L'aigle vole au soleil

I have two fav John Wayne movies and this is one of them. The other is "McLintock!"

Today is the first time I've seen "Wings of Eagles, The" for years and years. Probably because it's always been such an emotional movie for me. I always cry at the ending...most likely because the very thing Spig Wead wanted seemed to elude him. Perhaps because his desire was never really clearly defined, even to him.

As I sat watching it, I got the bright idea of looking it up in the "IMDB" movie database. I was curious about the writing that Wead did and also the timeline. I came across a couple of reviews and decided to add my two sense (sic) worth.

I realized today that the things I like about the movie were partially the things that one of the other reviewers didn't. I LIKE the way Wead's story is presented. It isn't neat and orderly. No cheating endings or story movement. It seems like he was very self-involved and dealt better with other men than with his wife. I suspect that both Spig and Min were trapped by their societal roles in a way that many others were at that time. They did't have that same open way of spilling their guts that we've all embraced in today's world.

Men were men and women...weren't! LOL!

Anyway, I was always crazy about John Wayne and had such a crush on him whenever he'd appear in Navy whites. Something about that craggy face and those blue eyes grabbed me every time. Plus, I share his birthday so that made him extra kewl in my eyes.

Ford was wise NOT to turn this into a typical John "Hero" Wayne vehicle. That was probably why they worked so well together in all of those films. He was no more snowed by Wayne's larger than life personna than Wayne was of Ford's. I would love to have been a fly on the wall when those two were goin' at it.

Although Wayne was fiftyish when he did this film, I think he displayed a good youthful Wead as well as the somewhat more mature one. A better, more subtle acting job than the other reviewer gave him credit for doing.

Time for Spig to bite it so I'm off now...

dmombit

"The Wings of Eagles" starred John Wayne and Maureen O'Hara and was directed by John Ford. While not a blockbuster by any stretch of the imagination, the film nevertheless has some great touches that would make a viewer wish to see the film again. Wayne played Lt. Commander Frank "Spig" Wead, the man credited with getting the Navy an air wing to support its military ships, and Maureen O'Hara plays the wife that has to contend with Spig's love of country first and family second. Dan Dailey has a good role as Wead's best friend in the military, while other members of the John Ford company of players contribute their talents to the film. Ken Curtis shows up a good bit, and Ward Bond has a role as a film director that smacked of a caricature of John Ford. Bond plays this to the hilt, and seemed to enjoy the chance to show Ford how he came off, at times.

The scenes that were very watchable could include several fight scenes between members of the Army Air Corps and their Naval counterparts, plus a very heart rending view of Wayne's efforts to rehabilitate himself, following a fall down a flight of stairs at his house. Good, but not great, an 8/10.

I just caught this on TCM. It's a stretch in acting for Wayne, I think. He rarely did characters with flaws, either physical or mental.But he does a great job.

Did anyone catch a wonderful comment made by Wayne while he and the naval staff were watching films of the carriers being bombed? Wayne is commenting that the solution to the Navy's problem is obvious, but it is eluding him. There is some banter about how to get your thinking going when it's at a standstill. That is, how to get into action when things seem unworkable. Wayne comments, "In Hollywood we'd stop and look around and here's the 7th cavalry coming." All things considered, I thought it a great comment!

The iconic director and his usual cast of players take on Naval Aviation in this look at a man who helped to advance navy aviation as John Wayne again looms on the screen bigger than life in the role of Frank "Spig" Wead, a pioneer of the navy air corps. Based on the autobiography of Wead the usual themes of adventure, patriotism and romance abound with stellar supporting roles with veteran actors like Ken Curtis, Dan Daily, and Ward Bond as a thinly veiled portrait of director Ford himself. Set against the background of World War II the film is about courage and commitment in a big way, and there really is not another actor who could have brought it to the screen with the believability that the "Duke" manages so easily. One of his finer roles.

Despite the title and the time frame (and the misunderstanding of the movie by other reviewers), this is not a typical war movie. This movie is really a biography and personal study of the obsessiveness and dedication that is necessary in the technological nature of warfare today. In one respect it is too bad that the movie stars John Wayne because the expectation is that it would feature a "gung ho" performance. Instead it is an amazing acting effort by Wayne as a suffering, crippled, insensitive Navy officer and author whose vision and commitment made much of the Naval air force possible. It is an excellent performance by Wayne and almost more of a "stretch" for him than Dustin Hoffman portraying an autistic "Rainman."