Prisonnier de la peur

True story of Boston Red Sox outfielder Jimmy Piersall, Anthony Perkins, struggle with mental illness by desperately wanting to please his domineering father John, Karl Malden, to be a big league baseball player. At the same time Jimmy confronted his insecurities of not having what it takes to be one. Growing up as a boy in Waterbuary Ct. Jimmy always dreamed of playing for the Red Sox not just to play professional baseball but to be able to get out of the poverty that he and his parents were stuck in all their lives.

Jimmy's father John played semi-pro ball as a young man but never had the talent to play in the big leagues and put all his effort and drive to see that Jimmy would get the chance, playing professional baseball, that he never got. Helpful at first but as John's obsession in getting Jimmy to make the grade started to take it's toll on the sensitive young man, As he finally reached his goal of making the team, fear set in on Jimmy fear that he'll fail his dad and himself. That fear lead Jimmy to have a mental breakdown during a night-game in Fenway Park after hitting an inside-the-park home run.

"Fear Strikes Out" covers Jimmy Piersall's life from a 12 year old boy in Waterbuary Ct. through his being committed into a institution for treatment of his mental illness due to the his fear that he'll never be the person that his father wanted him to be. As well as the fear that he wouldn't be able to care and provide for his parents and newlywed wife Mary, Norma Moore, and their new born daughter Eileen.

Being looked after by Dr. Brown, Adam Williams, at the institution it's painful to see Jimmy completely lose it and end up looking and acting like a person who's been lobotomized. Dr. Brown get's Jimmy to respond to his treatment by showing him the kindness and understanding that his father lacked for Jimmy during his formative years. That caused him to not just enjoy playing baseball but to become obsessed by it in wanting to fulfill the dreams that his dad had for him.

This pressure built up over the years as Jimmy worked hard to make the majors and play along the likes of baseball greats like Ted Williams Mickey Mantle and Willie Mays. There was a terrible price to all that and that price was that no matter how hard Jimmy tried he was never good enough, or as good as he could be, in the eyes of his dad John Piersall.

It turned out that it was not just Jimmy who needed mental therapy but his father as well in understanding that his son was a human being not a machine who's feeling had to be taken into account. John Piersall was relentlessly driving Jimmy to make the grade as a big league baseball player not caring, or noticing, that he was driving Jimmy straight into a nervous breakdown. Even Boston Red Sox manager Joe Cronin, Bart Burns, was more receptive to Jimmy's impending mental collapse then his father. Cronin did everything he could, through the Red Sox organization, to help Jimmy with desperately needed professional help that Jimmy's father had no idea that his son needed.

The best part of the movie "Fear Strikes Out" was when John Piersall finally understood what he did to his son Jimmy in pushing him like he did. Later at the institution John was accepted by Jimmy who for a time wanted to have nothing to do with him. For once just being his father, not a hard as nails lion trainer, the two had an friendly but emotional game of catch.

Jimmy did in the end recover form his personal demons and went on to be an All-Star outfielder for Boston Cleveland and the New York Mets, among outer teams he played for. Despite his fine record as a professional baseball player Jimmys overcoming the fear that almost destroyed him was by far Piersall's greatest achievement.

This is not what one would call a pleasant film to watch particularly about Baseball. It tells the true story of former major league ball player Jim Piersall of the Boston Red Sox and his eventual mental breakdown. While certain events are not exactly the way they took place the story nonetheless sticks pretty much to fact. Anthony Perkins puts in a dynamic performance as Piersall. A kid who likes baseball but is driven to madness by his domineering perfection minded father played by Karl Malden. Also included in the cast is Norma Moore as Jims devoted wife Mary and Adam Williams as the psychiatrist Doctor Brown.

The first half of the picture deals with Piersall growing up practicing and playing baseball always under the scrutiny of his father. Whatever Jim did on the playing field it could always have been done better according to his Dad. The second half of the film deals with Piersalls mental breakdown and subsequent treatment and recovery. While watching a ball game on TV he makes remarks that his doctor picks up on and uses to unlock the reason why he cracked up. These same circumstances are no doubt still occurring today as many parents push their children relentlessly in everything from sports to academics to beauty pageants. Jim Piersalls story fortunately became a book and later this fine film that perhaps has and will continue to serve as a message to those who watch it. Whether you're a baseball fan or not this is a movie to be seen.

I still remember seeing this as a Little League-age kid in the theater as our family was vacationing in Florida.

When I saw it again, some 40 years later, parts of the film were still very familiar, a testimony to how powerful some of these scenes were. I never forgot them.

This was a based-on-a-true-life account of major league baseball player Jimmy Piersall, a very talented player who suffered a nervous breakdown. The enormous pressure to succeed that was driven into him by his never-satisfied father was pictured as the cause which made him snap.

Anthony Perkins, who plays Piersall, and Karl Madlen, who portrays his dad, are both excellent, riveting characters. Some say this was Malden's best performance ever. Perkins was no slouch, either. This is the classic sports story of an overzealous parent living his or her dreams through their child.

