Les Bravados

Pleasant classic Western with magnificent Gregory Peck who steals the show as a merciless revenger gunfighter . He is relentless in his vengeance , deadly in his violence but he learns that he has become no better than those he hunts . A Hollywood production full of action , exaggerated characters , shootouts and lots of violence . For revenge, he doesn't care why he kills or how ¡ ... . An errant Jim Douglas (Gregory Peck) sees the atrocity over his family and executes a single-handedly revenge, as he ravages and murders each person involved in his vendetta . Douglas has been relentlessly pursuing the four outlaws (Albert Salmi , Henry Silva , Stephen Boyd and Lee Van Cleef) who killed his wife, but finds them in prison about to be hanged . But the prisoners escape and villagers enlist Douglas' aid to capture them . The conflict is a simple one between avenger Douglas and oppressors, nasties bandits commanded by cruel Bill Zachary (Stephen Boyd) . Douglas along with a posse set out in pursuit the outlaws and he faces the vicious bandits.

It's an exciting western with breathtaking showdown between the protagonist Gregory Peck against four heartless bandits . In the film premiere attained success , nowadays is well valued and I think it turns out to be a good classic Western. The picture is fleshed out with a marvelous cast as Gregory Peck who is excellent as a good father turned revenger . Nice too is Henry Silva as the brash Mexican young gun and Andrew Duggan as the amiable Padre . Joan Collins gives a good performance as Jim's former girlfriend , she does a well measured portrayal of a woman who still loves her previous sweetheart and who promises to leave with him which ultimately can never be . Stephen Boyd as a cruelly baddie role also is terrific . The film packs violence , gun-play , high body-count and it's fast moving and quite entertaining. There is plenty of action in the movie , guaranteeing some shootouts or stunts every few minutes . This is a dark downbeat story of an avenger gunfighter perfectly performed by Gregory Peck told with genuine realism and honesty . Stylishly written by prestigious by Philip Yordan-Johnny Guitar- , the screenplay was based on an original story by Frank O'Rourke. The movie was directed with a positive flair by Henry King . There are many fine technicians and nice assistants as Lyle Wheeler and Walter Scott in charge of Art Direction and Set Direction respectively . Good production design creating an excellent scenario with luminous outdoors, dirty and rocky landscapes under a glimmer sun and a fine sets on the Mexican landscapes . The musician Lionel Newman composes a nice soundtrack and well conducted , being helped by the maestros Hugo Friedhofer and Alfred Newman , tough uncredited ; it's full of agreeable sounds, and a haunting musical leitmotif . Sharply photographed with striking cinematography by Leon Shamroy in Technicolor, Techniscope with negative well processed and outdoor sequences filmed in Jalisco, Mexico Morelia, Michoacán,St Jose Perua mountains, Mexico.

Henry King 's direction is well crafted , here he's less thought-provoking and broody and more inclined toward violence and too much action , because he's a expert on compelling Adventure/Western genre . Henry King directed other classic Western as ¨ Jesse James(1939)¨and ¨The gunfighter(1950)¨ with Peck again . Koster was specialist on Adventure genre as proved in ¨Untamed , Captain King , Captain of Castilla , Black Swan , Stanley and Livingstone ¨and many others . Rating : Better than average . Worthwhile watching .

"Los Bravados" proves that Henry King totally mastered the western style among many others.Much more interesting than his precedent effort "the sun also rises",this work casts Peck as a desperate man eager to take revenge of four outlaws who killed and raped his wife. he arrives in the town where the criminals -or rather the men he thinks are the criminals- are to be hanged.

The first thirty minutes are the more convincing.The soundtrack is particularly remarkable:first we hear the hammers of the men building the scaffold;often there's no music at all and this ominous noise creates an agonizing atmosphere.Then ,later,the whole congregation attends the service in a baroque church and the canticles provides the movie with an even more sinister soundtrack.The editing shows in parallel the outlaws' escape and the people praying in the church where Peck gazes upon a madonna and her child:this picture will frequently come back in the movie as a leitmotiv:it's the image of forgiveness.

Because what makes this western worthwhile is the absurdity of the vengeance it depicts.Once a victim,the hero becomes a criminal.But as the priest says ,a lot of people kill and they do not feel any remorse. King's obsession seems to be the reconstruction of the family as well:Peck and his little girl with Collins ,and the half-breed who succeeded in convincing him that he's not responsible for his misfortune.And anyway ,for this director whose body of work stretches on 50 years ,forgiveness and love are many-splendored things.

