L'or du Hollandais

This is the kind of film that you want to find when you sit down on a Sunday afternoon to have some "TV time".

Alad Ladd is as solid and dependable as ever with his usual "cool and unruffled" persona and is probably the least effective of all of the leads!

Ernest Borgnine and Katy Jurado initially look like an unlikely pairing but as the film progresses they "gel" more and more. It would also appear to have been an inspired piece of casting as the actors themselves "paired up" during this film and married the following year of its release! For me the two are the real stand-out performers in this film.

I don't want to say too much more on the other characters for fear of giving plot away but suffice to say there is not a stinker amongst them although I have to say that I felt Claire Smith as Ada Winton was a bit invisible to the point where I actually thought a the end of the film "Oh, is she back then; where did she come from?"

One thing that has puzzled me however is who was the actress that played Vincente's wife? It looked as if it could have been a young Natalie Wood but despite a speaking role (of sorts), there is no credit for her. Whoever it was she has some of the most expressive eyes seen since the silent days!

Overall however and enjoyable yarn with a good solid cast providing a good solid performance.

Toward the end, there is a scene that I recognized almost word for word from a similar scene in The Asphalt Jungle, then I realized that the whole thing is a close approximation. The family man safe cracker is the family man "powder monkey", the heavy Borgine is the thug Sterling Hayden (with their girlfriends of questionable repute), the financiers with their bought lawmen and molls are the same, the caper is similar. This one is a bit more lightweight than the former.

Maybe it would have worked better as a noir in B&W but not a bad film.

Satisfying tale of 2 paroled prisoners who set up to rob a mine belonging to the men who railroaded them into prison. Nice photography, somewhat slack pace. Good characterizations, especially by Borgnine and Jurado. Borgy plays a good man for a change, affecting the Chaneyesque character transformation from violent, angry inmate to a strong-willing individualist on the way to Mexico with the stolen loot. The heroes are surprisingly trusting, given that they had already been cheated by their new "employers". Nice tone, little substance or action.

The other reviews pretty much explain what this movie is all about. I would like to add a couple of thoughts.

First, this is probably Alan Ladd's last quality production. The photography and locations are all very good, and the cast is solid. Compare those aspects with Ladd's subsequent films, such as "Man in the Net" and "Guns of the Timberland." Those two are definitely disappointing, not up to the standards of a star who excelled in films such as "This Gun for Hire," "The Blue Dahlia," and "Shane".

Second, the ending undermines the film's impact. Viewers who have seen "The Asphalt Jungle" will attest to the fact that the very grim conclusion of that classic seems inevitable and fitting. In the case of "The Badlanders," I suspect that Ladd himself rejected any such ending (if in fact such had been contemplated).

(By the way, the same can be said for an earlier Ladd film. "Thunder in the East" also has a happy ending that virtually defines the term deus ex machina. Had the principles all been killed in that one, it would have had a tragic quality that would have made it much better.)

"The Badlanders" is a good film (though not a great one) despite the above criticism. Had it appeared right after "Shane," it might have been a major hit. Unfortunately, by 1958 Alan Ladd's personal decline was all too evident. Perhaps it was too late for a Ladd film, even a good one, to break through.

Vividly filmed in Cinemascope in the best late-50's MGM style, this loose remake of The Asphalt Jungle in a Western setting has some good acting and takes a different road. The relationship of Alan Ladd and Ernest Borgnine is consistently interesting and unpredictable throughout, and Katy Jurado offers a standout performance. Ultimately less grim than its source material, this one has a satisfying resolution, and the action that leads to it holds the interest the entire way. A solid Western that deserves a significant place in both of its stars' filmographies.