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Appointment with a Shadow

  • 1957
  • Approved
  • 1h 12min
NOTE IMDb
6,5/10
512
MA NOTE
Joanna Moore and George Nader in Appointment with a Shadow (1957)
Film NoirCrimeDrama

Ajouter une intrigue dans votre langueGeorge Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.

  • Réalisation
    • Richard Carlson
  • Scénario
    • Alec Coppel
    • Norman Jolley
    • Judson Philips
  • Casting principal
    • George Nader
    • Joanna Moore
    • Brian Keith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    512
    MA NOTE
    • Réalisation
      • Richard Carlson
    • Scénario
      • Alec Coppel
      • Norman Jolley
      • Judson Philips
    • Casting principal
      • George Nader
      • Joanna Moore
      • Brian Keith
    • 15avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos82

    Voir l'affiche
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    + 78
    Voir l'affiche

    Rôles principaux16

    Modifier
    George Nader
    George Nader
    • Paul Baxter
    Joanna Moore
    Joanna Moore
    • Penny Spencer
    Brian Keith
    Brian Keith
    • Lt. Spencer
    Virginia Field
    Virginia Field
    • Florence Knapp
    Frank DeKova
    Frank DeKova
    • Dutch Hayden
    Stephen Chase
    Stephen Chase
    • Sam Carewe
    Ralph Brooks
    • Joe - Newspaper Man
    • (non crédité)
    Raoul Freeman
    • Burlesque Club Patron
    • (non crédité)
    Bill Hickman
    Bill Hickman
    • Farrell - Police Detective
    • (non crédité)
    Rusty Lane
    Rusty Lane
    • Pat O'Connell - Bartender
    • (non crédité)
    John Phillips
    John Phillips
    • Reporter
    • (non crédité)
    • …
    Fred Sadoff
    Fred Sadoff
      Jeffrey Sayre
      Jeffrey Sayre
      • Burlesque Club Patron
      • (non crédité)
      Charles Sherlock
      Charles Sherlock
      • Reporter
      • (non crédité)
      Bert Stevens
      Bert Stevens
      • Burlesque Club Patron
      • (non crédité)
      Hal Taggart
      • Burlesque Club Patron
      • (non crédité)
      • Réalisation
        • Richard Carlson
      • Scénario
        • Alec Coppel
        • Norman Jolley
        • Judson Philips
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs15

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      Avis à la une

      searchanddestroy-1

      Rare little gem from Universal Studios

      It is a rare item that I review now, it was totally unavoidable in France and I finally purchased it thru some collectors nets. It is a good atmospheric thriller from the fifties, shot in black and white and in LBX, which adds to the fifties charm. The story itself is not that exciting though, predictable and George Nader - Unversal Studios home star - is as lame as usual. He should not have had the lead role, he deserved supporting roles instead. That said, it is a more than worth watching thriller, which I highly recommend for fifties movies lovers. It is a good film from Richard Carlson, the famous actor.
      6blanche-2

      George Nader as a washed up reporter with one helluva story

      An alcoholic, out of work newspaper reporter is given another chance in "Appointment with a Shadow," from 1957, starring George Nader, Joanna Moore, Brian Keith, and Virginia Field.

      Nader plays Paul Baxter, whose girlfriend Penny (Moore) is a reporter as well. After he is dropped off at her place by her brother, Lt. Spencer (Keith) and sobered up, she tells him she has the inside scoop on a story. It's his if he can stay sober for the entire day.

      Penny's brother is a police detective and has agreed to allow Paul in on the arrest of a wanted criminal (Frank DeKova). He will then scoop all the crime reporters and get a newspaper job. Her brother thinks she's crazy and doesn't think she should bother with Paul, but she insists that she loves him and can't give up on him.

      Paul manages to stay sober for the day. Penny calls him with the information about the stakeout and arrest. Unfortunately, once Paul gets to the scene, something goes terribly wrong. He's the only one who knows how wrong it went, and no one will believe him.

