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La blonde explosive

Titre original : Will Success Spoil Rock Hunter?
  • 1957
  • Tous publics
  • 1h 33min
NOTE IMDb
6,9/10
4,3 k
MA NOTE
Jayne Mansfield and Tony Randall in La blonde explosive (1957)
Trailer for the film adaptation of this howling Broadway comedy hit
Lire trailer2:23
1 Video
33 photos
SatireComedyRomance

Pour sauver sa carrière, un rédacteur de publicités télévisées veut qu'une célèbre actrice fasse la promotion d'un rouge à lèvres. En échange, il doit prétendre être son nouvel amant.Pour sauver sa carrière, un rédacteur de publicités télévisées veut qu'une célèbre actrice fasse la promotion d'un rouge à lèvres. En échange, il doit prétendre être son nouvel amant.Pour sauver sa carrière, un rédacteur de publicités télévisées veut qu'une célèbre actrice fasse la promotion d'un rouge à lèvres. En échange, il doit prétendre être son nouvel amant.

  • Réalisation
    • Frank Tashlin
  • Scénario
    • Frank Tashlin
    • George Axelrod
  • Casting principal
    • Tony Randall
    • Jayne Mansfield
    • Betsy Drake
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4,3 k
    MA NOTE
    • Réalisation
      • Frank Tashlin
    • Scénario
      • Frank Tashlin
      • George Axelrod
    • Casting principal
      • Tony Randall
      • Jayne Mansfield
      • Betsy Drake
    • 47avis d'utilisateurs
    • 44avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Will Success Spoil Rock Hunter?
    Trailer 2:23
    Will Success Spoil Rock Hunter?

    Photos33

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 28
    Voir l'affiche

    Rôles principaux52

    Modifier
    Tony Randall
    Tony Randall
    • Rockwell P. Hunter
    Jayne Mansfield
    Jayne Mansfield
    • Rita Marlowe
    Betsy Drake
    Betsy Drake
    • Jenny Wells
    Joan Blondell
    Joan Blondell
    • Violet
    John Williams
    John Williams
    • Irving La Salle Jr.
    Henry Jones
    Henry Jones
    • Henry Rufus
    Lili Gentle
    Lili Gentle
    • April Hunter
    Mickey Hargitay
    Mickey Hargitay
    • Bobo Branigansky
    Georgia Carr
    • Calypso Singer
    Dick Whittinghill
    Dick Whittinghill
    • T.V. Interviewer
    Ann McCrea
    • Gladys
    Alberto Morin
    Alberto Morin
    • Frenchman
    Louis Mercier
    Louis Mercier
    • Frenchman
    Robert Adler
    Robert Adler
    • Mailman
    • (non crédité)
    Majel Barrett
    Majel Barrett
    • Shampoo Demonstrator
    • (non crédité)
    George Baxter
    George Baxter
    • Television Commentator
    • (non crédité)
    Gilbert Brady
    • Nightclub Patron
    • (non crédité)
    Nikki Faustino Brady
    • Nightclub Patron
    • (non crédité)
    • Réalisation
      • Frank Tashlin
    • Scénario
      • Frank Tashlin
      • George Axelrod
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

    6,94.3K
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    Avis à la une

    RichWall

    Don't Forget Blondell!

    Actually, this film is a lot of fun - 50's style. But the best performance in the movie is the one by Joan Blondell as Mansfield's assistant. She has a monologue about a milkman that will leave you in tears of laughter. Don't ever forget Blondell. Mansfield is quite funny, too! She takes her fan club very seriously and that makes it all the funnier. And that poodle!!

    All the references to Fox movies of the day are there, plus all the digs at TV. They even add a commercial - making it very small and in black and white, fuzzy and full of snow - something the kids these days have never heard of.

    Tony Randall is a scream and the perfect icon of the 50's. What a pity no one ever did an in- depth biography of him - - the stories he could surely tell!!

    The movie is a lot of fun, especially if you remember the 50's. Hey! It really was like this, kids!
    7jellopuke

    Hit and miss satire

    Occasionally biting, sometimes off the mark with cornball sight gags, but solid for the most part. You can see Tashlin's cartoon background with some of the visual gags and sound/sight cues, but there's just a distance here that doesn't really work. Randall has no chemistry with his best girl and it's hard to buy that angle, but for a spoof movie, you can overlook stuff like that. Overall it's pretty funny, dated in parts for sure, but still watchable.
    dougdoepke

    Sharp-Eyed 50's Satire

    Advertising man makes publicity deal with voluptuous Hollywood star.

    Hilarious spoof of the mammary-worshipping 1950's. The innuendos fly fast and furious so keep an ear cocked. Sure, viewers see much racier material now on TV. Still, the dialog's clever, the visuals inventive, and the cast superb. Director Tashlin's satiric eye is penetrating and years ahead, as the 1960's-like ending suggests.

    That spoof of TV advertising is especially funny and still timely. Keep in mind that the TV medium was still new and so was making fun of its life-blood commercials. I love it when the jalopy crumbles under the salesman's boastful pitch. Corporations were also growing, laying out a new yardstick for success. So, Hunter's ecstatic delight with a symbolic key-to-the-washroom is not far off. And, of course, there's Rita's (Mansfield) low-hanging sex appeal, doubly emblematic of the time.

