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La momie aztèque contre le robot

Titre original : La momia azteca contra el robot humano
  • 1958
  • Approved
  • 1h 5min
NOTE IMDb
2,5/10
2,9 k
MA NOTE
La momie aztèque contre le robot (1958)
HorreurScience-fiction

Ajouter une intrigue dans votre langueA mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.

  • Réalisation
    • Rafael Portillo
  • Scénario
    • Guillermo Calderón
    • Alfredo Salazar
  • Casting principal
    • Ramón Gay
    • Rosita Arenas
    • Crox Alvarado
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    2,5/10
    2,9 k
    MA NOTE
    • Réalisation
      • Rafael Portillo
    • Scénario
      • Guillermo Calderón
      • Alfredo Salazar
    • Casting principal
      • Ramón Gay
      • Rosita Arenas
      • Crox Alvarado
    • 67avis d'utilisateurs
    • 27avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos15

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    Rôles principaux19

    Modifier
    Ramón Gay
    Ramón Gay
    • Dr. Eduardo Almada
    • (as Ramon Gay)
    Rosita Arenas
    Rosita Arenas
    • Flor Almada…
    Crox Alvarado
    Crox Alvarado
    • Pinacate
    Luis Aceves Castañeda
    Luis Aceves Castañeda
    • Dr. Krupp
    Jorge Mondragón
    • Dr. Sepúlveda
    • (images d'archives)
    • (as Jorge Mondragon)
    Arturo Martínez
    • Tierno
    Emma Roldán
    Emma Roldán
    • Maria, the housekeeper
    Julián de Meriche
    • Comandante
    • (as Julien de Meriche)
    Salvador Lozano
    Jaime González Quiñones
    • Pepe Almada
    • (as Jaime Quiñones)
    Ángel Di Stefani
    • Popoca, the Mummy
    • (as Angelo De Steffani)
    Adolfo Rojas
    • The Human Robot
    Jesús Murcielago Velázquez
    • El Murciélago
    • (as Murcielago Velazquez)
    Enrique Llanes
    • Esbirro del Murciélago
    • (as Enrique Yáñez)
    Guillermo Hernández
    • Esbirro del Murciélago
    • (as Lobo Negro)
    Alberto Yáñez
    • Esbirro del Murciélago
    Firpo Segura
    • Esbirro del Murciélago
    Sergio Llanes
    • Esbirro del Murciélago
    • (as Sergio Yáñez)
    • Réalisation
      • Rafael Portillo
    • Scénario
      • Guillermo Calderón
      • Alfredo Salazar
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs67

    2,52.9K
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    Avis à la une

    horrorfilmx

    For children of all ages....

    ... although the more surreal aspects of this movie might slip by them. I can imagine a theater full of Mexican kids forty years ago just loving this stuff. The production level is on a par with the lesser Saturday Matinée serials of the 40s and 50s, and much of the film is footage from an earlier Aztec mummy film used as flashback, but what the hell. My favorite scene: the villain and two henchmen are stopped in a cemetery by the night watchman who holds them at gunpoint --- and proceeds to stand there doing nothing while one of the goons, in plain sight, calmly walks around behind him and conks him cold with a blackjack. The mind reels! Later on the poor chump gets fried by the radioactive clampers of the titular robot and runs screaming into the night, smoke pouring from the blanket draped over his shoulders, while the camera holds on him for an impossibly long time. A grungy black and white acid trip of a movie.
    3lemon_magic

    Contrary to popular opinion, it won't make you want to gouge your eyes out...BUT...

    "RVAM"'s reputation preceded it. I first heard of it in one of those Medved style movie books, "The 50 Worst Movies Ever" or "The Golden Turkey Awards", or something like that. Every review of the film basically said that this movie was so bad that it would make you bleed from the eyes to watch it. So when the Exposed Film Society finally got around to showing it, I was anticipating the kind of cathartic experience that only a true cinematic stinker can provide.

    However, "Robot" wasn't really all that bad.

    Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.

    Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.

    The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.

    In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.

    In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.

    Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
    rixrex

    A whopper of a grade Z movie

    Got this DVD because I remembered watching these flicks as a kid on late night spookfests in the 60s. Usually I fell asleep, now I know why. Pretty slow moving and lacking in action. Generally a rehash of the 1st two Aztec Mummy films with a little addition of the Robot creation. Looks like a really poor interpretation of a Universal monster compilation. The sequences pulled from the original AZTEC MUMMY look pretty good though. This one is kind of what a 12 yr old kid with a super 8 camera might try to do, with a little help from mom and dad who know nothing about making a movie. And they probably would think it was good, too. One redeeming quality, lots of eerie night shots for mood.
    3evilskip

    Watch this &your eyes will bleed & your breath will stink

    I have watched this movie twice in the past six months (what I go through so you don't have to).The first viewing left me half crazed and babbling.The second viewing at 5am on a rainy morn was a little better.I only screamed in agony once.