      While the film deals realistically with an alcoholic's struggle to refrain from taking a drink, it doesn't really deal realistically with the illness. Still, it's an involving story, if a little too pat, directed by actor Richard Carlson.

      George Nader was an attractive man who had a decent career in television and later did films in Europe. He never reached stardom in the U..S. because Universal outed him to Confidential magazine so the publication wouldn't out Rock Hudson. He was a good type for noir and detective stories - he played Ellery Queen on television as well as two other TV series.
      6johno-21

      Battle of the bottle

      I recently saw this at the 2008 Palm Springs Film Noir Festival. Actor Richard Carlson is behind the camera as director for this film from the later part of the Film Noir genre. Paul Baxter (George Nader) is a former newspaper reporter who is washed up and unhireable at only 30 years old because he's an alcoholic. Penny Spencer (Joanna Cook Moore) is his soon to be former girlfriend who is giving him one last chance. She wants him to go on the wagon for one day and has arranged with her police detective brother Lt. Spencer (Brian Keith) for Paul to observe a stakeout and apprehension of the city's most wanted criminal. She's in the newspaper business herself and has put together a file on the criminal Dutch Hayden (Frank DeKova) for Paul to study up on so he can write a story of the arrest and scoop all the crime reporters which will lead to him getting a full-time newspaper job and he'll stop drinking and Paul and Penny will then be able to live happily ever after if only he can stop drinking for one day and write the story. I'm sure most people who have dealt with alcoholism and those who treat it would have a hard time buying into this 24 hour self curing treatment but the film does deal with the destructiveness of alcoholism. Paul is faced with a series of temptations throughout the film as he struggles to stay off the hooch. Virgina Field is in the cast as burlesque dancer Florence Knapp, the moll of Dutch Hayden. Alec Coppel and Norman Jolley write the screenplay based on an Argosy Magazine story by Hugh Penecost. Three time Oscar nominee William E. Snyder is the film's cinematographer. The story is highly implausible and simplistic but isn't too bad and it's a relatively short film at 73 minutes and I would give it a 6.0 out of 10.
      10tiffanie_says_stay_in_your_lane

      Character study meets noir

      Well, I don't know about anybody else, but it gave off character study vibes to me. I'm fascinated by movies that examine someone's personal struggles, even more so if they grow and develop throughout the course of the story. Otherwise, if they're one-dimensional, and don't learn anything as they go along, that's just boring. Appointment with a Shadow is an exceptionally crafted film about former newspaper reporter Paul (George Nader) who lost his job as a result of his alcoholism. His girlfriend Penny (Joanna Moore), also a reporter, believes he has the potential to bounce back, so she gives him a tip that could help him re-launch his career. There is one condition: he has to go without a drink for 24 hours. Despite experiencing major withdrawal, he accepts the challenge. Penny's brother, Lt. Spencer (Brian Keith), thinks she's wasting her time trying to help him become sober. So essentially, Paul has to prove himself. This is one of many B films that contains brilliant performances. George Nader was so convincing as an alcoholic who was trying his hardest to stay sober for a full day. You could see the desperation, physically and emotionally. He was shaking, sweating, unable to stay focused on a task, jumpy - he got startled by every little noise. You don't see acting like that anymore. Also, a couple of amusing things were added in to lighten the mood: two beatniks playing music in a hotel room that he fell into through a window. The nerdy guy who works backstage in a gentleman's club and spends all of his time reading, completely unphased by the women around him. I just thought that was clever. The pacing was consistent and the characters were engaging. I was glad Paul wasn't made out to be a stereotypical alcoholic. He wasn't violent or nasty. He was an affable person, thus making his character likeable. Otherwise, if he was the raging type, I probably wouldn't have been interested. And to think, this was inspired by a story that was published in a magazine. It's a fantastic noir that will hold your attention. Don't pay attention to the negative reviews.
      9planktonrules

      Proof that a mostly forgotten actor was too good to be forgotten.

