Quatermass and the Pit

I envy anybody who was lucky enough to watch this one the first time around! Seeing the re-released video version today I can imagine what a mind-blower this must have nearly 45 years ago. An amazing technical achievement for the time, while the movie remake had a bigger budget and was in colour, it's debatable whether it actually bettered this original TV version. A plot that mixes science fiction and the occult in a way reminiscent of some of H.P. Lovecraft's later stories, added to inventive (low budget) direction, and generally strong acting, especially from Andre Morell (possibly the best Quatermass of them all), this is a must see for any genuine SF fan. Nigel Kneale deserves a place in the history of fantastic television and cinema, and this is one of his best efforts.

I had always considered the third - and most ambitious - Quatermass film (made in 1967) as a masterpiece; if anything, the original serial is even better as the accumulation of detail (Kneale's decidedly cerebral script taking in an archaeological expedition overrun by the military, paranormal manifestations going hand in hand with a secret alien invasion, a startling revelation concerning Homo Sapiens, riots provoked by the sudden appearance of an energy-consuming demon, and ending with a plea for tolerance!) is more smoothly distributed - and, consequently, better digested - over the period of 3½ hours rather than a film little more than 90 minutes in length!!

Casting is very strong and about the best of all three serials, with Andre' Morell (standing in for the recently deceased John Robinson) emerging as the finest Quatermass ever; Michael Ripper - the actor with more Hammer Films credits to his name (though not, curiously enough, their version of this serial!) - is featured in a supporting role. The film - among the top two or three ever turned out by Hammer - obviously substituted color for black-and-white (arriving 10 years after the last Quatermass picture with a new director and lead actor); an inspired touch, however, was its resetting the excavation site where the alien spacecraft is discovered to a branch of the London Underground and, besides, this time around they could afford to show the demon and its subsequent destruction!

Of course, having watched the Hammer films numerous times prior to going through the serials themselves, the narratives hold no real surprises - but, then, because Kneale's concepts are so fascinating and even persuasive, they keep one riveted (and, despite their considerable length, don't make one restless to get to the 'goodies', so to speak). Again, the opening credits and the score set the tone wonderfully for what's to come - and, contrary to the monster of "The Quatermass Experiment" (which the BBC hated so much that the final episode of that first serial was deleted immediately!), some care was evidently allowed here to the preparation of the Martian creatures so vital to the program!!

Unfortunately, I experienced freezing around the 147-minute mark during playback of this particular disc - but, by fast-forwarding and rewinding a bit, I managed to make it through the effected part regardless...

A remarkable 6-part television "mini-series" from the 1950s, this programme is an object lesson in how much can be achieved with comparatively little. By modern standards the special effects are almost non-existent, the camera work is poor and often badly focussed, the continuity between episodes is occasionally bad, the acting is a little sloppy, etc. However none of these mere technical problems matter because they are all forgotten as the viewer is swept away by the intelligence, ingenuity and originality of the plot, which becomes totally involving. The shadowy black-and-white scenes and the excellent (often electronic) soundtrack create a brooding and tense atmosphere which is just right. At 3 hours in length (with an intermission break in the middle) this makes a perfect night's viewing for science fiction fans who can appreciate a good story well told.

Quatermass and the Pit was remade 9 years later and although it is a much leaner, faster film (at only 90 minutes in length) it also has much to offer. See both and enjoy both.

Quatermass and the Pit is a truly remarkable piece of television. An excellent script, brilliant atmospheric direction and great performances from the cast. Anthony Bushell's Colonel Breen is an utterly unlikable character without being a clichéd hissable villain figure. The guy is so uptight you can almost feel his buttocks clenching! Cec Linder is a very likable character and his friendship with Quatermass is totally believable. As for Quatermass himself... whilst Brian Donlevy played a totally different character (let's be honest the character in the first two Hammer movies is Quatermass in name only, or should that be'Quittermuss'?) John Robinon was really good in the role, Reginald Tate, Andrew Keir and John Mills were all excellent but Andre Morell makes the role his own and completely outshines all the other very fine actors who played this part. He's a charismatic figure full of charm, authority and compassion (if I was a scientist I'd like to be this guy!). Morell is totally convincing in all aspects of the role, whether arguing with pompous ministers or fighting the Martian influence he carries the whole thing along with considerable style. Rudolph Cartier creates a truly chilling atmosphere, complimented by the sinister incidental music. The design is also magnificent. The Martians were an inspired design and Hammer's version of the creatures ten years later are very poor in comparison. A brilliant piece of television science fiction, rarely (if at all) equalled in nearly fifty years!

I first watched this when it was first broadcast during the autumn/winter 1958/1959 and it had me on the edge of my seat throughout. I bought the video a few years ago and even though the editing spoiled the end of episode cliffhangers it is still worth seeing. This was BBC Drama at its best. Made on a low-budget, it was wonderfully produced and acted. Who could ever forget those special moments: The Corporal who saw a ghost walk through the wall; the opening of the missile revealing three long dead Martians; and the drill operator running through the streets of London as if was being pursued by real Martians; and the final scenes of the Devil hovering above a ruined London. A classic indeed.