Un seul amour

OK....so this is not a classic film depicting the life of Jeanne Eagels however it has it's moments. First of all Kim Novak was a hot property at the time and she is gorgeous and oh so camp as Miss Eagels. Also captured in the film is the flavor of the era and the costumes are dazzling especially the one Novak wears as Princess Dardanella at a carnival where she gets busted by the police. The ultimate is when she prances on stage as Sadie Thompson in "Rain" to the tune of "Wabash Blues"....its actually a treat. Miss Novak is supported by a good cast including Jeff Chandler, Agnes Moorehead, Charles Drake, Murray Hamilton and especially Virginia Grey as has-been Elsie Desmond (one of Miss Grey's personal favorite roles).

Although Jeanne Eagels is a fascinating film with one of two career roles for Kim Novak, the other being Vertigo, it does do some disservice in telling the story of the legendary Jeanne Eagels, Broadway star of the Twenties. The Roaring Twenties was a hard partying era, especially on women as three of the brightest stars of that era, Marilyn Miller, Helen Morgan, and Jeanne Eagels died way to soon because they indulged too much.

That part of the story is all too true, Jeanne went like Elsie in the title song from Cabaret, from too much pills and liquor. What's not true is the fact that Jeanne was basically a raw talent who came to Broadway out of nowhere and then died. Eagels did pay her dues in a long hard road in stock companies. The character that Jeff Chandler plays is based on someone she did actually marry, one of the heads of a touring company, not a carnival barker. Her second husband played by Charles Drake was a Broadway playboy and former All American football player.

The surviving members of the Eagels family did threaten suit against Columbia Pictures for this film. From what I've researched about Eagels she got a whitewash in this picture.

Kim Novak does a great job playing Eagels, a woman who indulged too much in her life. She picked Jeff Chandler for her leading man in Jeanne Eagels. This was Chandler's first picture after finishing up his exclusive contract with Universal Studios. His new contract was non-exclusive and this was his first outside film. Jeff dusted off his Brooklyn accent for his role as the carnival man who loves Jeanne, but stands by helplessly as she self destructs.

Agnes Moorehead plays Jeanne's acting coach and Larry Gates her overwrought producer. This film was the farewell performance of Gene Lockhart who has a brief scene as the presiding member of an Actors Equity Hearing. Eagels got herself in lots of problems with Equity back in the day because she blew off performances. Lockhart was active in Equity and essentially is playing himself.

There is one other really good performance, a very touching one by Virginia Grey of a fading Broadway star who also dissipated herself. The role is great, but of course it has no basis in fact, Eagels did not 'steal' the play Rain away from this woman or anyone else.

Jeanne Eagels is a fine film capturing the essence of a self destructive star of a bygone era though factually it leaves quite a lot to be desired.

I saw this film only once, when I was a kid, but I still remember it, and I loved it. I have been hoping to see it again someday and am disappointed that it is not available even on video. Not only was Kim Novak, she of the lavender blonde hair, gorgeous, she was really just right for this movie. The story was interesting too. Yes, I know, TRUTH is hardly the most valued element in screen biopics, but since I knew nothing about Jeanne Eagels then (and, indeed, know little now--let's face it, there isn't a whole lot of information about her available) it was fascinating to see a story about an actress in the 1920s. Yes, somebody should do a more realistic remake, but put this one out too. Whether the story is factual or not, seeing Kim in the role is a reward in itself. I really can't think of an actress today who could match Kim's performance--she might be more like the real Jeanne Eagels, but Kim Novak's Jeanne shouldn't be lost. Put out the DVD-- you've got one customer for sure. Here's hoping.

This is truly a movie worth viewing, if only for the chance to see KIM NOVAK portray another talented actress, the late Jeanne Eagles. Kim's acting is superb, although the screenplay is a tad flat. Agnes Moorehead gives her usual fine performance, and Jeff Chandler does he usual stiff acting routine. I do think that Jeanne's story should be re-told in an updated version, but until then, this movie captures that time frame of the 1920's very well. It would have been nice to view in color, but the black and white print lends itself well to that time era. All in all, an entertaining film, and a rare chance to see Kim Novak in a Hollywood-bio piece. Wouldn't it be nice if this movie were on DVD?

I remember my acting teacher years ago talking about this movie and saying, boy, Kim Novak really thought she was ACTING.

"Jeanne Eagels" is a highly fictionalized biography of the great stage star who also acquitted herself well in films before her death at the age of 39. Directed by George Sidney, the movie also stars Jeff Chandler as Satori. His character existed, under another name, and unlike in the film, Eagels was married to him for a time. Virginia Grey has a small but showy role as a has-been who gives Eagels a script she wants to do, Rain, which turns out to be Eagels' signature play. That entire incident never happened (exceot of course that Eagles did play Sadie Thompson), but it provides some good drama in the film.

The main problem with this film is the atrocious acting of Kim Novak and Jeff Chandler. Novak was just getting started in her career, and she was the whole package - incredibly beautiful, a body to die for, a sultry speaking voice, and star quality. This type of scenery chewing dramatic role just wasn't her thing. She has such a lovely quality in Picnic; later on, she would do well in comedies and lighter films. Why Harry Cohn thought she could do this is beyond me. Chandler is way, way over the top - he did better in straightforward leading man roles.

A disappointing directing job from George Sidney. Novak deserved better. It's to her credit that she gave it a go. Thankfully, it didn't hurt what turned out to be a fine career.