Le Scandale Costello

The first part is the most interesting : it may reminds you of Montgomery Clift , as a private taking in a young child and teaching him English to communicate with him at the end of WW2 ("the search");most likely Anne Bancroft (Annie Sullivan) and her pupil Patty Duke (Helen Keller )in Arthur Penn's masterpiece "the miracle worker"(which had not been yet made) .

They hint at Helen Keller and this fictitious story may have been partly inspired by her real story ;Helen Keller spent her whole life helping her fellow men,collecting funds to create schools ,a true heroine of the last century.

But ,as soon as Mrs Landi's '(Crawford) husband (Rossano Brazzi ) appears , it's downhill all the way ;acting becomes pure camp and the story is guaranteed to net nothing but horse laughs .Only Heather Sears ,the ugly duckling turned into a swan , preserves her dignity ;an extra star fo her.

The subject for the time was a brave, difficult and daring one to tackle and the title role is one that would pose many challenges in terms of how to act it and in the context of the subject. To me, at her best Joan Crawford was a fine actress, especially in melodrama where she was one of the best, although with hit and miss film choices throughout her career and a tendency to overact in comedy. Rossano Brazzi has not really done a lot for me in the past, tend to find him wooden.

Just like the subject, 'The Story of Esther Costello' is a brave and daring film that is appropriately hard to watch (it would have been insulting to sugarcoat or trivialise a subject like this, one that is hard hitting as they come). Am another person that doesn't agree with 'The Story of Esther Costello' being called unintentionally funny and considering the subject and what happens saying that sounds somewhat disrespectful, but maybe that's just me.

By all means 'The Story of Esther Costello' isn't perfect. It does get too heavy on the melodrama at times and has campy parts, namely in the latter stages.

Also felt that the aftermath and consequences of the traumatic event that happens later on (don't want to spoil it) were rather contrived and were not remotely realistic.

Crawford's performance is an emotional powerhouse at its best and to me she didn't overact. Brazzi was a big surprise, he never had a character that was this despicable and he manages to be both charming and genuinely creepy. Not wooden at all. The acting honours, in the most challenging role (playing deaf, or blind, or mute individually is a tough task, it is even tougher when one has to play all three simultaneously like here), is a very intensely moving Heather Sears. The direction is accomplished enough.

Furthermore, 'The Story of Esther Costello' is very handsomely mounted visually and Georges Auric's unsettling score has so much atmosphere. The script is sincere and didn't seem too overwrought or talk-heavy on the most part. The story pulls no punches and it really hit me hard, both in giving me the chills and in tugging at my heart-strings.

On the whole, found a lot to admire even if it didn't completely succeed. 7/10

Very strange and violent tale of a lonely wife (Joan Crawford) who travels the world seeking some meaning because her estranged husband (Rossano Brazzi) has abandoned her. In the Irish village of her birth, a local priest steers her toward a girl who was traumatized in an explosion. The girl is blind and deaf and lives like an animal with a local hag. Crawford decides to try to help the girl but becomes attached and takes her to America.

Part "Miracle Worker" and part "Elmer Gantry" (this film predates both), "The Story of Esther Costello" wavers between instructional (how to teach the blind- deaf) and exploitive (how to bilk the public). An odd film for 1957 and Crawford's last starring film of the 50s. She wouldn't return to the screen until "What Ever Happened to Baby Jane?"

Well 53-year-old Crawford looks great and turns in a solid performance. Brazzi plays the snaky husband who turns out to be much more rotten than you'd guess. Heather Sears plays Esther as though she is a disciple of Jennifer Jones as Bernadette. Ron Randell is good as the crabby press agent; Lee Patterson is good as the boy friend; Bessie Love (one of Crawford's silent-film pals from 1920s MGM) is funny as a gallery patron; Fay Compton plays the head nun; Dennis O'Dea is the priest; Estelle Brody plays Tammy; John Loder is a friend. Good cast in a solid but too-long film.

The violent ending is quite jarring and unexpected.

The story is by renowned novelist Nicholas Monsarrat, also known for "The Cruel Sea" and "The Capillan of Malta", two other realistic and documentary novels, but this is not about the war. It's about a deaf and mute poor orphan in Ireland, who is taken care of by Joan Crawford, who makes an unusually impressive performance, without falling into pits of sentimentality and bathos. Heather Sears as the young girl is the chief star of the film, though, unknown and making the performance of her life for a start. The real crushing thing is the story, though. It is devastating in its merciless exposure of commercial exploitation of humanitarianism. The real drama begins as Rossano Brazzi enters the stage. He is a former husband of Joan Crawford, whom she tried to separate from, but when he reappears she is too weak for him, with very unforeseen consequences. The film is beautifully made with brilliant music, and the realism of the story couldn't have been carried through more consistently. I was often irritated with Joan Crawford for her overbearing manners, but here she is quite perfect and admirable all the way.

This not always believable story is really riveting after a slow start, and a cheesy development but the second part is really worth...Some elements in this plot could remind MIRACKE WORKER, which has a total different plot. I did not remember of this feature directed by David Miller, and I don't think it is that widely known either; such a shame. I also thought it was inspired by true events, and not a novel. But who cares? Because I loved MIRACLE WORKER - again - I am glad to have discovered this film for the second time; how could I forget it? Joan Crawford has here a role that suits her so much.