      "Appointment with a Shadow" is a gritty film starring George Nader, a famous American actor whose career slid into obscurity after it was revealed he was gay. It's a shame, as he was very good in this film and his Jerry Cotton spy films of the 1960s...which were filmed in Germany since American studios would no longer hire him.

      When the story starts, you see that Paul Baxter (Nader) is a falling down drunk...and it's pretty much ruined his career as a reporter. His girlfriend, Penny (Joanna Moore), is almost ready to walk, but she gives him an ultimatum and one more chance. Although it's very tough, Paul tries his best to stay away from alcohol and write an article he can be proud of creating. The problem is when he sees a murder, the cops don't believe him...and assume he's drunk. So he has to find someone who believes him, as his reputation is so bad, no one seems to believe him. And, in the meantime, a mobster is out to keep Paul quiet...permanently!

      Nader was very good playing a drunk. He didn't overplay it (an easy trap to fall into) and was quite good in this noir movie. It also helped that the writing was exceptional. Overall, a terrific film...one that deserves to be more well known.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Filming began with Jeffrey Hunter in the lead, but a serious case of hepatitis caused him to be replaced by George Nader after one day of shooting.
      • Citations

        [In an apartment, a woman can be seen approaching a door when she hears the bell ringing. This is Penny Spencer. When she opens the door, she sees Police Lieutenant Spencer carrying a man, the latter is Paul Baxter]

        Lt. Spencer: Do you mind if I say I'm glad this is the last time I'm gonna have to do this?

        Penny Spencer: [starts walking towards another room] Bring him in here, Spence.

        Lt. Spencer: [looks at the intoxicated Baxter] Come on...

        [Penny and the Lieutenant enter a room where they lay Baxter on a bed. After positioning him, they take a closer look at him]

        Lt. Spencer: Look at him. Paul Baxter and clean sheets they just don't add up. Do they, sis?

        Penny Spencer: A shower and shave will help.

        Lt. Spencer: It'll take a lot more than a shower and a shave to make anything add up for him again.

        Penny Spencer: You just don't have any faith in him at all. Do you, Spence?

        Lt. Spencer: Penny, I got more faith in these guys than most people have. In fact, I got so much faith in them I can predict exactly what'll happen when you clean them up and turn them loose. He'll go get drunk again.

        Penny Spencer: Anybody deserves another chance.

        Lt. Spencer: We got him another chance on every newspaper in town.

        Penny Spencer: [turns towards the door] Well, he still needs help.

        Lt. Spencer: Oh, come on, sis, why don't you just settle for being a good newspaper woman till the right guy comes along, huh?

        Penny Spencer: He is the right guy.

        Lt. Spencer: And the top reporter in town at twenty-five and he's an alcoholic bum before he's thirty. You call it right?

        Penny Spencer: You made me a promise, Spence.

        Lt. Spencer: I know, I know, I just don't want to see you through your life away, I want to see you happy, that's all.

        Penny Spencer: Then keep your promise... I love him.

        Lt. Spencer: Alright, you'll love him. You're my sister, I happen to love you. Believe me, that's the only reason I'm going through with this deal. I took me a long time to make Lieutenant you know, I could be back pounding a beat in thirty seconds if the department found out what I'm up to. So I think that gives me a right to make you promise.

        [Penny remains silent]

        Lt. Spencer: Look, if he goofs this one up, you see him for the last time. I mean it, Penny. I want you to promise me this is the end of the line.

        Penny Spencer: [softly] It's the end of the line.

        Lt. Spencer: [puts his hand on his sister's shoulder] Good night, sis.

        [the Lieutenant leaves the apartment]

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      FAQ13

      • How long is Appointment with a Shadow?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • septembre 1957 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • If I Should Die
      • Lieux de tournage
        • Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Studio)
      • Société de production
        • Universal International Pictures (UI)
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 12 minutes
      • Couleur
        • Black and White
      • Rapport de forme
        • 2.35 : 1

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