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Appointment with a Shadow

  • 1957
  • Approved
  • 1h 12min
NOTE IMDb
6,5/10
512
MA NOTE
Joanna Moore and George Nader in Appointment with a Shadow (1957)
Film NoirCrimeDrama

Ajouter une intrigue dans votre langueGeorge Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.

  • Réalisation
    • Richard Carlson
  • Scénario
    • Alec Coppel
    • Norman Jolley
    • Judson Philips
  • Casting principal
    • George Nader
    • Joanna Moore
    • Brian Keith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    512
    MA NOTE
    • Réalisation
      • Richard Carlson
    • Scénario
      • Alec Coppel
      • Norman Jolley
      • Judson Philips
    • Casting principal
      • George Nader
      • Joanna Moore
      • Brian Keith
    • 15avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos82

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    + 78
    Voir l'affiche

    Rôles principaux16

    Modifier
    George Nader
    George Nader
    • Paul Baxter
    Joanna Moore
    Joanna Moore
    • Penny Spencer
    Brian Keith
    Brian Keith
    • Lt. Spencer
    Virginia Field
    Virginia Field
    • Florence Knapp
    Frank DeKova
    Frank DeKova
    • Dutch Hayden
    Stephen Chase
    Stephen Chase
    • Sam Carewe
    Ralph Brooks
    • Joe - Newspaper Man
    • (non crédité)
    Raoul Freeman
    • Burlesque Club Patron
    • (non crédité)
    Bill Hickman
    Bill Hickman
    • Farrell - Police Detective
    • (non crédité)
    Rusty Lane
    Rusty Lane
    • Pat O'Connell - Bartender
    • (non crédité)
    John Phillips
    John Phillips
    • Reporter
    • (non crédité)
    • …
    Fred Sadoff
    Fred Sadoff
      Jeffrey Sayre
      Jeffrey Sayre
      • Burlesque Club Patron
      • (non crédité)
      Charles Sherlock
      Charles Sherlock
      • Reporter
      • (non crédité)
      Bert Stevens
      Bert Stevens
      • Burlesque Club Patron
      • (non crédité)
      Hal Taggart
      • Burlesque Club Patron
      • (non crédité)
      • Réalisation
        • Richard Carlson
      • Scénario
        • Alec Coppel
        • Norman Jolley
        • Judson Philips
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs15

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      Avis à la une

      10tiffanie_says_stay_in_your_lane

      Character study meets noir

      Well, I don't know about anybody else, but it gave off character study vibes to me. I'm fascinated by movies that examine someone's personal struggles, even more so if they grow and develop throughout the course of the story. Otherwise, if they're one-dimensional, and don't learn anything as they go along, that's just boring. Appointment with a Shadow is an exceptionally crafted film about former newspaper reporter Paul (George Nader) who lost his job as a result of his alcoholism. His girlfriend Penny (Joanna Moore), also a reporter, believes he has the potential to bounce back, so she gives him a tip that could help him re-launch his career. There is one condition: he has to go without a drink for 24 hours. Despite experiencing major withdrawal, he accepts the challenge. Penny's brother, Lt. Spencer (Brian Keith), thinks she's wasting her time trying to help him become sober. So essentially, Paul has to prove himself. This is one of many B films that contains brilliant performances. George Nader was so convincing as an alcoholic who was trying his hardest to stay sober for a full day. You could see the desperation, physically and emotionally. He was shaking, sweating, unable to stay focused on a task, jumpy - he got startled by every little noise. You don't see acting like that anymore. Also, a couple of amusing things were added in to lighten the mood: two beatniks playing music in a hotel room that he fell into through a window. The nerdy guy who works backstage in a gentleman's club and spends all of his time reading, completely unphased by the women around him. I just thought that was clever. The pacing was consistent and the characters were engaging. I was glad Paul wasn't made out to be a stereotypical alcoholic. He wasn't violent or nasty. He was an affable person, thus making his character likeable. Otherwise, if he was the raging type, I probably wouldn't have been interested. And to think, this was inspired by a story that was published in a magazine. It's a fantastic noir that will hold your attention. Don't pay attention to the negative reviews.
      lor_

      A quality sleeper

      Richard Carlson, trying his hand at directing, does a fine job with "Appointment with a Shadow", a neo-noir from Universal in glorious black & white CinemaScope.

      George Nader is quite empathetic as a down & out alcoholic news scribe, given one last chance by his selfless girlfriend, Joanna Moore with an alluring pixie hairdo. Aided by her brother, tough-guy cop Brian Keith, she's got all the research ready for George to hand in a scoop, the capture of wanted hoodlum Frank de Kova, delivered on a silver platter, and guaranteed to revive Nader's newspaper career, That's if things go as planned.

      A terrific plot twist at the movie's halfway mark sets in motion a quite suspenseful test of our hero's commitment to sobriety and his resourseulness, leading to a solid climax and denouement.

      Rooting for an underdog is a classic Hollywood staple, and is engaging escapism heightened by this familiar B-movie cast (of couse Keith becoming quite the TV star later on).
      6blanche-2

      George Nader as a washed up reporter with one helluva story

      An alcoholic, out of work newspaper reporter is given another chance in "Appointment with a Shadow," from 1957, starring George Nader, Joanna Moore, Brian Keith, and Virginia Field.

      Nader plays Paul Baxter, whose girlfriend Penny (Moore) is a reporter as well. After he is dropped off at her place by her brother, Lt. Spencer (Keith) and sobered up, she tells him she has the inside scoop on a story. It's his if he can stay sober for the entire day.

      Penny's brother is a police detective and has agreed to allow Paul in on the arrest of a wanted criminal (Frank DeKova). He will then scoop all the crime reporters and get a newspaper job. Her brother thinks she's crazy and doesn't think she should bother with Paul, but she insists that she loves him and can't give up on him.

