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Les grands espaces

Titre original : The Big Country
  • 1958
  • Tous publics
  • 2h 46min
NOTE IMDb
7,9/10
23 k
MA NOTE
Charlton Heston, Gregory Peck, Jean Simmons, Carroll Baker, and Burl Ives in Les grands espaces (1958)
Regarder Official Trailer
Lire trailer2:54
1 Video
99+ photos
DrameOccidentalRomanceÉpiqueÉpopée occidentaleWestern classique

Un homme originaire de la Nouvelle-Angleterre arrive au Far West, où il se retrouve mêlé à la querelle de deux familles qui se disputent un lopin de terre de valeur.Un homme originaire de la Nouvelle-Angleterre arrive au Far West, où il se retrouve mêlé à la querelle de deux familles qui se disputent un lopin de terre de valeur.Un homme originaire de la Nouvelle-Angleterre arrive au Far West, où il se retrouve mêlé à la querelle de deux familles qui se disputent un lopin de terre de valeur.

  • Réalisation
    • William Wyler
  • Scénario
    • James R. Webb
    • Sy Bartlett
    • Robert Wilder
  • Casting principal
    • Gregory Peck
    • Jean Simmons
    • Carroll Baker
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    23 k
    MA NOTE
    • Réalisation
      • William Wyler
    • Scénario
      • James R. Webb
      • Sy Bartlett
      • Robert Wilder
    • Casting principal
      • Gregory Peck
      • Jean Simmons
      • Carroll Baker
    • 220avis d'utilisateurs
    • 67avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 3 victoires et 5 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:54
    Official Trailer

    Photos277

    Voir l'affiche
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    Voir l'affiche
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    Rôles principaux30

    Modifier
    Gregory Peck
    Gregory Peck
    • James McKay
    Jean Simmons
    Jean Simmons
    • Julie Maragon
    Carroll Baker
    Carroll Baker
    • Patricia Terrill
    Charlton Heston
    Charlton Heston
    • Steve Leech
    Burl Ives
    Burl Ives
    • Rufus Hannassey
    Charles Bickford
    Charles Bickford
    • Maj. Henry Terrill
    Alfonso Bedoya
    Alfonso Bedoya
    • Ramón Gutierrez
    Chuck Connors
    Chuck Connors
    • Buck Hannassey
    Chuck Hayward
    Chuck Hayward
    • Rafe Hannassey
    Buff Brady
    • Dude Hannassey
    Jim Burk
    • Blackie…
    Dorothy Adams
    Dorothy Adams
    • Hannassey Woman
    Chuck Roberson
    Chuck Roberson
    • Terrill Cowboy
    Bob Morgan
    Bob Morgan
    • Terrill Cowboy
    John McKee
    • Terrill Cowboy
    Slim Talbot
    • Terrill Cowboy
    • (as Jay Slim Talbot)
    Richard Alexander
    Richard Alexander
    • Party Guest
    • (non crédité)
    Rudy Bowman
    Rudy Bowman
    • Party Guest
    • (non crédité)
    • Réalisation
      • William Wyler
    • Scénario
      • James R. Webb
      • Sy Bartlett
      • Robert Wilder
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs220

    7,923.1K
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    Avis à la une

    10alecwest

    Magnificent

    As a rule, I don't like westerns. This isn't because I'm a city slicker (though now, I do live in a city). I grew up in rural Eastern Oregon where "real" cowboys still herd their cattle through the center of town in John Day, Oregon. My stepfather owned a 10,170 acre cattle ranch. After being raised among "real" cowboys, the Hollywood versions tend to leave me flat. The Big Country was an exception.

    Jim McKay (Gregory Peck) introduced us to a different kind of man, far different than most stereotypical men of the Wild West. If I were to compare McKay's character to any other film character, it would be Ghandi. He's a man who doesn't feel obliged to seek the approval of others ... a man who believes that violence doesn't need to be used to solve problems. His secret ride of Old Thunder, making Ramon (Alfonso Bedoya) swear to keep quiet regardless of the outcome, set the tone for McKay's character. His later secret fight with Steve Leech (Charleton Heston), making him swear to keep quiet regardless of the outcome, cemented that tone. This was a REAL man whose opinion of himself was not dependent upon anyone else's opinion ... in stark contrast to anyone else in the film outside of Julie Maragon (Jean Simmons). As Ramon said, "Such a man is very rare."

    Outside of McKay, my #2 favorite character in the film was Rufus Hannassey (Burl Ives). I found nothing about him distasteful considering he was a character whose back was against the wall ... whose livelihood was threatened. The things he did make perfect sense in such a situation. His only flaw was his obvious poor parenthood. He really blew it with Buck (Chuck Connors) and Buck's siblings were of the same ilk.

