NOTE IMDb
6,3/10
31 k
MA NOTE
Une forme de vie extraterrestre absorbe tout sur son passage alors que rien ne semble arrêter sa croissance.Une forme de vie extraterrestre absorbe tout sur son passage alors que rien ne semble arrêter sa croissance.Une forme de vie extraterrestre absorbe tout sur son passage alors que rien ne semble arrêter sa croissance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Steve McQueen
- Steve Andrews
- (as Steven McQueen)
Aneta Corsaut
- Jane Martin
- (as Aneta Corseaut)
Olin Howland
- Old Man
- (as Olin Howlin)
Stephen Chase
- Dr. T. Hallen
- (as Steven Chase)
Vincent Barbi
- George
- (as Vince Barbi)
Avis à la une
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
The Blob is a classic 1950s B-movie sci-fi flick. You probably know the story: two teens (Steve McQueen & Aneta Corsaut) see a meteorite hit the ground, and when they go to look for it, they run into an old man with some weird...blob attached to his arm. They take him to the doctor's office, and then go to find out what happened. From there, the blob spreads, eating everyone in its path. The special effects are cheesy fun, as is the story. There are a lot of great touches, like the cop who plays chess over the radio with a cop in another district. It's no masterpiece, but it has a special place in its genre. Steve McQueen is very good. 8/10.
Who would think Andy Griffith's "Helen Crump" (Aneta Corsaut) had a Steve McQueen movie in her past? But that is only one of several weird and wonderful things about the ultimate 1950s teenagers-battle-creatures movie, which might best be described as Rebel Without A Cause meets God Knows What From Outer Space. The Rebel is Steven McQueen (who would shortly decide that "Steve" sounded less prissy), a good boy with just enough wild to be interesting; the very wholesome yet understanding girlfriend is the aforementioned Aneta Corsaut. It was bad enough when their date was disrupted by teenage hot-rodders, but they are considerably more nonplussed when they encounter a gelatinous, man-eating What Is It that rides down to earth on its own hotrod meteor--and begins gobbling up townfolk right and left. But will the grown ups believe them? Of course not, what do they know, they're just kids!
The movie is teeny bopper at its teeny bopping best. The actors take the rather pretentious script very seriously, with many a soulful look into each other eyes, and the "adult" supporting cast probably says "Kids!" very third sentence or so. But the real pleasure of the film its creature, which is well imagined, well-executed, and often manages to generate a surprising degree of suspense. And although clearly on the cheap side (check out those miniature sets, guys!), THE BLOB is actually a fairly well-made film--and there's that catchy little theme song thrown in for good measure. The 40-plus crowd (myself included) will enjoy the movie as nostalgia, but that won't prevent them from hooting right along with the younger set at its whole-milk-and-white-bread 1950s sensibility, and the film would be a great choice for either family-movie night or a more sophisticated "grown ups only" get together. Make plenty of Jello cubes for movie snacking! Gary F. Taylor, aka GFT, Amazon Reviewer
The movie is teeny bopper at its teeny bopping best. The actors take the rather pretentious script very seriously, with many a soulful look into each other eyes, and the "adult" supporting cast probably says "Kids!" very third sentence or so. But the real pleasure of the film its creature, which is well imagined, well-executed, and often manages to generate a surprising degree of suspense. And although clearly on the cheap side (check out those miniature sets, guys!), THE BLOB is actually a fairly well-made film--and there's that catchy little theme song thrown in for good measure. The 40-plus crowd (myself included) will enjoy the movie as nostalgia, but that won't prevent them from hooting right along with the younger set at its whole-milk-and-white-bread 1950s sensibility, and the film would be a great choice for either family-movie night or a more sophisticated "grown ups only" get together. Make plenty of Jello cubes for movie snacking! Gary F. Taylor, aka GFT, Amazon Reviewer
What a fun time can be had watching The Blob! A meteorite with a blob inside it lands, attatches itself to an old man's hand, engulfs the old man, a nurse, a doctor, and so on...until it is a huge mass of jelly-like substance squeezing through small openings and killing anything and everything in its path. A very young Steve McQueen plays the small-town teenager who just can't get any of the establishment(adults) to listen to him. The film was shot with a shoestring budget and the actors, with the exception of McQueen who shows talent and personality even at this youthful age, range from mediocre to downright bad(Doc Hallen for example), but none of that is overly important to the monster itself. Nothing like it had ever been on film before and some scenes stand out as decidedly very original and memorable. The Spook Movie festival in the movie theater and the finale at the diner are such classic scenes.
