La Chevauchée des Vaqueros

This is an enjoyable western that hits the spot in all the right places.

The movie kicks of essentially in the middle of a bigger tale (you will understand what I mean) which works well as you try to understand the motivations of the key players in the film. As the movie roles along it does start to become more predictable which is a shame but still retains the viewers (mine) interest.

Solid piece of western movie making that adds to this excellent genre.

Joel McCrea stars as a trail boss falsely imprisoned for his men's misdemeanours. Released and suffering at the hands of an unforgiving and irate town, he's hired by a blind Don Haggerty to drive his herd - but Haggerty has his own agenda's on this trip.

A routine Western that is chiefly saved from the bottom rung by the presence of Joel McCrea. McCrea was a real life cowboy type who owned and worked out of a ranch in California, thus he gives this standard Oater a naturalistic core from which to tell the story. If only they could have given him some decent actors to work with, and, or, a bolder script, then this might have turned out better than it did.

Directed by Charles Marquis Warren (more famed for TV work like Gunsmoke and his writing than movie directing), the piece is scripted by Daniel B. Ullman, a prolific "B" western script specialist of the 1950s. This, however, is far from being a good effort from his pen. Shot in CinemaScope with colour by DeLuxe, it thankfully at least proves to be most pleasing on the eye. Brydon Baker proving to be yet another cinematographer seemingly inspired by the Alabama Hills, Lone Pine, locations.

Away from the turgid story there's a classical big Western shoot-out to enjoy, while a Mano-Mano shoot out set among the Alabama rocks towards the end is nicely handled. But the good technical aspects are bogged down by the roll call of by the numbers gruff cowboy characters, and worse still is a two-fold romantic strand that is so weak it beggars belief. All of which is acted in keeping with such an unimaginatively put together series of sub-plots masquerading as a revenge thriller. For McCrea this film is worth a watch - as it is for its beauty (the print is excellent), but in spite of the old fashioned appeal, and a couple of action high points, it remains borderline dull.

McCrea and the audience deserve far better. 5/10

I'm not usually too keen on cattle-drive Westerns ("Red River" excepted), but this one isn't bad at all. It's not too formulaic, and the love interest is muted - all too often it gets in the way of a good plot, which in this case rolls along nicely. McCrea comes over as a real anti-hero for the first part of the film, and there's an ironic twist to the plot towards the end. McCrea is fine in a role that Randolph Scott would also have done well in.

My only quibble is the usual one I have when the hero gets dragged behind a horse - his clothes never come off too badly, though McCrea's shirt-sleeve does get ripped.

Plot-- Trail-driver Cord (McCrea) is blamed for letting his cattle crew wreck a town. After prison, he consents to head up a trail drive that will save the same town's finances. But the town's in competition with an outside cattleman to be first to arrive at the buyer's base and get the contract. So who will win, and can Cord be trusted.

Despite the great Joel McCrea and a grabber opening, this is a bland western. The only action, until the showdown, is loping cattle going here and there and who knows where. The rambling script fails to gel into any kind of suspense, with one talky scene after another to accommodate the many characters and subplots. Meanwhile the large supporting cast flounders getting no help from director Warren. The one compensation —the scenic eastern Sierras— is marred by contrast with poorly designed nighttime sets that take us back to the studio. Considering this was a TCF production, I'm surprised it was so poorly put together. Maybe they were trying to capitalize on the McCrea name. But by this time, he was in his mid-50's, still quietly commanding, but aging, nonetheless. At least they don't have him riding into the sunset with one of the girls. Mostly he sits astride his horse and gives orders. As a fan of the ace cowboy, I wish there were more to compliment. But unfortunately, there isn't.

I wasn't blown away by Cattle Empire, however I do think it is worth the look. The production values are impressive, Joel McCrea is splendid, Gloria Talbott is a welcome presence and Charles Marquis Warren's direction is passable. Also the film starts brilliantly and the climax is pretty strong.

What didn't do it for me though was the film's length, it is far too short. The story felt rushed and underdeveloped and the script is decidedly patchy. Less of an issue is the pace, but it is still an issue, if the film had slowed down a little more the characters, story and script could have done with more credibility.

All in all, a decent film but nothing really to blow the mind. 6/10 Bethany Cox