NOTE IMDb
8,3/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueElmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voix)
- (non crédité)
Avis à la une
Chuck Jones' brilliant condensation of all of Wagner into a 7-minute cartoon. A comic tour-de-force with Elmer as Siegfried (Kill the wabbit!!) and Bugs as Brunhilde. The background illustrations were absolute incredible, invoking a true Wagnerian atmosphere. If you only see one cartoon in your life, make it this one.
This is a classic short cartoon, all right. It's the art direction that does it - it's VERY 1950s (some would say it's pinched from UPA, but this is false: look at the previous work of Maurice Noble, and the direction in which background design was tending at Disney and to a lesser extent Warner Brothers before UPA was even formed, and you'll see that UPA was merely the most extreme expression of a zeitgeist which arose for as yet unexplained reasons) - but it fits the roasted twilight setting of Wagner like a glove. Colours, sets, linework, framing; all are marvellous.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
Every aspect of this cartoon is outstanding, and that's coming from someone who hates opera! The illustrations in this are fantastic, the direction super and the dialog in this "opera" is hilarious.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Elmer Fudd as the demigod Siegfried & Bugs Bunny as the Valkyrie Brunhilde, star in this classic cartoon masterpiece that will not only stand the test of time, but seemingly gets all the better with age. Brilliantly voiced, expertly animated, and amazingly greatly scored. This is Looney Tunes at the top of it's form. Funny and a tad bit sad, but always exhilarating. This short singly handedly got me interested in classical music, when countless music teachers could not. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Chuck Jones, Micheal Maltese and Maurice Noble, a second Commentary track by Daniel Goldmark, as well as a music only track, a voice over only track, and a short featurette. If any cartoon warranted that any extras, this would be the one.
My Grade: A+
My Grade: A+
This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
Le saviez-vous
- AnecdotesWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Crédits fousThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConnexionsEdited into Bugs Bunny, Bip Bip: Le film-poursuite (1979)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 14 753 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 285 $US
- 16 févr. 1998
- Montant brut mondial
- 14 753 $US
- Durée
- 7min
- Mixage
- Rapport de forme
- 1.37 : 1
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