Gregory Peck is the show in "The Bravados". His performance reminds me of John Wayne in "The Searchers". In both cases the eyes tell the story. Wayne's were full of hate for the Comanches that defiled his niece. Peck's intense eyes are equally important to this film. In the words of one character, Peck has the "eyes of the hunter".

Like Wayne in "The Searchers" Peck is a man with a quest. Jim Douglas is out for revenge against the murderers of his wife. This single-minded mission brings him to the town of Santa Rita, where the four men he has been chasing are scheduled to hang for another killing. The men escape with a hostage and the chase resumes. Nothing will stop Douglas this time. In his mind the four men deserve no pity and they get none. The law failed to hang them, and now it's his turn.

The casting in this film is interesting. The four low lifes pursued by Peck include three pretty good actors, Stephen Boyd, Henry Silva and Lee Van Cleef. Of the three, Henry Silva's character is the most interesting. He plays Lujan, an Indian. Lujan and Peck share something. They lock eyes at the beginning when Peck visits the four men in jail. It is he who sees the eyes of the hunter. He may not know why Peck hunts them, but he recognizes him as a hunter.

Ultimately, Peck becomes a hero to the citizens of Santa Rita, but heroism comes with a price. In this case Peck sacrifices his humanity. In their end there is potential salvation for Peck from a surprising source.

Except for Lujan, the film provides little reason to sympathize with the four badmen. They have been sentenced to be hanged for a murder in Santa Rita. Steven Boyd ruthlessly shoots an old prospector. Later, he rapes their hostage. Even Joan Collins' character who earlier in the film has urged Peck to give up his relentless quest now urges him to track the surviving killers down and kill them.

There is no question about the morality in this film. There is something incomplete in Peck's character. He is empty inside, because the chase seems to be over. The law has apparently done his job for him. He has little to say to anyone when he arrives in Santa Rita, including his old friend Josefa (Collins). His eyes are full of hate, but otherwise he is hardly alive. He tells Josefa that he loved his wife. "I still do," he says. He has left his little girl behind to chase the killers. Near the end when he sees the little girl she hides behind her nanny. She hardly knows her father. The jail break and the ensuing chase seem to temporarily energize him. He becomes the leader of the possee. Ultimately, he rides off alone to extract his revenge. The energy is misleading. Peck knows what he must do and he does it without emotion. He has sacrificed his humanity at the altar of revenge.

This film is not for everyone. It is a bit intense, and Peck's character isn't very warm and fuzzy. "The Bravados" is a humorless film about a serious subject. Revenge isn't pretty and the price is too high. Peck really delivers with a great performance and the plot is definitely creative. The often told story of the man seeking revenge has seldom been told so well.

It's very odd that Gregory Peck is not often associated with Westerns--even though many of his best movies stand among the finest examples of the genre. Considering the number of Westerns he made, most of them were highly successful and entertaining. Remember, this is the same man who starred in THE BIG COUNTRY, THE GUNFIGHTER and YELLOW SKY--yet he is more commonly seen as an actor in contemporary dramas. THE BRAVADOS is yet another in a long string of hits, as it somehow manages to transcend a genre that often seems derivative.

In this film, Peck plays a complex character--neither a villain nor a hero. He has been on a relentless pursuit to kill the men who he is convinced killed his wife--and like Captain Ahab, he won't give up or consider and options other than their deaths. Along the way, he stumbles up a young and very beautiful Joan Collins--in one of her better screen roles.

I really don't want to tell you more, as it would spoil the plot, but rest assured it is masterfully made like other Peck Westerns and one not to be missed.

This late Henry King movie is one of his most under-rated films. It's a revenge western, powerfully scripted by Philip Yordan and directed with commendable restraint by King. Gregory Peck, (at his most stoic), is the rancher bent on bringing to justice the four men he believes raped and killed his wife. The men are a leering Stephen Boyd, Albert Salmi, Henry Silva and an over-excitable Lee Van Cleef. Joan Collins, by this time entrenched in her first American sojourn, is in there, too, but she's the weakest thing in the film. There is a crisis of conscience and a spiritual reawakening to be reckoned with and the film does pose some interesting questions of morality but there's tension and the pleasures that come from a good western, as well. One for rediscovery.