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Sainte Jeanne

Titre original : Saint Joan
  • 1957
  • Tous publics
  • 1h 50min
NOTE IMDb
6,4/10
1,4 k
MA NOTE
Sainte Jeanne (1957)
Period DramaBiographyDramaHistory

En 1456, le roi Charles VII se remémore comment il a connu Jeanne d'Arc, paysanne de 17 ans, lui a confié le commandement de l'armée française et l'a finalement fait brûler sur le bûcher pou... Tout lireEn 1456, le roi Charles VII se remémore comment il a connu Jeanne d'Arc, paysanne de 17 ans, lui a confié le commandement de l'armée française et l'a finalement fait brûler sur le bûcher pour hérésie.En 1456, le roi Charles VII se remémore comment il a connu Jeanne d'Arc, paysanne de 17 ans, lui a confié le commandement de l'armée française et l'a finalement fait brûler sur le bûcher pour hérésie.

  • Réalisation
    • Otto Preminger
  • Scénario
    • Graham Greene
    • George Bernard Shaw
  • Casting principal
    • Jean Seberg
    • Richard Widmark
    • Richard Todd
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,4 k
    MA NOTE
    • Réalisation
      • Otto Preminger
    • Scénario
      • Graham Greene
      • George Bernard Shaw
    • Casting principal
      • Jean Seberg
      • Richard Widmark
      • Richard Todd
    • 20avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos30

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    Rôles principaux31

    Modifier
    Jean Seberg
    Jean Seberg
    • Joan of Arc
    Richard Widmark
    Richard Widmark
    • The Dauphin, Charles VII
    Richard Todd
    Richard Todd
    • Dunois, Bastard of Orleans
    Anton Walbrook
    Anton Walbrook
    • Cauchon - Bishop of Beauvais
    John Gielgud
    John Gielgud
    • Earl of Warwick
    Felix Aylmer
    Felix Aylmer
    • Inquisitor
    Harry Andrews
    Harry Andrews
    • John de Stogumber
    Barry Jones
    Barry Jones
    • De Courcelles
    Finlay Currie
    Finlay Currie
    • Archbishop of Rheims
    Bernard Miles
    Bernard Miles
    • Master Executioner
    Patrick Barr
    Patrick Barr
    • Captain La Hire
    Kenneth Haigh
    Kenneth Haigh
    • Brother Martin Ladvenu
    Archie Duncan
    Archie Duncan
    • Robert de Baudricourt
    Margot Grahame
    Margot Grahame
    • Duchesse de la Tremouille
    Francis De Wolff
    Francis De Wolff
    • La Tremouille
    • (as Francis de Wolff)
    Victor Maddern
    Victor Maddern
    • English Soldier
    David Oxley
    • 'Bluebeard',- Gilles de Rais
    Sydney Bromley
    Sydney Bromley
    • Baudricourt's Steward
    • Réalisation
      • Otto Preminger
    • Scénario
      • Graham Greene
      • George Bernard Shaw
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

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    Avis à la une

    dbdumonteil

    Joan the woman.

    Joan of Arc is probably the most extraordinary character in French history.So introducing fantastic elements in the screenplay makes sense.There are so many mysterious things about the Maid of Orleans ,although,thanks to the manuscript of her trial,she 's the most known character of the Middle Ages.BUt this woman definitely eludes human

    Otto Preminger did not commit sacrilege when he showed Joan reappearing one night in Charles the seventh's bedroom ,with other dramatis personae:bishop Cauchon,Dunois and the soldier who made a cross for the heroine with two pieces of wood just before she died."They cleared your name" the king says "Can you unburn me?" she says.Robert Shaw 's vision of Joan is not unlike that of Jean Anouilh in "l'alouette":Anouilh ended his play on a glorious note:he demolished the stake and he brought back Joan in Reims cathedral.

    I sincerely believe that Otto Preminger's movie has been unfairly dismissed :in my native France,they say it's a static movie ,and however,I had never the impression to be watching a filmed stage production.To my mind ,it's the best Joan of Arc ,with the staggering exception of Dreyer's masterpiece ,of course,which will probably never surpassed.But all the others ,Bresson,Fleming,Rosselini,Besson (Besson???),Rivette ,et al,cannot hold a candle to Preminger:his Joan is a woman of flesh and blood and Jean Seberg (debut) had a strong presence .But the stand-out is definitely Richard Widmark :his fans won't recognize him,particularly in the sequences where he appears as the old king at the end of the road;but he gives a very fine portrayal of Charles the seventh ,probably outré -this king was finally a smart one :he knew when war had to give way to negotiation,which Joan could not understand.But watching Widmark the tough guy of many a western or a film noir playing hopscotch is just a joy.He easily outshines such luminaries as Jose Ferrer,in Fleming 's version or John Malkovich ,in Besson's video game.

