much information as she can to FBI agent Kenneth Tobey and without following her, the FBI races against time to catch Steiger and his gang before they do some grievous harm to the airlines and Mason's family.

Mason and Steiger are a great pair of leads and a contrasting study in acting styles just like Steiger and Humphrey Bogart were in The Harder They Fall. Stevens gives one of her best performances on the big screen as the frightened wife.

Steiger's accomplices are quite a study in low lives. Jack Klugman as a punk, Neville Brand as drug addicted sex criminal, and psycho nymphomaniac Angie Dickinson are some real criminal specimens. They give good competition to the leads.

It's an improbable story, but the tension never lets up the second that Steiger takes the hostages. Those last three minutes or so will stay with you forever as they did with me when I first saw Cry Terror several decades ago.

The airline is getting bomb threats. Chet Huntley reports. Mastermind Rod Steiger has an extortion scheme to collect half a million abetted by Klugman Dickinsom, and Brand. Steiger bamboozled Mason into building his bombs, then kidnaps his family to execute the plot. Interestingly, Stevens is overwrought (purposefully directed so)while nearly everyone else underplays it very effectively - UNTIL things start unwinding. Then Brand's psycho begins to freak out, Steiger's mastermind blows his cool, and Mason loses it - all very realistically done in semi-documentary fashion. I do not see the "routine" aspects others cite. These characters are quite different from the ordinary - especially Dickinson's matter-of-fact criminal who has no compunction about killing if necessary and has ice water running through her veins - a great performance. It makes fabulous use of its New York locations on a low budget. Stevens' race to make the ransom delivery on time despite being diverted by traffic miles in the wrong direction is a tour-d-force like I have seldom seen. The wrap-up is a bit melodramatic considering the tension that came before it - but only then did I breathe normally again. If you are from New York or interested in New York in the 50's, this is an edge-of-your seat treat.

I enjoyed this picture. No, not perfect, but if it comes on at 1:15 AM and you can't sleep, is kinda fun... full of nostalgic views of the world of 1958, when things seemed simpler, and everything in view was American Made! Yes, Chrysler cars everywhere.. Furnishings of 1958 were a particular delight, full-wall-length draperies, long-low "moderne" couches, vacuum-tube electronics abound, (25" black and white TV's), Cute Women in dresses, real-world locations shot to see the life of '58 USA as it really looked. Gives one a feeling of wanting to go there and live a life of blissful ignorance of any racial, economic, religious, disease caused strife, and just relax with a gang of Psycopaths and enjoy the cool cars, and snappy dialog... FUN.

"Cry Terror," from 1958 is not a big-budget film, but it holds the viewer throughout. It's the story of a man, James Mason, who is duped into making small bombs which he believes are for government use.

Only later does he realize that he made them for a criminal who intends to extort money by placing them on airlines and threatening to detonate them if the money is not paid.

He and his family are kidnapped, and his wife (Inger Stevens) is used to collect the money so it seems as if he is the actual guilty party.

Rod Steiger is the bad guy, and Jack Klugman, Neville Brand, and the nearly unrecognizable Angie Dickinson make up his gang, each with their own part to play.

Without giving anything away, the story is preposterous at times but always suspenseful and effective. Steiger is terrific as a dangerous man whose quiet orders belie a violent temperament.

Dickinson is only 26 here and brunette but her sultry voice and gorgeous figure are the same. Brand does well as a scary psychotic, and Klugman is good as a man under Steiger's domination. Mason is appropriately harried.

The workhorse role belongs to Inger Stevens, a natural beauty who rose to fame in the TV series "The Farmer's Daughter" and who took her own life, after several unsuccessful attempts, in 1970.

In a way, one of her tries at suicide occurred during the filming of "Cry Terror" when she and Rod Steiger suffered carbon monoxide poisoning during a tunnel scene at the end of the film. She refused medical treatment, stating that she wanted to die.

Stevens gives an excellent performance in this movie, that of an hysterical, panicked, and ultimately nearly catatonic mother who fears for her husband and young daughter and her own assault by Brand.

Unfortunately, due to the fact that Steiger and Mason are so underplayed, she comes off at times as overacting. She was, however, a wonderful and appealing actress who might have gone on to a much bigger career had she lived. She had it all - or so it seemed.

This is a good movie loaded with the New York City atmosphere of the '50s, though in one scene, it looked as if Stevens was headed for Brooklyn using the Holland Tunnel. You'll never get there that way.