    I'm so glad that MGM/UA finally released the widescreen version in 2001. This is a film that deserves such a presence. It may not be playing in theaters anymore but seeing it in any other display size takes so much away from it. I've seen the pan/scan version before and will never go back.

    One note. The full listing of writing credits for the film adaptation is lacking. "Ambush In Blanco Canyon," originally serialized in a magazine, was later novelized into "The Big Country" by Donald Hamilton ... and Hamilton also worked on the adaptation as well as Leon Uris ("Topaz," "Exodus," "Gunfight At the OK Corral," etc.).

    This epic film was not lacking for anything. It had the best writers, the best actors, the best musical score, and the best scenery of any other film of its time ... western or otherwise. And the film remains one of my favorite films of all time.
    9henry-girling

    A Big Film

    There are many things to enjoy in 'The Big Country'. The landscape itself is a character that seems overwhelming. There are many panoramic shots of it, sweeping out to a misty horizon. All beautifully photographed. This big country seems to glow and the film gets an appropriate music score, sweeping and colourful. It must be one of the most perfect film scores written.

    In this breathtaking landscape the story of the characters unfold with their prides, jealousies, fears, loves, pretensions, hopes, disappointments. The actors are first rate and convey lots of feeling not just in dialogue but in looks. It is worth seeing more than once to catch the emotional nuances. This is a film with space in lots of senses and it gives the cast time to flesh out their characters. In all the splendid acting I have a particular admiration for Chuck Connors in a performance of a lifetime. His Buck Hennassey is a coward and a bully yet you can't help feeling sorry for him in the end.

    There is also the political undertones, the oft quoted Cold War parallels, embodied in the confrontation between Bickford and Ives of mutually assured destruction, that was an ever present issue in the late fifties. Bickford and Ives have narrow self interested vision that portends destruction, while the Peck character has a wider view of co-operation and fairness. (In an illuminating exchange at the engagement party a guest asks Peck if he has seen anything bigger than the 'big country' and Peck replies to the guest's astonishment that he has, a couple of oceans!) It is the outsider who sees clearest.

    William Wyler was a great director and made a great film to be enjoyed on many levels. It is an aural and visual treat but the film also has believable characters performed by a superior cast. And I can't stop humming that theme tune....
    7damianphelps

    A Nicely Different Western

    A delightful movie with particularly strong characters that pound the silver screen (in a good way)

    No one actor steals the show making for a balanced film without any downturns.

    Beautifully shot and excellently paced.

    Great western :)
    Poseidon-3

    Big entertainment, bigger music.

    As several characters state in the film, "This is a big country" and THIS is a BIG MOVIE. It screams out for widescreen viewing. Many of the characters are largely and broadly drawn with big strokes (stubborn Peck, fiery Baker, resentful Heston, righteous Simmons, imperious Bickford, cantankerous Ives and slithering Connors) yet they all are dwarfed by the huge landscape. Tall men, horses, trees and houses are all presented as so many ants on an ant hill in many of the images. The film has a compelling story and intriguing interpersonal relationships and rivalries which are all enhanced by this larger than life approach. The landscape is sometimes awe-inspiring, notably in the Blanco Canyon scenes near the end of the film. Peck is appropriately straight-laced and uncomfortable in this rough & tumble setting, lovely Simmons is a likable heroine and Baker is an effective daddy's girl with misplaced affections. Connors acquits himself very nicely as a thoroughly detestable punk. Heston comes off extremely strong in this film. He's completely at home and was probably never more handsome (check out the scene in which he's roused from his bed by Peck!) He makes the most out of this secondary role. Bickford and Oscar-winning Ives make a great pair of adversaries...almost makes one wish for a prequel to see what got these two so riled up (but today's filmmakers couldn't be counted upon to do it in a tasteful, classy way.) Memorable scenes include the taunting of Peck by Connors and his brothers, Ives grand entrance into Bickford's house and an almost legendary fight scene between Heston and Peck. All of the above are raised to an even higher plane of excellence by what must be one of the greatest musical scores in film history (western or otherwise.) Jerome Moross composed several themes (the opening title is the best known) which put this film into a whole new category of enjoyment. The score stands alone as a beautiful listening experience and paired with the images in this film, it is amazing. It occasionally seems intrusive, yet knows when to keep quiet as well. The Oscar that year went to Tiompkin's "Old Man and the Sea", but it seems astonishing that anything could have bested this score. The film's only real flaw is slight overlength, but nothing really stands out as aching to be cut! Maybe just bits and pieces....but, really, the story just takes it's time and builds to some stirring moments.
    8Nazi_Fighter_David

    Enjoyable ranch-war Western with an outstanding Oscar-Nominated Musical Score...