The baseball segment of this film ended about halfway through. From that point, after Perkins breaks down at the park, climbing the backstop fence in a horrifying scene, the film actually gets even more interesting with everyone in the film contributing although the cast, after Perkins and Malden, is a pretty much an unknown-name one.

The only unrealistic part of the film, typical of sports films until the 1980s, was seeing an actor play a ballplayer when he "throws like a girl," as the old expression went. The younger actor playing Piersall as a kid was no better than Perkins in this regard. Neither had a clue how to a throw a ball. It looks corny nowadays.

Oh, well. That wasn't the focus of the story, anyway. As powerful as this film was, it apparently didn't have much of an effect as pushy parents in sports still exist and probably always will, taking the fun out of sports for a number of kids.

It's still a memorable film and worth your time today, especially if you have never seen it.

FEAR STRIKES OUT dealt with a theme not often portrayed in films of the '50s--mental illness--and is a shattering example of how a father's insistence on perfection can have a significant effect on the well being of a sensitive individual unable to meet his father"s expectations. Marketed at time of release as a baseball movie, it's really a relationship movie about a father and son--that is the real heart and soul of the story.

Based on the real life story of Jim Piersall, a well known American sports figure for the Boston Red Sox, as taken from his own account of his life. Slowly the picture emerges of the kind of stress he was under to achieve his goal of playing in the majors, the kind of guilt he felt whenever he did something that aggravated his father--as in simple disobedience when he didn't come straight home after work and then broke his ankle at an ice skating rink.

Even in the midst of achievements, his father finds flaws to criticize. "Wish me luck," he pleads with his father when the Red Sox signs him. "No, luck won't do it. You've got to be thinking and planning all the time."

And later on in the film, after his breakdown and he lands in a mental asylum, he defends his father to his psychiatrist with, "If it hadn't been for him pushing me and driving me, I wouldn't be where I am today!" Chilling words and the scene is the turning point in Piersall's progress toward recovery and the root cause of his problems.

It's the sort of film everyone can relate to, sports minded or not, because it does reveal the danger of parents who expect too much from their children, with tragic results. The scene where Malden tries to take him from the hospital before he's ready to go, is a chiller.

Both ANTHONY PERKINS and KARL MALDEN give the kind of performances that merited at least Oscar nominations--solid and superb.

Summing up: A satisfying, mature drama that takes a penetrating look at the danger of pressure-driven father/son relationships in the sports world where winning is the only thing that counts.

As a previous reviewer said Anthony Perkins did not exactly look like Frank Merriwell out on the field during the baseball scenes, but the film is about the true story of Boston Red Sox centerfielder Jimmy Piersall who sustained a nervous breakdown and then came back to have a pretty respectable major league career.

Showing the personal road Piersall took towards that breakdown is where Anthony Perkins gives one of his great film performances. This film is a lot like I'll Cry Tomorrow where Jo Van Fleet was pushing the career of her daughter Susan Hayward as Lillian Roth so she could have the success that her daughter had vicariously.

That's where the other great performance in the film comes in. Karl Malden is the baseball father, someone with the same dreams, that his son become a major league ballplayer. Malden's success involved being on his factory team, he wanted more and when he couldn't have it drove his son relentlessly to learn the skills and make the grade. But it was some price for Piersall to pay.

I remember Jimmy Piersall as a player when I was a lad. He played for the Red Sox in the years of the Casey Stengel Yankee juggernaut. He was a good contact hitter, didn't hit much for power, but played a flawless centerfield. The Red Sox in the Fifties had little to cheer about. There was a pitching staff of Mel Parnell and a bunch of nobodies. There infield was from hunger with the exception of third baseman Frank Malzone who came up in 1956 the last year Parnell played. But the outfield gave New England something to cheer about with Piersall in center, Jackie Jensen in right, and Ted Williams playing with his back to the Green Monster in left. Piersall covered so much ground in center field he made it real easy on both Williams and Jensen. The Red Sox let him go to the expansion Los Angeles Angels in 1961 where he finished his career. Still he's a Red Sox legend.

The story had been previously done on TV's Climax Theater with Tab Hunter as Piersall. In his recent memoirs Tab said that he had hoped to do the screen version. At the time he was involved in a relationship with Anthony Perkins. Unbeknownst to Hunter, Perkins lobbied and got the part in the film. That sort of put a damper on the relationship.

I also echo other reviewers in wishing that some of Piersall's teammates and others in the Red Sox organization had been portrayed. Only Joe Cronin who was the General Manager at the time is shown on the screen. Legendary owner Tom Yawkey is not portrayed and that is a pity.

Interestingly enough Piersall may have gotten his chance with the Red Sox because of Joe Cronin's racist policies. The Red Sox were the last team in the major leagues to integrate. I remember that very well when Pumpsie Green became their first black player two years after Fear Strikes Out was released.

Fear Strikes Out is unfortunately a two person show with Perkins and Malden the only really developed characters in the film. But those are two very talented persons indeed.