A horror film that is both goofy and strangely terrifying. One has to wonder about what the Creator/Deity was thinking when The Blob was made. What kind of world did it come from? When it's in it's normal habitat what does The Blob feed on? When you think about it The Blob is your ultimate doomsday weapon.
The soon to be legend Steve McQueen got his first starring role in The Blob, a 28 year old playing a teen who is out getting down to business with Aneta Corsaut when a passing meteor lands, cracks open, and out pops this Jello like creature which just absorbs whatever is living around it on contact and just grows. In the end it is covering your average greasy spoon diner with McQueen, Corsaut, and others inside.
Most of the film is McQueen trying to warn folks about it with the help of Corsaut. Of course the adults, especially law enforcement don't believe him after all he's a typical Eisenhower era teen with girls and hotrods on his mind. In fact in the middle of a mission, he takes time for a little drag race.
But it's Steve who actually discovers the secret of if not killing The Blob at least rendering it helpless and inert. McQueen was paid $2500.00 for the film, in two years that might have paid for one of his entourage.
The Blob was the farewell film of character actor Olin Howlin who usually played rustic types in a couple hundred films. He's The Blob's first victim that McQueen and Corsaut discover.
After over 50 years still an interesting and camp film.
The soon to be legend Steve McQueen got his first starring role in The Blob, a 28 year old playing a teen who is out getting down to business with Aneta Corsaut when a passing meteor lands, cracks open, and out pops this Jello like creature which just absorbs whatever is living around it on contact and just grows. In the end it is covering your average greasy spoon diner with McQueen, Corsaut, and others inside.
Most of the film is McQueen trying to warn folks about it with the help of Corsaut. Of course the adults, especially law enforcement don't believe him after all he's a typical Eisenhower era teen with girls and hotrods on his mind. In fact in the middle of a mission, he takes time for a little drag race.
But it's Steve who actually discovers the secret of if not killing The Blob at least rendering it helpless and inert. McQueen was paid $2500.00 for the film, in two years that might have paid for one of his entourage.
The Blob was the farewell film of character actor Olin Howlin who usually played rustic types in a couple hundred films. He's The Blob's first victim that McQueen and Corsaut discover.
After over 50 years still an interesting and camp film.
Le saviez-vous
- AnecdotesSteve McQueen had the poster of this film on his bedroom wall at the time of his death.
- GaffesAt 1:05:01, as the actor awakens and dons clothes, the siren (added in post-production) changes from air raid to fire. The Director can plainly be heard off screen cuing the actor with "Fire" just before the actor says it.
- Citations
[last lines]
Lieutenant Dave: At least we've got it stopped.
Steve Andrews: Yeah, as long as the Arctic stays cold.
- Crédits fousWhen the movie ends it shows the Blob being dropped into the Arctic. "THE END" appears and changes into a question mark.
- Versions alternativesSpanish-dubbed version substitutes the opening credits theme song for a more conventional, in-tone with the movie, instrumental tune.
- ConnexionsEdited into Último deseo (1976)
- Bandes originalesThe Blob
Written by Burt Bacharach & Mack David
Performed by The Five Blobs, arranged by and all vocals by Bernie Knee
[Played over the opening credits]
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La mancha voraz
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 240 000 $US (estimé)
- Durée
- 1h 26min(86 min)
- Mixage
- Rapport de forme
- 1.66 : 1
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