Faux policiers

In post-war London, a diamond raid is carried out by a gang of small-time crooks. A young boy becomes caught up in the crime when he discovers that the gang has hidden the jewels in his home. They want them back.

A standard British crime thriller interestingly set amongst the homes and ruins in 1950s London. Ronald Lewis is the charming gang leader who will go to any lengths to retrieve the diamonds. Good supporting cast.

Nearly fifty years before four elderly criminals took on Hatton Garden a couple of young whippersnappers were attempting to loot the place to the tune of the potentially life-changing sum of £60,000; a tidy enough sum even today!

Clive Donner made an auspicious debut as a director with this meandering but gripping drama vividly shot against a backdrop of a postwar London of bombsites and building sites, both by day and night.

OK, so it does sag somewhat in the middle - but otherwise this is quite a well paced crime drama that sees "Molly" (Belinda Lee) caught up in a plan by her friend "Gerry" (Ronald Lewis) that ensnares her impressionable brother "Mike" (David McCallum) and her even more impressionable young fan "Freddie" (Michael Brooke) into a daring diamond robbery. Turns out the youngster's dad is a policeman, and when he procures - unwittingly - a police uniform to assist the gang with their robbery; things begin to close in on "Molly", "Gerry" and the honest young man who happens upon the stones... There's not a great deal of jeopardy here - we sort of know from the outset what is going to happen, but Lee and the young Brooke are on good form and it shows us quite an interesting perspective on a still recovering post-war London populated by petty gangs and small time thieves who could be pretty brutal as required. It's a bit long and wordy - it could do with a bit more action, but it's got a tight cast with a decent plot that kills 90 minutes easily enough.

Despite its b-film status, this is really quite a good film. It works well as a traditional caper movie, with fine scenes of suspense, but it stands out especially for the cinematic tension created between Belinda Lee's character and the little boy, to me as fine an example of pure cinema as I've seen, the kind of thing one might otherwise find in an Ingmar Bergman movie. This is a paradigm example of suspense, as we wonder if the Lee's character can make psychological contact with the boy, as the boy moves further apart from her. The bland close-ups on the boy work for the film, since we can never read what is going on in his mind as we wait to see if he will reconcile with the woman or not. Also noteworthy is the ambivalent ending, when one might otherwise expect a more conventional reunion, as far as I can go without revealing a spoiler.

A splendid thriller, slow in the start, but eventually the build-up begins towards an impressing climax, both story-wise and above all cinematographically. The actors are all more than excellent, especially the boy - one of the greatest performances in films ever by a child. The plot is, to say the least, complicated: it starts simple enough, as plans are made for an infallible burglary into a jewellry boutique, but, as always, unexpected things happen, leading to an extensive mess of complications. Please be patient with this film. There are many dull moments in the beginning, but I promise you, eventually you will wake up.