Cri de terreur

Although this is one improbable story a great cast moves Cry Terror along. In watching this I suggest you do not take a bathroom break as you'll miss some kind of thrilling moment.

James Mason is a TV repairman with wife Inger Stevens and little daughter Terry Ann Ross and during the late war he was in underwater demolition with Rod Steiger. Steiger comes to Mason with a proposition that he build some kind of triggering device that they can sell to the Navy. Only Steiger puts it on some bombs and is making extortion threats against an airline run by Carlton Young.

Now that he's got Mason implicated in his extortion scheme Steiger takes Mason and family hostage and he has Stevens go to collect the payoff. She gives as much information as she can to FBI agent Kenneth Tobey and without following her, the FBI races against time to catch Steiger and his gang before they do some grievous harm to the airlines and Mason's family.

Mason and Steiger are a great pair of leads and a contrasting study in acting styles just like Steiger and Humphrey Bogart were in The Harder They Fall. Stevens gives one of her best performances on the big screen as the frightened wife.

Steiger's accomplices are quite a study in low lives. Jack Klugman as a punk, Neville Brand as drug addicted sex criminal, and psycho nymphomaniac Angie Dickinson are some real criminal specimens. They give good competition to the leads.

It's an improbable story, but the tension never lets up the second that Steiger takes the hostages. Those last three minutes or so will stay with you forever as they did with me when I first saw Cry Terror several decades ago.

Fairly grisly for the 50's, with the subjects of rape, child-killing and mass murder right out in the open. One of the greatest casts ever: James Mason, Rod Steiger, Inger Stevens, Angie Dickenson, Neville Brand, Jack Klugman! Wow! Exciting scenes of NY streets as Inger takes the ransom money to Steiger. Some of the other scenes are duds (the elevator shaft did nothing for me), but many are electric, and the generic evil generated by over half the cast takes up the slack.

I enjoyed this picture. No, not perfect, but if it comes on at 1:15 AM and you can't sleep, is kinda fun... full of nostalgic views of the world of 1958, when things seemed simpler, and everything in view was American Made! Yes, Chrysler cars everywhere.. Furnishings of 1958 were a particular delight, full-wall-length draperies, long-low "moderne" couches, vacuum-tube electronics abound, (25" black and white TV's), Cute Women in dresses, real-world locations shot to see the life of '58 USA as it really looked. Gives one a feeling of wanting to go there and live a life of blissful ignorance of any racial, economic, religious, disease caused strife, and just relax with a gang of Psycopaths and enjoy the cool cars, and snappy dialog... FUN.

One look at a lustful Neville Brand (Steve) in heat darn near sent me under the bed. He's high on Bennies and it's a cowering Joan (Stevens) who's going to pay, except maybe she's got a surprise for the plug-ugly thug. In a movie filled with tense situations, this may be the scariest. Anyway, if it's not a woman menaced by a nutcase, it's Joan driving in traffic to meet a deadline, or her hubby (Mason) clambering around an elevator shaft, or both Dad and Mom keeping a nasty extortion gang from taking their toddler. If anything, there may be too many of these sweaty palms to keep up the effect. Whatever the case, this may be first film of the '50's to utter the word 'rape'.

The plot's a version of a '50's favorite, the home invasion, where an unwary American family is suddenly under attack inside the apparent safety of the home. It's also likely a reflection for the movies of a growing suburban audience. Here the invasion is part of a complex plan to extort money from an airline under threat of an airliner bomb. Of course, that brings in the feds and a lot of police procedure, while we hang in there with the little family under siege.

It's an unusually fine cast, with Brand as the standout, at least in my little book. Also, check out the fetching Angie Dickinson as a sadistic gang moll—real casting against type. There's also the tragic Inger Stevens showing her fine acting chops, along with a rather restrained Rod Steiger as the gang mastermind. It's all put together by the Stones, husband and wife, noted for their documentary style and dedication to location filming, from which the story gains helpful credibility.

All in all, the movie's a 90-minute exercise in relentless tension that seems ironically topical, given how thorough bomb detection is now fifty-years later.

(In passing—I expect the movie's premise was inspired by the real life case of John Gilbert Graham. In 1955, he blew up an airliner over Colorado for insurance money on his mother, of all people, killing 44 passengers in the process. Needless to say for the law and order 1950's, he was swiftly executed. But perhaps most interesting for our day is that there was no federal law at the time covering bombs aboard airliners—apparently the possibility seemed too remote! As a result, Graham was tried and convicted under a different statute. Yes indeed, how times have changed.)

The airline is getting bomb threats. Chet Huntley reports. Mastermind Rod Steiger has an extortion scheme to collect half a million abetted by Klugman Dickinsom, and Brand. Steiger bamboozled Mason into building his bombs, then kidnaps his family to execute the plot. Interestingly, Stevens is overwrought (purposefully directed so)while nearly everyone else underplays it very effectively - UNTIL things start unwinding. Then Brand's psycho begins to freak out, Steiger's mastermind blows his cool, and Mason loses it - all very realistically done in semi-documentary fashion. I do not see the "routine" aspects others cite. These characters are quite different from the ordinary - especially Dickinson's matter-of-fact criminal who has no compunction about killing if necessary and has ice water running through her veins - a great performance. It makes fabulous use of its New York locations on a low budget. Stevens' race to make the ransom delivery on time despite being diverted by traffic miles in the wrong direction is a tour-d-force like I have seldom seen. The wrap-up is a bit melodramatic considering the tension that came before it - but only then did I breathe normally again. If you are from New York or interested in New York in the 50's, this is an edge-of-your seat treat.