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I first saw this film on television as a kid in the 1960s and loved it. I have seen it many times since, and am now blessed to watch it on DVD in wide screen on an LCD display, and I continue to enjoy it. Okay, it has some corny lines, and Sophia is just too beautiful... but more than that, this film tells a wonderful story of broken promises, hidden agendas, and betrayal from others we believed were above reproach... and there is some terrific character development in the dialog, I feel I know these people. For me, it is one of the most atmospheric films I have come to know. I feel the hot Sahara sun in that Lybian desert, the wind blowing sand in my face, the coolness of the water in the oasis, and the quiet beauty of a desert twilight. This film is haunting to me... and it is one of my very favorites.

This film is invaluable for its exquisite production values. It should not be missed for '50s costuming and make-up conventions, however improbable for a desert expedition. In addition, the no-show direction left all three principals to their own devices; and their natural strengths and weaknesses as performers are exposed. John Wayne fares best here, as he has never been more charismatic...or done more with less of a script. Brazzi fares worst, being unconvincing as a rival to John Wayne and as a romantic match for Sophia Loren. Pay close attention to the fist fight among the three adventurers. You will see each punch miss by at least a foot and a half.

Colorless title for a dishwater-dull adventure saga starring John Wayne, Sophia Loren, and Rossano Brazzi, three disparate characters crossing the Sahara desert in the same direction as Brazzi's ill-fated father, who went missing ten years prior after finding a lost city stocked with rubies and emeralds. Wayne, playing a desert guide/troublemaker down on his luck in Timbuktu, drawls like he's still back on the range, while Loren has little to do but tease the two men unconsciously; apparently she isn't aware of her amply carnal charms--and though she's playing a streetwise prostitute, whenever the two men get randy around her, she pulls away screaming, "No! Don't touch me!" Brazzi has it the worst however, initially preaching enlightenment to Sophia in a brotherly way, later forcing himself upon her, but just as quickly turning on both his companions like a dirty dog. It's a hopeless role, and indicative of the patchy, puzzling screenplay. This movie has enough peaks and valleys to redesign any desert, and the final crawl isn't dramatic or gripping or emotional--just wasted time on the clock. ** from ****

Henry Hathaway had something in his hands few director's would ever dream of having. A winning combination, to include the screen strength of John Wayne (Joe January) the sexual allure of beautiful Italian goddess, Sophia Loren (Dita) and dashing leading man, Rossano Brazzi (Paul Bonnard,) all in the same film. The Legend of the lost is one of those particular film which should have become a superb adventure/drama, which in turn should have evolved into a classic. But like a Formula One Car which should win the international Gran Prix, unfortunately run short of fuel. The story is that of three people all searching for something which it seems lies beyond them. January seeks enough money to break free of the monotonous cycle of drunken nights in jails, Dita hoping to find someone who appreciates her for herself and not just one night stands and Bonnard, hoping to find a desert treasure left to him by his father. All three struggle against themselves and their weaknesses and then at the temptations which cause them to remember why they failed the first time. Against them is the limitless Shahara which is unforgiving and more than a challenge to lesser adventurers. Expected steamy scenes between the story characters in the novel are abandoned and disappointed viewers are resigned to the "Romance-Lite" they are given. A good film if you don't expect too much from such international greats. ***

It is a good combination to have strong John Wayne together with attractive Sophia Loren in a film, which was complemented with the acting of the Italian Rossano Brazzi. The film in fact is just an invention, everything starts in Timbuctu, an area populated by Touaregs and today part of Mali in West Africa, which at the time of the film plot was under the French domination. Here you have an American (Wayne)trying to celebrate 4th July there, then a white prostitute (Loren) and a French "Lord" (Brazzi). Wonder how a white prostitute and an American were able to reach that far area as Timbuctu. At present a plane flies daily from Bamako to Timbuctu, and to go by road is not advisable. Another fiction is to find a river in the Sahara. In any case, the best is to forget the origin of the subjects and its fictions in the film and to follow the plot, which is of value. Love may be developed after continuous talks between people, poor and non educated ones may like to be rich, but in several cases their sense of solidarity prevails over the ambitions, and this is what we find in the film, a good example of cruel egoism and also human solidarity. The best is that the egoist does not win finally.