Show Biz Bugs
- 1957
- 7min
NOTE IMDb
7,7/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueBugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.Bugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.Bugs and Daffy are vaudevillians competing for praise from the audience. They love Bugs no matter what; just the opposite for Daffy.
- Réalisation
- Scénario
- Casting principal
Mel Blanc
- Bugs Bunny
- (voix)
- …
Avis à la une
Daffy Duck is in a vaudeville act with Bugs Bunny which he detests because of all the accolades that Bugs gets, and the lack of them that he gets. Which leads him to drastic measures to win the audience over. Some re-used famous gags cause this short to be less than what it could have been, but using the old saying that "any Looney Tunes is Good Looney Tunes", I can't really dislike this one either. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Greg Ford (as well as vintage sound clips and unused musical scores)
My Grade: B-
My Grade: B-
Although Bugs plays the title role, Daffy is the real star of this show and gets the most screen time. Bugs fans, of course are happy because once again Bugs outsmarts Daffy. But Daffy fans will enjoy the true genius of the Duck. Bugs may have more charisma but Daffy has more heart. Daffy is more like a human being, flawed yet lovable while Bugs seems to be too much of an ideal character.
Fun Bugs and Daffy short directed by Friz Freleng. This one has Bugs and Daffy both performing at a theater, where Daffy is upset to learn that Bugs is getting top billing. When he's told this is because Bugs is the bigger star, Daffy sets out to upstage his rival. A very funny series of gags follows as Daffy tries one thing after another to get over with the crowd. The animation is good, with bright colors and nicely-drawn characters and backgrounds (although the backgrounds are of that slightly sketchy, slightly off-kilter style that was becoming popular in the mid-to-late '50s). Excellent voice work from the great Mel Blanc. The music is bouncy and lively. This is a fun short that any fan of Bugs or especially Daffy will like. The Bugs/Daffy rivalry was rarely funnier than it is here.
10nnwahler
As a young adult buff of the Warner cartoons, I felt that this was #5 on my personal list of Freleng's greatest Bugs films
.that was a couple of years before I saw more of the greatest pre-1948 cartoons when I re-subscribed to cable. Man. There were biggies like "Stage Door Cartoon," "Bugs Bunny Rides Again," and "Slick Hare"—prompting me to revise somewhat my list of Freleng faves.
I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.
Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.
"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.
I've always been befuddled by cartoon buffs' downgrading a short because it uses gags utilized before. If it's a "cheater" film, that's a different matter. But nearly all the animation here's genuinely new, including Gerry Chiniquy's exemplary execution of Bugs's and Daffy's dances. Also, I for one never penalized, say, Benny Hill for using the same dozen or so gags multiple times: he always makes me feel I'm experiencing it and laughing at it for the first time because he always puts some new wrinkle in.
Similary, then, I don't penalize Freleng for borrowing wholesale several scenes and jokes from his earlier "Curtain Razor" and "Ballot Box Bunny" because, despite the fact he's aware of that, he now is doing all those gags in DEFINITIVE form.
"Show Biz Bugs" also benefits from the work of new backgrounds man Boris Gorelick. He was at Warner's for only a year, and contributed to the success of some of Freleng's finest (this one, and " Birds Anonymous"). The signature part of Gorelick's style was his use of portions of art apparently crayoned or charcoaled over sandpaper (or maybe a miniature pebble garden). Gorelick apparently crumbled early on, over Freleng's frequent and legendary temper tantrums.
Daffy Duck has an oversized opinion of himself. He is incensed that Bugs Bunny has the top billing over him. He intends to prove his stardom over Bugs in their performance. The applause says otherwise. Daffy challenges Bugs and he tries so very hard to no avail. He tries attempted murder and finally the ultimate stunt.
The xylophone gag is a classic although it is the second time used against Bugs. Looney Tunes keeps going back to this iconic gag over and over again. Bugs is basically playing this one straight while Daffy is going all out Daffy. That is what sells this. Daffy being so Daffy is so fun.
The xylophone gag is a classic although it is the second time used against Bugs. Looney Tunes keeps going back to this iconic gag over and over again. Bugs is basically playing this one straight while Daffy is going all out Daffy. That is what sells this. Daffy being so Daffy is so fun.
Le saviez-vous
- AnecdotesThe exploding musical instrument scheme is the same in three Warner Brothers cartoons. The musical score is "Those Endearing Young Charms". In order, they are, first is Ballot Box Bunny (1951), as Yosemite Sam tried to get rid of Bugs Bunny, with a piano. Second is Show Biz Bugs (1957), as Daffy Duck tried to get rid of Bugs Bunny, with a xylophone. Then in Rushing Roulette (1965), the rivals were Wile E. Coyote and the Roadrunner. Wile E. Coyote set up a piano, and after the Roadrunner played a 'sour note', Wile E. played the correct theme. The very same musical note, approximately the seventh note to the tenth note, is the note, that is not played correctly, every time and when correctly played, by the schemer, instead gets the explosion occurred to the note.
- GaffesFor his dance, Daffy asks the orchestra to play "E-flat, from the top." The orchestra proceeds to play in B-flat.
- Citations
Daffy Duck: Try not to trip me up with those big feet, please.
Bugs Bunny: I'll try, Daffy.
Daffy Duck: We're on!
- Versions alternativesOn Nickelodeon, the climax involving Daffy's fatal stunt mixture was edited thus: Daffy swallows all of the explosives and then "shakes well", but blows up before he can light and swallow the match (which is what ultimately blows him up in the short's unedited form).
- ConnexionsEdited into Person to Bunny (1960)
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Détails
- Durée
- 7min
- Mixage
- Rapport de forme
- 1.37 : 1
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