Le Traquenard des Sans-Loi

The drab black & white photography looks more redolent of a couple of TV episodes pasted together than a cinema film in this harsh, strangely underpopulated Louis L'Amour adaptation starring Rory Calhoun with a robust female presence in the form of Susan Cummings and Angela Stevens (the former mainly a TV actress but with one striking big screen credit a couple of years later in the form of Sam Fuller's 'Verboten!').

Rory Calhoun plays the title role in Utah Blaine a film based on a Louis L'Amour novel, a range war story with a different twist.

In this film it's the homesteaders who are the villains. But these homesteaders aren't yeoman farmers or small ranchers. No in Utah Blaine Ray Teal has organized a gang of thugs who call themselves vigilantes. They can do that because the area is unorganized, the town is not official, no mayor, no town council, most important no sheriff. Teal is making war on the ranches currently there.

The film opens with Calhoun coming upon the scene of an attempted lynching which he stops. Turns out to be Ken Christy one of the owners of one of the two big spreads. When Calhoun learns that an old enemy of his George Keymas is Teal's number one gun hand that's all the convincing he needs to throw in with Christy. Doesn't hurt that he has a pretty daughter in Angela Stevens either.

This is a nicely plotted western that moves at a good pace and the unusual plot twist is an added treat. Too bad it was not shot in color, but I'm hardly complaining. A good one for western fans.

I love Rory Calhoun. Especially the guns he wears in this movie. I love Westerns. Especially when it comes to the Christian values that are long gone in this country today. Two of my favorites were The Rifleman and Bonanza where you would hear frequent and "liberal" (pun intended) mentions of "God", "prayer" and "the Bible".

And when it comes to the background music in Utah Blaine, isn't that the same as what was in a Glenn Ford movie? I can't remember the name.

This film begins with a cowboy by the name of "Joe Neal" (Ken Christy) being taken to an isolated part of the country and lynched by a group of men led by a man named "Russ Nevers" (Ray Teal). As it so happens, Joe owns a large portion of land which he has yet to file a legal claim for and the other men all want a piece of it. That being said, because they leave him to die a slow death by hanging, what they don't see is a nearby cowboy named "Utah Blaine" (Rory Calhoun) witnessing the whole thing nearby and rescuing Joe in the nick of time. Grateful for his efforts, Joe promises Utah Blaine a large number of cattle and offers to make him his ranch foreman. Having been a gunslinger all of his life, Utah gladly accepts Joe's generous offer. However, he is even more pleased when he is told that a man he's been tracking for a long time named "Rink Witter" (George Keymas) also participated in this illegal hanging-and he fully expects their paths to cross again once and for all. Now rather than reveal any more I will just say that this was a good, old-fashioned Western which had a couple of unexpected turns along the way that made it somewhat more compelling than many grade-B movies of this sort. Admittedly, I would have preferred a slightly lengthier run time but all things considered I enjoyed this film for the most part and I have rated it accordingly. Slightly above average.

The cinematography, music, storyline, sets & scenery, and plot remind me of the later episodes of Gunsmoke. Definitely 1950s "B", with television type lighting and a hidden trap door to the fake basement. However, the mostly familiar cast adds strength, and the depth of their characterization makes this western very interesting & watchable. I recommend it when there's no great "A" film available. The bad guys are not too evil, and the good guys are not saints. Snappy dialog may be in short supply, but the typical cowboy clichés are few and far between, and there's no lack of action here! Incidentally, this movie falls into the category of westerns made before John Wayne (or spaghetti), eccentric wiseacres, and every scene a colorful climax were box-office requirements. Follow the intelligent & well-written story and you realize that B&W is the perfect genre for Rory Calhoun with a 3-day beard and two six-guns blazing. My only complaint: too much gray and not enough black or white. I miss "High Noon".