    There are funny anachronisms:"this horse cost 16 FRANCS" (the franc came much later);or Joan calling Gilles De Rais "Bluebeard" :Charles Perrault ,admittedly inspired by De Rais ,wrote his fairy tale more than two centuries later.But it's not a problem:Joan will come back after her death,and she will know the whole French history ,because ,unlike her contemporaries,she's eternal.The relationship Joan/Dunois is wonderfully treated :it's some kind of love story ,and seeing the young maid mother him brings something romantic .

    One can regret a detail:it's not because she was afraid of prison for life that Joan was relapsed :it's because they took away from her her woman's clothes and thus forced her to dress up again as a man.It' minor ;Shaw's lines ,depicting these foolish things which Joan could not live without,if she were buried forever in a hole ,are deeply poetic.

    I say it again:one of the best films about Joan Of Arc.
    6moonspinner55

    "He who tells too much truth is sure to be hanged..."

    Otto Preminger's much-maligned version of Joan of Arc's inquisition and defeat came under critical scrutiny for, among many things, the casting of an unknown in the demanding leading role. Jean Seberg was touted as Preminger's discovery, and her youthful energy and doe-eyed rebelliousness are the right ingredients for the Maid of Orleans. What Seberg lacks is forceful projection--though, with so much talent surrounding her, one hardly notices. After promoting the foppish Dauphin as the next King of France, a simple but fierce country girl heads the French Army into battle against England; sadly, with her triumphs passed her and her usefulness run dry, she was turned over to the courts where she was declared a heretic, her talk of voices the ramblings of a demonic influence. Graham Greene adapted George Bernard Shaw's celebrated play, putting much of the emphasis on Joan's trial; still, one clearly senses Preminger's pithy hand in the playful framework complete with ghosts and a music-box score. The costumes are plushy, the sets passable, yet one longs for more involving action (there's the set-up for battle, but no fighting); without a grander design, a more florid visual scope, what we're left with is textbook history. Certainly the performances make the film worth-seeing, and Seberg shouldn't be counted out in this regard. Hers is an empathic reading and, while she isn't yet a riveting presence, the newcomer manages a connection with the material (translating it to the viewer) which many seasoned pros might have found unmanageable. **1/2 from ****
    sambda

    Not as bad as usually thought

    This is an under-rated version of the story of the farm girl who fought the British and helped kick them out of France. Seberg is nowhere near as bad in this movie as reputation would suggest (and looks great with a way cool cropped hair-do), and there are good performances from Geilgud, Richard Widmark, and Richard Todd. It does have to be said, though, that this is not a movie for action-lovers - the centrepiece of Joan leading the troops in the liberation of Orleans, for example, is replaced by a fade-to-black! The movie is also quite stagey and it is stylistically easy to think it was made at least ten years earlier than it's 1957 release date. The movie makes a nice change if you are fed up with the Ingrid Bergman version, though.
    didi-5

    yet another Joan

    This version by Otto Preminger is based on the play by Bernard Shaw, in which the ghost of Joan of Arc appears to Charles VII years after her execution. We then see in flashback how the young maid led the soldiers to victory at Orleans and made the Dauphin king, and how she was later betrayed by nobles, church, and soldiers alike.

    Jean Seberg plays Joan as a very modern looking, very young girl who questions everything she sees and is at first tolerated and then shunned and feared. Richard Widmark is perhaps too comic as the Dauphin and comes across as miscast, while John Gielgud is reliable as Warwick, the English kingmaker. Other key roles are played by Anton Walbrook, Harry Andrews, Finlay Currie, and Richard Todd.

    This version of the Joan of Arc tale has a greater feel of realism that the 40s version with Ingrid Bergman, but I rate the silent versions 'The Passion of Joan of Arc' and 'Joan the Woman' higher. Although Seberg puts across a fine performance as Joan, she can't hold a candle to Falconetti in particular.
    9artihcus022

    St. Joan's Trip To Heaven...

