Les boucaniers

As Cecil B. DeMille said in a theatrical trailer of this, his last movie, see the movie to determine whether or not Jean Lafitte during the War of 1812 is a hero or villain. Nobody could have portrayed the buccaneer LaFitte better that Yul Brynner, which is why he did play that part.(Brynner was not one bit bald-headed in the movie.) And, nobody could have portrayed better General Andrew Jackson than did Charlton Heston, and so he did. Inger Stevens was adorable as LaFitte's love interest. Brynner and Heston clicked well together as they did in The Ten Commandments.

The battle of New Orleans in this movie is hot in more ways than one, with plenty of gunfire and small rockets flying around in the muggy, hot, swamp there in the New Orleans area.

To be sure, the War of 1812 is, again, depicted well, so convincingly. As always, the champion movie director Cecil B. DeMille made here a great directing feat and, since this was his last major production, "left on a good note."

Charlton Heston is undoubtedly the best thing in this picture. A meandering script, dubious romantic liaisons and average acting come close to sinking "The Buccaneer". Yul is Jean La Fitte, the title role. His performance is all over the map, going from tough to lethargic, to mercurial, to wistfully patriotic. Charles Boyer plays himself portraying the roguish General Dominique You, late of Napoleon's army, is pretty good, Mickey Shaughnessy is good as a comic sidekick to the boss and Clare Bloom and Inger Stevens provide love interest. The battle of New Orleans is the centerpiece of the film and is reasonably well staged, considering it's obviously filmed on a sound stage. History is shown here as the pirates help the American army and militia turn back the British. Chuck is Andrew Jackson, and it's been pointed out several times, Chuck looks like they used his picture for the twenty. Typical Technicolor '50's epic, not bad but not great either.

This movie has great stars in their earlier years: Ingor Stevens never looked prettier; Yul Brynner was a very convincing Jean LaFitte, conflicted about his piracy and desiring to keep neutrality with the United States. Charlton Heston did a pretty good job as Andrew Jackson, but some moments were a bit stilted. It's really a good flick for students to learn that part of our history, AND it shows that all happy endings do NOT include the lovers getting together with each other--sometimes the happier ending is that they sail away and find partners of similar background who will understand them better in the long run. I have viewed it every year at least twice for 16 years now; and though it is not the best movie I've ever seen, I love it every time!

In 1938, Cecil B. De Mille directed "The Buccaneer", a retelling about Jean Lafitte and his assistance in winning the Battle of New Orleans in 1815. The story was part fact, part fiction. In 1958, De Mille's son-in-law, Anthony Quinn, directed a remake of the 1938 film. And, perhaps as a homage to the original film, De Mille himself does a prologue. Oddly, at no point in the prologue and throughout the story did they mention that the battle actually occurred about a monthAFTER the peace treaty was signed between the USA and Britain! The reason...the British fleet and American forces hadn't yet received word of the end of the war!

A major player in the battle and in this film is Jean Lafitte (Yul Brynner). Lafitte is considered in the movie and in history books to be a pirate, though I don't think he ever captained a vessel. Instead, he was the boss of a fleet of pirate ships operating in the Gulf of Mexico...making a fortune smuggling items into the US and nearby countries.

Much of the film is spent with the British trying to woo Lafitte into working for them...offering him a fortune and the captaincy of his own ship. He strings them along for some time and eventually approaches the Americans...offering to help them AND divulging the British invasion plans to them as well. The film follows these events and Charlton Heston plays General Andrew Jackson, the man most often credited with the victory...though he might have lost had he not had the help of Lafitte and his men who were experts with artillery.

So is this film any good? Well, considering that very, very few movies even mention the War of 1813, then it is a must-see for history buffs. Just don't consider it to be a perfect representation of what occurred...though it's closer to the facts than you'd find in a typical De Mille film! Add to this excellent acting, lovely sets and a decent script and it's an enjoyable flick...even more so than the 1938 version.

By the way, according to IMDB trivia, Quinn had intended to make the film much more historically accurate. This would have eliminated some romances that simply never occurred as well as showing the American forces being much more ready for the British troops. However, his interfering father-in-law did much to undo this.

This interesting feature has a very fine story-line, rather colorful characters and a very steady pace. it also incorporates a plot device from "Reap the Wild Wind", and since Cecil B. Deille directed that and his son-in-law Anbthony Quinn directed this film from his preparations, that can hardly be a coincidence. it works in both cases, I must report. The unusual set-up tells the viewer that Barataria, an island ruled by Jean Lafitte is built upon piracy, but during the war of 1812, and before, he has always refrained from bothering United States' vessels. Now General Andrew Jackson has been charged with defending nearby New Orleans with only 12,000 men against 60,000 British Imperial redcoats and 60 ships. Lafitte's men want him to side with the stronger force; he wants freedom and pardons for his men before ceding such a strategic landing spot to the U.S. forces. There are other factors at work in the story-line; pirate Bonnie Brown and her father want to attack U.S. ships and do so in defiance of Lafitte's orders, leaving a boy alive without knowing they have missed an eyewitness. When his testimony finally comes out, Jackson cannot grant what Lafitte asks; but Lafitte supports him anyway and in the fog, the pirates and Jackson rout the British and he sails away to whatever destiny awaits a man who had genius and statesmanship but not fortune. The cast of this colorful and physically-lovely film are skilled indeed. Yul Brynner has one of his best roles as the pirate king, Inger Stevens is beautiful; as the girl he loves, Charles Boyer has many good lines as his adviser, powerful Lorne Greene is a rival, E.G. Marshall the Governor, and Claire Bloom is charismatic as Bonnie Brown. Others in the cast include Ted de Corsia, Douglass Dumbrille, George Mathews, Henry Hull as Jackson's adviser, Bruce Gordon, Onslow Stevens, Robert F. Simon, Henry Brandon, Fran Jeffries, and Leslie Bradley, among others. The music by Elmer Bernstein is very memorable, and the 1938 script remade here had only to be freshened a bit. The shiny cinematography was the work of veteran Loyal Griggs, the set decoration was supplied by Albert Nozaki, Hal Pereira and Walter Tyler, with set decoration by Sam Comer and Roy Moyer and costumes by Edith Head, John Jensen and Ralph Jester. Nellie Manley did the elaborate hairstyles and Wally Westmore the difficult makeup. The film contains quite a bit of good adventure-level dialogue and a very strong climactic battle scene. Charlton Heston, as as Andrew Jackson, prepared to play the part of an elder general and then discovered the man was young at the time of the battle; but he is often effective, grey-haired or not, especially in his exchanges with Henry Hull as Mr. Peavey. This is an exciting and well-mounted entertainment, which looks exactly as if C.B. DeMille had completed his production; it is a beautiful and nearly a very-fine motion picture.