      Paul manages to stay sober for the day. Penny calls him with the information about the stakeout and arrest. Unfortunately, once Paul gets to the scene, something goes terribly wrong. He's the only one who knows how wrong it went, and no one will believe him.

      While the film deals realistically with an alcoholic's struggle to refrain from taking a drink, it doesn't really deal realistically with the illness. Still, it's an involving story, if a little too pat, directed by actor Richard Carlson.

      George Nader was an attractive man who had a decent career in television and later did films in Europe. He never reached stardom in the U..S. because Universal outed him to Confidential magazine so the publication wouldn't out Rock Hudson. He was a good type for noir and detective stories - he played Ellery Queen on television as well as two other TV series.
      9skirner

      Wow blown away by this great film noir!

      Didn't expect much from this movie I just got in a Blu-ray 3 pack of vintage noir thrillers. Never been that impressed with George Nader's acting range I rate him similar to Kerwin Matthews great unique, identifiable speaking voices who can play stalwart heroes but not much dramatic range or emotional intensity. Nader has made me reevaluate his acting a little in this arguably in my opinion his best performance and film.

      He gives a pretty good performance as an alcoholic newspaper reporter given one last chance at redemption. His haggard appearance that is strikingly different from his normal robust healthy anc handsome film persona certainly helps sell him being an alcoholic but he does some good layering of twitches and mannerisms that impressed me and had me question my previous opinion he was just an average leading man type of the era.

      Besides Nader the film had a great supporting cast including the always capable Brien Keith plus the beautiful lady who starred in "Invaders From Mars" whose name escapes me.

      Kudos go to fine direction by Richard Carlson but the best thing about the film is a really suspenseful script that I'm surprised wasn't used in an A list production with a big name star in the leading role. The story is that good with a load of twists and turns once the action starts going in the second act.

      I highly recommend this very entertaining suspense film and quite frankly am surprised it had not been remade with a big budget and top line actors and directors.
      6boblipton

      Just Shy Of The Delirium Tremens

      George Nader is a reporter. Perhaps more accurately, he was a reporter until his extreme alcoholism got him canned from every newspaper. Only fellow reporter Joanna Moore cares, and she persuades her brother, police lieutenant Brian Keith, to let Nader know about the forthcoming arrest of evil criminal Frank DeKova. But DeKova is dead, and Nader has the shakes so bad he can't hold a shot glass with two hands. Or is he? And can he?

      Nader was never a big star, even by the standards of Universal, taking the roles that Rock Hudson and Tony Curtis turned down. Here, under the direction of Richard Carlson, he turns in a fine performance of a drunk on his last legs. Director Richard Carlson -- he was much better known as an actor -- also gets a fine performance out of Miss Moore, who is far sexier here than stripper Virginia Field. It's a movie worth watching for the performances.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Filming began with Jeffrey Hunter in the lead, but a serious case of hepatitis caused him to be replaced by George Nader after one day of shooting.
      • Citations

        [In an apartment, a woman can be seen approaching a door when she hears the bell ringing. This is Penny Spencer. When she opens the door, she sees Police Lieutenant Spencer carrying a man, the latter is Paul Baxter]

        Lt. Spencer: Do you mind if I say I'm glad this is the last time I'm gonna have to do this?

        Penny Spencer: [starts walking towards another room] Bring him in here, Spence.

        Lt. Spencer: [looks at the intoxicated Baxter] Come on...

        [Penny and the Lieutenant enter a room where they lay Baxter on a bed. After positioning him, they take a closer look at him]

        Lt. Spencer: Look at him. Paul Baxter and clean sheets they just don't add up. Do they, sis?

        Penny Spencer: A shower and shave will help.

        Lt. Spencer: It'll take a lot more than a shower and a shave to make anything add up for him again.

        Penny Spencer: You just don't have any faith in him at all. Do you, Spence?

        Lt. Spencer: Penny, I got more faith in these guys than most people have. In fact, I got so much faith in them I can predict exactly what'll happen when you clean them up and turn them loose. He'll go get drunk again.

        Penny Spencer: Anybody deserves another chance.

        Lt. Spencer: We got him another chance on every newspaper in town.

        Penny Spencer: [turns towards the door] Well, he still needs help.

        Lt. Spencer: Oh, come on, sis, why don't you just settle for being a good newspaper woman till the right guy comes along, huh?

        Penny Spencer: He is the right guy.

        Lt. Spencer: And the top reporter in town at twenty-five and he's an alcoholic bum before he's thirty. You call it right?

        Penny Spencer: You made me a promise, Spence.

        Lt. Spencer: I know, I know, I just don't want to see you through your life away, I want to see you happy, that's all.

        Penny Spencer: Then keep your promise... I love him.

        Lt. Spencer: Alright, you'll love him. You're my sister, I happen to love you. Believe me, that's the only reason I'm going through with this deal. I took me a long time to make Lieutenant you know, I could be back pounding a beat in thirty seconds if the department found out what I'm up to. So I think that gives me a right to make you promise.

        [Penny remains silent]

        Lt. Spencer: Look, if he goofs this one up, you see him for the last time. I mean it, Penny. I want you to promise me this is the end of the line.

        Penny Spencer: [softly] It's the end of the line.

        Lt. Spencer: [puts his hand on his sister's shoulder] Good night, sis.

        [the Lieutenant leaves the apartment]

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      FAQ13

      • How long is Appointment with a Shadow?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • septembre 1957 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • If I Should Die
      • Lieux de tournage
        • Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Studio)
      • Société de production
        • Universal International Pictures (UI)
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 12 minutes
      • Couleur
        • Black and White
      • Rapport de forme
        • 2.35 : 1

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