Six-Five Special

This is a really interesting time piece,since it reflects the changing tastes in music that took place during the 1950s.Early in the fifties,crooners such as Bing Crosby and Frank Sinatra still held sway.One of our British crooners,and one of my personal favourites of the time,Dickie Valentine,is shown in full voice here.Then there was a slight change evidenced by such as Lonnie Donnegan.I still have his 45 disc of "My old mans a dustman.However the era of rock and roll was fast approaching with Rock Around The Clock and of course Elvis Presley.So the cosy world shown here was soon to be swept away.I also remember Pete Murray very well as he used to sit in the same area as me at The Arsenal.This film is for enthusiasts of the era primarily.

After an interval of 60 years, this film is simply embarrassing.

This is, quite simply, a means to cash in on the then popularity of the 6.5 Special TV show. To have a singer pick up a guitar in a railway carriage and suddenly be accompanied by and orchestra and chorus might have been believable in 1958, but not for much longer afterwards.

Kitsch at its kitchest indeed. To its credit, it does allow us to see popular singers as they were in their formative years.

The 6.5 Special TV series was the in thing to watch when I was a young teenager and now, I look on that series with slight uneasiness, THIS FILM takes it to new heights of toe-curling embarrassment.

Dear oh dear, oh dear - this is DIRE!!

The only person to come out of this with any credit was Lonnie Donegan, as for the rest - even John Barry trying to look and sing like a hip-cat was laughable and the rest of these so-called pop stars of the day were little better. And who on earth was Desmond Lane? Never heard of him, and then to see teenage girls' mob him as he played his penny whistle takes it to new heights of ridiculousness. I also wonder how we thought a so-called pop band fronted by a man (Don Lang) playing a trombone was with it, is mind numbing.

And I'll completely dismiss the "comedy" routine by Mike and Bernie Winters as words fail me.

This (now) quaint film is a cornucopia of Brit jukebox talent of the mid 50s all in a cavalcade of song hits... some dimly recalled and most long forgotten. This film is an expanded version of the TV show of the same name... each country had a similar TV show: in Australia we had Saturday DATE and in the US there was BANDSTAND and SHINDIG. It is the sort of TV show that John Waters spoofed in his hilarious 1988 movie with Ricki Lake called HAIRSPRAY. This UK pic is about a sweet nervous operatic hopeful who gets on the 6.5 special a train full of pop talent who head off to the TV studio for a weekly show. It is a good idea and a believable frame to hang what seems like 100 songs and an equal number of singers and dancers who all get a gig in this 85 minute movie. It is non stop songs and performances and as a time capsule movie of 1957 it is now a real talent museum piece. Every known style and look is on screen and it is a good party tape to play at home... even if you are alone or are having 50s party night just for fun. It is so conservative, all cardigans and sensible clothes.. with the occasional Pommy rockabilly twist... followed by a big band / orchestra or dixieland showcase. The wild concert pic THE TAMI SHOW of the mid 60s from Los Angeles Auditorium is a great 1965 chaser. 6.5 SPECIAL is a great fun. The opening scene is our shy singing gal in the bathtub, chatting to her galpal with the bathroom door open... right thru she also sings up until she hops out all sudsy, dries and puts on her pyjamas!. After the train scenes, the film shifts to the studio where a roster of truly dynamite talent takes over: One of the songs is from a 15 year old Scottish boy called Jackie Dnnis wearing the biggest pair of truly terrifying plaid trousers. He sings like Frankie Lymon, belting out a number with lyrics like "la de da oh boy cha-cha-charrrrrrr"... where is he today? also in 6.5 SPECIAL are: John Dankworth and Cleo Laine, the King Bros, Jim Dale, Petulia Clark, and Lonnie Donnegan who is clearly a forerunner to The Beatles in style. One fab cocktail dance number is by Paddy Madison and Lee Stone is a super dance act very much in the style of Marge and Gower Champion. Also if you are a fan of acoustic guitar this great film is also a feast of that sound. Enjoy!

As a historical piece showcasing a transitional phase in UK culture and popular music, the rise of youth culture and the early days of television, this film is fantastic. It offers a snapshot of the late 50's that was a battleground where Jazz, rock and roll, crooners and skiffle were battling for prominence in the youth music market of a pre Beatles universe. However, if you approach the film for sophisticated entertainment judged against current day standards you will be sorely disappointed. Terrible and cheesy... So choose your critical position. I took the former point of view and thought the whole experience was brilliant...