    When Jim McKay (Gregory Peck) stepped off the stagecoach in the open range of the West, Steve Leech (Charlton Heston) was already his excellent rival and adversary...

    Steve - Major Terrill's strong right arm - was in love with the beautiful Pat (Carroll Baker) daughter of his boss, who intends to marry the innocent handsome Captain...

    Soon than expected, McKay discovered a bitter blood feud between the Terrills, owner of a huge ranch, and the Hannasseys, simple mountain men..

    Extreme hatred united the two families, the two cattlemen Major Terrill (Charles Bickford) and Rufus Hannassey (Burl Ives).

    Julie Maragon (Jean Simmons) was a strategic factor in the conflict... She was the key to supply water... Both, Terrill and Hannassey wanted her part of land to have their cattle watered, but she always said 'no' to either... Why not to say 'yes' now to Jim McKay! Julie was touched by his honesty, a quality she admired in a man...

    Jim, a perfect gentleman - suffering humiliation since his arrival to the big country - grew to unlike Pat's ideas and manners which were in a primitive set of values... He became aware of Julie as a sensitive woman, an understanding human being with great heart...

    When Julie is kidnapped by the Hannassey, McKay goes to meet Rifus... He wins esteem and consideration from the old man but fails to refrain a hostile confrontation between the two selfish, inflexible old barons...

    "The Big Country" is distinguished by its magnificent landscapes... The high, wide and impressive buggy ride spread out a lavish, sumptuous scale of the State of Texas as never has been carried to the silver screen..

    The film is about land and its influence and power over people... A story that can occur everyday in every country, zone and family... The love, the hatred, the war for land, for power, for water rights... always for an asset!

    Gregory Peck is outstanding as the calm anti-traditional hero, balancing a deed of bravery, strength and endurance...

    Jean Simmons is a big leading lady at that time, big enough to the 'Big Country.'

    Carroll Baker, famous as the thumb-sucking child-wife in "Baby Doll," is Charles Bickford's willful daughter, acting according to his law and dictate...

    Charlton Heston confirms a favorable impression by giving an excellent account as the grinning, menacing rival in love with the land and with McKay's attractive fiancée...

    Burl Ives - Winner of the Academy Award as Best Supporting Actor in the film - is impeccably cast as the gray-haired patriarch of a shameful, indecent, discourteous clan...

    Charles Bickford (1891-1967) could play as easily the sincere man of virtue ("Duel in the Sun") as the dishonest villain... His generous character and his stubborn face fitted him perfectly to such roles as the proud misguided patriarch led by false and mistaken ideas in the range against Burl Ives...

    Chuck Connors (1921-92) is always remembered for his success on T.V. notably in "The Rifleman" series (58-63). Here he plays the heavy coward, the rude and vulgar, the hypocrite impolite noisy disorderly son...

    Directed by William Wyler, "The Big Country" is a spectacular Western featuring a brilliant cast at top shape...

    If you like big action, big fights, big love, don't miss it!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Then US President Dwight D. Eisenhower gave the movie four consecutive showings at the White House and called it "simply the best film ever made. My number one favorite film."
    • Gaffes
      At the beginning of the film Peck's character James McKay is mocked for his wearing of a bowler hat, which the characters make out as something only an easterner would wear. This is in stark contrast with history where the bowler hat was one of the most popular styles in the old west, beating out the Stetson and the sombrero. It has even been referred to as "The Hat that Won the West".
    • Citations

      Patricia Terrill: But if he loved me, why would he let me think he was a coward?

      Julie Maragon: If you love him, why would you think it? How many times does a man have to win you?

    • Connexions
      Edited into Bass on Titles (1982)

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    FAQ17

    • How long is The Big Country?Alimenté par Alexa
    • When Julie Maragon (Jean Simmons) and James McKay (Gregory Peck) are exchanging scary stories the spoken words of the last part of Julie's story are intentionally obscured as though they're too scary for the audience to hear. What is she saying? You can see her lips moving but you can't hear her words. A lip reader may be able to tell us.

    Détails

    Modifier
    • Date de sortie
      • 3 avril 1959 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Horizontes de grandeza
    • Lieux de tournage
      • Canyon de Chelly National Monument, Arizona, États-Unis
    • Sociétés de production
      • Anthony Productions
      • Worldwide Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 46min(166 min)
    • Couleur
      • Color

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