    But Mansfield's also an adept comedienne. Catch how well she spoofs her own role. And were there two more droll characters than Randall and the underrated Henry Jones. Their little tete-a-tete's fairly ooze with actors' delight. Good also to see that great brassy dame Joan Blondell pick up a payday. (Catch the rather humorous shot of her coming rump-first out of the sleeping berth, which seems Tashlin's style, even with minor details.) Looks like someone also threw her the big dramatic grieving scene, maybe out of respect for her veteran status.

    Anyway, the movie's a delightful glimpse of that strait-jacketed decade's more vulnerable absurdities, and in Technicolor's brightest candy box colors. Arguably, it's Tashlin's best.
    9zetes

    Hilarious and intelligent

    A fantastic satire of the modern world of business. Tony Randall stars as Rockwell Hunter, a writer for television advertisements. He's not really making it at his job, and is about to go under. By a couple of coincidences, he finds out where Hollywood starlette, Rita Marlowe (Jayne Mansfield), is hiding out in New York and thinks he can convince her to endorse a certain kind of lipstick. When Hunter arrives at Marlowe's apartment, she uses him to make her boyfriend, the star of a television Tarzan show, jealous. The boyfriend reveals Marlowe's secret love affair to the tabloids, and, in an instant, Rock has been reborn as "Loverboy" (no, not the '70s rock group), and the girls go wild over him. He's famous, and thus begins his meteoric rise to his company's presidency. But the further up he goes, the more he realizes that this was never what he wanted, despite what he once thought. The moral of the story is a bit pedestrian, but it's one that ought to be reinforced at times. It's also delivered in quite an original way. The film is full of the kind of innovations that the undervalued Frank Tashlin was so good at. Particularly memorable is the mid-movie dig at television. Television is a constant target in the film - it was presumably making the lives of many in Hollywood a bit miserable. At the halfway point of Rock Hunter, Tony Randall pops out from behind a curtain to address those in the audience who are more the type to watch television than go to the movies. "I wanted to interrupt the film you are watching so the T.V. people can feel at home."

    The acting in the film is universally superb. I would never have imagined that Tony Randall could carry a movie, especially playing an everyman (I always think of him as a prissy, refined gentleman), but he does a great job. I saw Frank Tashlin's The Girl Can't Help It just last week. It also stars Jayne Mansfield, and I thought she was pretty bad. They tried to make her too sweet in that film. Here, she's more wicked, and thus a hundred times sexier. Mansfield is hilarious at times, especially with that little high-pitched squeal she does. It should get old, but it's very cute and always funny. When I was exiting the theater, there were a handful of women trying to duplicate the sound, unsuccessfully. The supporting cast is also wonderful, especially Henry Jones as Hunter's immediate boss.

    The film does have a couple of problems. The script seems to forget about characters every once in a while. Although she seems important in the beginning, Rock's niece, April, basically drops off for most of the film. Likewise his fiancée (the one before Rita Marlowe appears, that is), Jenny. She comes back near the end, but her role is minimized quite a bit in the middle. Even Mansfield drops out near the end. The subplot which strictly involves her is resolved rather poorly, with a cameo appearance that should have carried more weight and really should have been funnier. All in all, though, Will Success Spoil Rock Hunter? is a great success. 9/10.
    7Rrrobert

    Jayne shines

    A lightweight comedy famous as Mansfield's next big film after 'The Girl Can't Help It'. This was again produced by Frank Tashlin and satirises Jayne's public persona: a busty star of little apparent talent who will do anything for publicity.

    Here Jayne plays Rita Marlowe who teams with advertising exec Rock Hunter (Tony Randall) for mutual gain. The film seems wordy at times. It mixes send-ups of the Hollywood publicity machine, the climb up the corporate ladder, and the introduction of television though the anti-TV jokes seem dated.

    But anyone watching will be watching for Jayne and she's great. All her too-brief scenes are funny and she plays well with Joan Blondell, who is excellent as Rita's wise companion-assistant. Other enjoyable performers in the cast are John Williams of Hitchcock's 'To Catch a Thief' and 'Dial 'M' For Murder', and Henry Jones, the supercilious coroner in 'Vertigo'.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rita Marlowe was named after actresses Rita Hayworth and Jean Harlow. The surname Marlowe is also an homage to 16th century playwright Christopher Marlowe, who wrote the 1604 drama "The Tragical History of Doctor Faustus", which loosely inspired the original play upon which this film is based.
    • Gaffes
      The airplane window behind Jayne Mansfield's bed is large and square shaped, but when the plane is shown landing, all the windows on it are small and round.
    • Citations

      Rock Hunter: Of course, the great thing about television is that it lets you see events live as they happen, like old movies from thirty years ago.

    • Crédits fous
      Tony Randall plays the 20th Century Fox fanfare when the logo appears, saying it was in his contract to do so. He then introduces the film, but forgets the title and tries to remember it. Finally, his three female co-stars appear to announce the film's correct title.
    • Connexions
      Edited into Bye Bye Love (2003)
    • Bandes originales
      You Got It Made
      by Bobby Troup

      Performed by Georgia Carr (uncredited)

      Also sung by an off-screen vocal group

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    FAQ17

    • How long is Will Success Spoil Rock Hunter??Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • août 1957 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Will Success Spoil Rock Hunter?
    • Lieux de tournage
      • Stage 8, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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