The Vampire

The film begins with a nice town doctor being called to the lab or a strange chemist who is dying. It seems that the chemist has developed something that he considers important but when the nice doctor arrives, the dying chemist mentions some pills he created and then dies. What these pills are for, the doctor has no idea but he sticks them in his pocket. Later, when the doc has a headache, he accidentally takes one of these pills and it makes him into a blood-sucking monster with really lousy makeup.

While it's obvious that United Artists did not break the bank to make this film, despite its low price tag, it was reasonably interesting and is worth a peek to horror fans. Sophisticated patrons will most likely find the whole thing rather silly, but what sort of sophisticated or snobby viewer would watch a film like this in the first place?

Dr. Campbell is a sick man. Just before he dies, he gives a bottle of tablets to Dr. Paul Beecher (Paul Beal). Quite by accident, Paul takes one of the pills thinking it's his migraine medication. The pills were part of Dr. Campbell's work on mind regression to a more primitive state and were made from the blood of the vampire bat. Paul immediately becomes addicted to the pills and begins taking one each night. Coinciding with Paul addiction, people in town begin dying mystery deaths. Each has strange bite marks on their necks. Paul begins to suspect himself, but surely Paul's suspicions can't be true. Are the pills turning him into some kind of vampire?

While I don't think it's quite as good as his later film The Return of Dracula, Paul Landres' The Vampire is still a solid little horror film that takes much of the existing vampire mythology and stands it on its head. For example, the creature in The Vampire isn't the suave, cape-wearing, seducer that we've all become familiar with over the years. Here, the creature is a primitive being that seeks blood for survival. It is more bat-like in appearance and action. I'm not saying that one interpretation is better than the other, I just appreciate the difference.

There's a lot to like about The Vampire. I love the way the film introduces an element of horror into an otherwise safe and comfortable Leave It to Beaver type setting. The contrast is interesting. And I for one appreciate the make-up effects. I realize they were done "on the cheap", but I found them very eerie. Landres direction is solid. He keeps things interesting without a lapse during the movies runtime. But the area I find the most enjoyable in The Vampire is the acting. Everyone involved gives a performance far better than you would expect from a film of this type. As others have noted, Paul Beal gives real outstanding first-rate performance.

Overall, The Vampire is a very satisfying film. I look forward to revisiting it for years to come.

A small town doctor (John Beal) mistakenly ingests an experimental drug made from the blood of vampire bats which transforms the kindly medic into a bloodthirsty monster.

I really enjoyed this movie a lot. Great plot, great acting and a very interesting looking monster. There is some odd sexism present (the doctor apparently cannot do his own laundry or cook so he has his 10-year old daughter do it for him). But, hey, it is the 1950s.

Not much to say beyond that. I was a bit confused on whether the pills brought on the monster or kept it in check. It seems like pills or no pills the monster was going to kill someone, but maybe I was just confused.

JOHN BEAL is the central character as a Dr. Beecher whose daughter inadvertently gives him pills extracted from a control serum for bats. COLEEN GRAY is his pretty nurse and KENNETH TOBEY a Sheriff who begins to suspect there's something wrong about a couple of deaths ruled as heart attacks.

The suspense builds slowly from the very beginning as the credits unfold over the scene of a newspaper boy discovering an ill doctor in an old mansion. As the story progresses, it's easy to see that the script is way above average in the horror department with dialog that's sensible, concise and always on track.

Beal's haggard appearance helps him to be more convincing than usual in the role of the tormented doctor victimized by the wrong pills. Although it's a variation on the vampire theme, there's a trace of Dr. Jekyll/Mr. Hyde in the way the screenplay develops.

Summing up A rational vampire thriller that passes the time quickly and is fun to watch.

Dr. Paul Beecher, a respected small-town physician and all-around nice guy, ingests some mysterious pills given to him by his annoying daughter. It seems the li'l brat has foolishly mistaken them for his migraine medication! After Beecher develops a chemical dependency for the drug, he slowly realizes that he was responsible for a series of bizarre murders committed while he was under the influence of these pills. Apparently, these harmless-looking tablets have the power to make their user mutate into a hairy, bloodthirsty vampire at nightfall, leaving him with no recollection of what he has done after the effects have worn off. How could these pills be so powerful? Easy! Because they contain a chemical extracted from a vampire bat!!

This fun, fast-paced horror flick was made in that classic monster-movie style that we have all come to love, yet at the same time it has some very unique and clever twists. The vampire, who is played excellently by John Beal, really looks nothing like you'd expect. Rather than having the bloodsucker portrayed as the standard well-dressed, intelligent, and graceful DRACULA lookalike, THE VAMPIRE depicts him as a hairy, ugly, clumsy beast who ambles aimlessly after his targets. In my opinion, the interpretation of a vampire as being angry, primitive, and relentlessly brutal is much more frightening than the notion of a slick, attractive, intellectual vamp.

The characters in this film are eccentric, likeable, and very well-acted; and the special effects, although simple and outdated, are surprisingly effective. Despite the fact that THE VAMPIRE's story may contain a few glaring inconsistencies, it still succeeds as a suspenseful yet down-to-earth creature feature.