Ajouter une intrigue dans votre langueAfter a horror play's final performance, The Vampire roams the theater.After a horror play's final performance, The Vampire roams the theater.After a horror play's final performance, The Vampire roams the theater.
- Réalisation
- Scénario
- Casting principal
Duke Moore
- The Actor
- (as James 'Duke' Moore)
Jeannie Stevens
- The Vampire
- (as Jenny Stevens)
Avis à la une
"Final Curtain" is a pilot for a failed TV series from Ed Wood that was assumed lost. However, back in 2012, it was shown at a film festival and since then someone posted it to YouTube.
The film is not as horrible as some of Ed Wood's other productions...not that this is a glowing endorsement. But if you didn't know it was from Wood, you might think it was some art film!
The pilot is much like major portions of "Plan 9 From Outer Space" in that it obviously was shot without sound and to 'cleverly' get past this, there's some ultra-bizarro narration and weird edits. As I said, it seems much more like an art film than anything else....a very BAD art film. Most of it simply consist of a guy in a tux staring about an empty theater as nonsensical narration supposedly tells his increasingly distraught thoughts of terror.
While this is a bad film and it's obvious why the proposed series never was made, for laughs I suggest you show the film (without the opening credits that say it's from Ed Wood) to a pretentious friend. Tell them it's a lost Ingmar Bergman film he made for American TV...and watch them wax philosophical about this great pilot and how it would have changed TV for the better.
Overall, very bad but not nearly as bad as Wood could have done!
The film is not as horrible as some of Ed Wood's other productions...not that this is a glowing endorsement. But if you didn't know it was from Wood, you might think it was some art film!
The pilot is much like major portions of "Plan 9 From Outer Space" in that it obviously was shot without sound and to 'cleverly' get past this, there's some ultra-bizarro narration and weird edits. As I said, it seems much more like an art film than anything else....a very BAD art film. Most of it simply consist of a guy in a tux staring about an empty theater as nonsensical narration supposedly tells his increasingly distraught thoughts of terror.
While this is a bad film and it's obvious why the proposed series never was made, for laughs I suggest you show the film (without the opening credits that say it's from Ed Wood) to a pretentious friend. Tell them it's a lost Ingmar Bergman film he made for American TV...and watch them wax philosophical about this great pilot and how it would have changed TV for the better.
Overall, very bad but not nearly as bad as Wood could have done!
An actor (James "Duke" Moore) roams around an empty theatre after dark (though in typical Wood fashion the sky seen through a ceiling window is light). He hears creepy sounds and sees eerie things, including a female mannequin dressed as a vampire (again in typical Wood fashion her limbs can be seen moving). Also know as "Portraits of Terror" this short film (running time 22 minutes) was thought lost until 2012 and was written, directed and produced by the legendary Edward D Wood Jr, aka Ed Wood Jr. It was intended as a pilot for a planned TV series which sadly never materialised. I liked the creepy music and the female vampire but other than that not much happens. Certainly essential viewing for Wood Jr fans, I think that this would have worked better as a segment in a horror anthology film.
Final Curtain (1957)
** 1/2 (out of 4)
This short film was originally meant as the pilot episode for a TV series that never got off the ground but the interesting thing is that this was actually made before The Twilight Zone and it's perhaps the best thing Edward D. Wood, Jr. did in his career. The setting is an abandoned theater where an actor (Duke Moore) begins to walk around and feels that he's not alone. This film was lost for several decades until a print recently turned up and until then the only thing really known about it was that rumor had it Bela Lugosi, who was meant to play the actor, died while reading the screenplay. I think it's safe to say that this is the best thing Wood ever did on a technical level. There's no question this has a very low budget but I thought Wood actually did a good job at building up some nice atmosphere. He also did a very good job with the editing as he's trying to do a psychological horror film and one clearly influenced by the work of Edgar Allan Poe. I think this is a major discovery for fans of the director simply because it shows him doing a horror film and in a way that isn't seen in his other works. I'd add that the dialogue isn't nearly what you'd expect from Wood as it's actually decent! There are some major problems with the film though. For starters, at 22-minutes it's a tad bit too long for its own good as around the ten-minute mark you start asking yourself what the point is. You also keep wondering why the actor is walking around as it's never made clear as to why he doesn't just leave. I also didn't care for the narration by Dudley Manlove as at times it's way too over-the-top. With that said, overall this is a fairly impressive film by Wood's standards and something his fans will want to check out.