    Preminger's adaptation of G. B. Shaw's ''Saint Joan''(screenplay by Graham Greene) received one of the worst critical reactions in it's day. It was vilified by the pseudo-elite, the purists and the audiences was unresponsive to a film that lacked the piety and glamour expected of a historical pageant. As in ''Peeping Tom'', the reaction was malicious and unjustified. Preminger's adaptation of Shaw's intellectual exploration of the effects and actions surrounding Joan of Arc(her actual name in her own language is Jeanne d'Arc but this film is in English) is totally faithful to the spirit of the original play, not only on the literal emotional level but formally too. His film is a Brechtian examination of the functioning of institutions, the division within and without of various factions all wanting to seize power. As such we are not allowed to identify on an emotional level with any of the characters, including Joan herself.

    As played by Jean Seberg(whose subsequent life offers a eerie parallel to her role here), she is presented as an innocent, a figure of purity whose very actions and presence reveals the corruption and emptiness in everyone. As such Seberg plays her as both Saint and Madwoman. Her own lack of experience as an actress when she made this film(which does show up in spots) conveys the freshness and youth of Jeanne revealing both the fact that Jeanne la Pucelle is a humble illiterate peasant girl who strode out to protect her village and her natural intelligence. By no means did she deserve the harsh criticism that she got on the film's first release, it's a performance far beyond the ken and call of any first-time actress with no prior acting experience. Shaw and Preminger took a secular view towards Joan seeing her as a medieval era feminist, not content with being a rustic daughter who's fate is to be married away or a whore picked up by soldiers to and away from battlefields. Her faith, her voices, her visions which she intermingles with words such as "imagination" and "common sense" leads her to wear the armour of her fellow soldiers to lead them to battle to chase the invading Englishman out of France.

    And yet it can be said that the film is more interested in the court of the Dauphin(Richard Widmark), the office of the clergy who try Joan led by Pierre Cauchon(Anton Walbrook, impeccably cast) and the actions of the Earl of Warwick(John Gielgud) then in Joan herself. The superb ensemble cast(all male) portray figures of scheming, Machievellian(although the story precedes Niccolo) opportunists who treat religion as a childish toy to be used and manipulated for their own ends. The sharp sardonic dialogue gives the actors great fun to let loose. John Gielgud as the eminently rational Earl whose intelligence,(albeit accompanied by corruption), allows him to calculate the precise manner in which he can ensure Joan gets burnt at the stake and Anton Walbrook's Pierre Cauchon brings a three dimensional portrait to this intelligent theologian who will give Joan the fair trial that will certainly find her guilty. Richard Widmark as the Dauphin is a real revelation. As against-type a casting choice you'll ever find, Widmark portrays the weak future ruler of France in a frenzied, comic caricature that's as close as this film comes to comic relief. A comic performance that feels like an imitation of Jerry Lewis far more than an impetuous future ruler of France.

    Preminger shot ''Saint Joan'' in black and white, the cinematographer is Georges Perinal who worked with Rene Clair and who did ''The Life and Death of Colonel Blimp'' in colour. It's perfectly restrained to emphasize the rational intellectual atmosphere for this film. Preminger's preference for tracking shots of long uninterrupted takes is key to the effectiveness of the film, there's no sense of a wasted movement anywhere in his mise-en-scene.

    It also marks the direction of Preminger's most mature(and most neglected period) his focus is on the conflict between individuals and the institutions in which they work, how the institution function and how the individual acts as per his principles. These themes get their most direct treatment in his film and as always he keeps things unpredictable and finds no black and white answers. This is one of his very best and most effective films.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Audrey Hepburn was originally offered the role of Joan. It was rumored that she turned it down because her husband, Mel Ferrer, wasn't approached for the part of the Dauphin, but Ferrer denied this.
    • Gaffes
      When Joan and the King stand by the river rallying the troops, the infantry men come running down the hill to join them. One of them falls on his face.
    • Citations

      Inquisitor: [after condemning Joan to death by fire] It's a terrible thing to see a young and innocent creature crushed between the Church and the Law.

      Cauchon: You call her innocent?

      Inquisitor: Quite innocent, she didn't understand a word we were saying.

    • Versions alternatives
      Also available in computer colorized version (Hal Roach VHS)
    • Connexions
      Featured in La Légende de Billie Jean (1985)

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    FAQ

    • How long is Saint Joan?
      Alimenté par Alexa

    Détails

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    • Date de sortie
      • 17 mai 1957 (France)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Langues
      • Anglais
      • Latin
    • Aussi connu sous le nom de
      • Saint Joan
    • Lieux de tournage
      • Shepperton Studios, Shepperton, Surrey, Angleterre, Royaume-Uni(produced at)
    • Société de production
      • Wheel Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 400 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 50 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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