    Seems Pocona (The Aztec Mummy)had the hots for a certain Aztec Princess who was"supposed to keep her maiden".Obviously they gave each other the business and were put to death for it.(Now that is severe!).But before they are the film tries to put us to death with a screeching Aztec ceremony.The singing will make your ears bleed.

    Anyhow there is the usual reincarnation nonsense. Not to mention a treasure map on a breastplate & bracelet guarded by that swathed slob,Pocona.By this time Pocona looks like he's been on a 2000 year bender and is after the defilers of his tomb.His groans & moans sounds like he has a bad case of Montezuma's revenge(or he read the script for this movie).That will make your breath stink.

    An evil Dr Von Krupp appears wanting the Aztec treasure(possibly to finance acting lessons & screenwriting classes for cast & crew).He is called The Bat because in The Curse Of The Aztec Mummy he wore a bat like cape, hat and something like a ski mask over his face.Guess it's better than the Laughing Fat Man.

    The Bat in typical mad scientist fashion wants to rule the world. He stresses this by rolling his eyes,laughing maniacally and chewing the scenery.He has cobbled together an invincible robot.Looks like the 'bot was made from a garbage can, a chandelier and the grill of a 1957 Buick.This will make your eyes bleed.A company even takes credit for making this tin can!

    Well the mighty showdown between Pocona and the Robot takes place in the Mummy's new crypt having been made homeless earlier.

    About half of this movie is culled from "La Aztec Momia"never released in the US in its original form but in a chopped atrocity from Jerry Warren(see my review on "Attack Of The Mayan Mummy") and "Curse Of The Aztec Mummy".The robot is frankly stupid as are most of the characters.If that and the plot doesn't make you howl with laughter nothing will.

    My first impression was so bad it would have gotten a one. But after seeing "Mayan Mummy"(which is a movie deserving of being burned) and watching "Robot" again, it garners a 3.You have to watch this with no expectations at all. Then it can be naively pleasant.
    1FrankTG

    Ridiculous trash made-in-Mexico

    Despite having a very pretty leading lady (Rosita Arenas, one of my boy-crushes), the acting and the direction are examples of what NOT to do while making a movie.

    Placed in southern Mexico, Popoca, the Aztec Mummy (real Aztecs, by the way, DID not made mummies) has been waken up by the lead characters and starts making trouble in Mexico City suburbia, during the first movie (The Aztec Mummy). In this second part, the leading man and woman want to find th mummy and put it in its final resting place (a fireplace would have been my first choice...)

    Into this appears The Bat, a criminal master-mindless stereotype of a criminal genius who creates a "human robot" (some idiot inside a robot SUIT) to control Popoca and (get this) take over the world. The final match between the robot and the mummy is hilarious, some of the worst choreography ever witnessed. The funniest part is that this movie was made and released by a serious Mexican movie studio!

    The acting is just as awful hearing the movie in Spanish as it is in English (they dubbed the over-acting!). You should watch this movie through MST:3000. The comments are even funnier.

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    Centres d’intérêt connexes

    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Science-fiction

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The first half of this film is a retelling of the two previous films in the trilogy, La momia azteca (1957) and La maldición de la momia azteca (1957), using an ample amount of stock footage from both films.
    • Gaffes
      The Aztecs practiced cremation, not mummification. The Incas were the Mesoamerican culture who practiced mummification.
    • Versions alternatives
      There are two different US versions of this film: One is the American International Pictures print with the original atmospheric music score (complete with classical music pieces), and during the climactic fight between Popoca and the Human Robot, Popoca had a scary, menacing voice (ie. groaning and roaring). Another is the 1964 rerelease by Young Horror Club of America, with a completely redone (and loopy) music score, somewhat different title cards, and the voice of Popoca (in said climactic fight) was replaced with a faint high-pitched voice (which sounded more like he was yawning). This latter version was seen in the public domain. Both versions had the exact same dubbing done for US producer K. Gordon Murray by Manuel San Fernando (intended for AIP's version).
    • Connexions
      Edited from La momia azteca (1957)

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    FAQ14

    • How long is The Robot vs. The Aztec Mummy?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 juillet 1958 (Mexique)
    • Pays d’origine
      • Mexique
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • The Robot vs. The Aztec Mummy
    • Lieux de tournage
      • C.L.A.S.A. Studios, Mexique(as Clasa Studios)
    • Société de production
      • Cinematográfica Calderón S.A.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 5min(65 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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