** 1/2 (out of 4)
This short film was originally meant as the pilot episode for a TV series that never got off the ground but the interesting thing is that this was actually made before The Twilight Zone and it's perhaps the best thing Edward D. Wood, Jr. did in his career. The setting is an abandoned theater where an actor (Duke Moore) begins to walk around and feels that he's not alone. This film was lost for several decades until a print recently turned up and until then the only thing really known about it was that rumor had it Bela Lugosi, who was meant to play the actor, died while reading the screenplay. I think it's safe to say that this is the best thing Wood ever did on a technical level. There's no question this has a very low budget but I thought Wood actually did a good job at building up some nice atmosphere. He also did a very good job with the editing as he's trying to do a psychological horror film and one clearly influenced by the work of Edgar Allan Poe. I think this is a major discovery for fans of the director simply because it shows him doing a horror film and in a way that isn't seen in his other works. I'd add that the dialogue isn't nearly what you'd expect from Wood as it's actually decent! There are some major problems with the film though. For starters, at 22-minutes it's a tad bit too long for its own good as around the ten-minute mark you start asking yourself what the point is. You also keep wondering why the actor is walking around as it's never made clear as to why he doesn't just leave. I also didn't care for the narration by Dudley Manlove as at times it's way too over-the-top. With that said, overall this is a fairly impressive film by Wood's standards and something his fans will want to check out.
This could have been something if someone like the great Boris Karloff would have narrated it. But, unfortunately we get Dudley (Plan 9 from Outer Space) Manlove, and that is a little bit over the top. In fact annoying would be a better term. It's a good thing I'm an Ed Wood fan, or I couldn't bear the short 20 minute running time.
Go in understanding this is basically a story or radio play read while an actor reacts and searches through an empty theater. The fact that it was shot at a real, at the time, abandoned theater helps greatly as does Woods good choices of stock music to support the voice over and visuals.
For all that it is kind of creepy and moody--the crazed voice over somehow works with the purposefully twisty words. Wood keeps the visual pace pretty fast as well as far as the editing goes. The acting and voice over are pretty stagey but given the stage setting Wood gets away with this too---it has a legitimate camp value in the true meaning of the word.
Nice final shot too--by the way.
Some of what people love/hate Wood for is really the fact that he almost never had enough money to pull off a film that was slick enough to not have distracting--or at times-hilarious--low budget defects.
With this movie the fact that it's so limited in scope prevents total low budget lapses--for the most part.
If you like CARNIVAL OF SOULS and or DAUGHTER OF HORROR this has some of the effectiveness and mood of those--though this is a short not a feature.
If you like Wood--because you like him or like him because you think he sucks, let's face it you won't want to miss this and should not miss it.
For all that it is kind of creepy and moody--the crazed voice over somehow works with the purposefully twisty words. Wood keeps the visual pace pretty fast as well as far as the editing goes. The acting and voice over are pretty stagey but given the stage setting Wood gets away with this too---it has a legitimate camp value in the true meaning of the word.
Nice final shot too--by the way.
Some of what people love/hate Wood for is really the fact that he almost never had enough money to pull off a film that was slick enough to not have distracting--or at times-hilarious--low budget defects.
With this movie the fact that it's so limited in scope prevents total low budget lapses--for the most part.
If you like CARNIVAL OF SOULS and or DAUGHTER OF HORROR this has some of the effectiveness and mood of those--though this is a short not a feature.
If you like Wood--because you like him or like him because you think he sucks, let's face it you won't want to miss this and should not miss it.
Le saviez-vous
- AnecdotesBela Lugosi was reading the script for this movie when he died.
- GaffesThe theatre is supposed to be totally deserted, except for the Actor. But at 1 minute, 48 seconds, in the reflection of the glass on a machine, you can clearly see a crewman walking along.
- Citations
Narrator: I cannot tell where space ends, and the auditorium walls begin. But, do I really want to know? Something deep from within my very being draws me from this stage... I must see the floors above, to enter into the costume rooms, the scenery rooms, the make-up rooms, all those rooms where one may change his appearance to any character nameable.
[ominous thunderclap]
Narrator: And unnameable.
- ConnexionsFeatured in La nuit des revenants (1959)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Последний занавес
- Lieux de tournage
- Ocean Park Pier, Santa Monica, Californie, États-Unis(Dome Theatre)
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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