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L'adieu aux armes

Titre original : A Farewell to Arms
  • 1957
  • Tous publics
  • 2h 32min
NOTE IMDb
5,8/10
3 k
MA NOTE
L'adieu aux armes (1957)
An English nurse and an American soldier on the Italian front during World War I fall in love, but the horrors surrounding them test their romance to the limit.
Lire trailer2:32
1 Video
11 photos
Romantic EpicDramaRomanceWar

Une infirmière anglaise et un soldat américain sur le front italien pendant la Première Guerre mondiale tombent amoureux, mais les horreurs qui les entourent mettent leur romance à rude épre... Tout lireUne infirmière anglaise et un soldat américain sur le front italien pendant la Première Guerre mondiale tombent amoureux, mais les horreurs qui les entourent mettent leur romance à rude épreuve.Une infirmière anglaise et un soldat américain sur le front italien pendant la Première Guerre mondiale tombent amoureux, mais les horreurs qui les entourent mettent leur romance à rude épreuve.

  • Réalisation
    • Charles Vidor
    • John Huston
  • Scénario
    • Ben Hecht
    • Ernest Hemingway
    • Laurence Stallings
  • Casting principal
    • Rock Hudson
    • Jennifer Jones
    • Vittorio De Sica
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    3 k
    MA NOTE
    • Réalisation
      • Charles Vidor
      • John Huston
    • Scénario
      • Ben Hecht
      • Ernest Hemingway
      • Laurence Stallings
    • Casting principal
      • Rock Hudson
      • Jennifer Jones
      • Vittorio De Sica
    • 49avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 2 nominations au total

    Vidéos1

    Trailer
    Trailer 2:32
    Trailer

    Photos10

    Voir l'affiche
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    + 4
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    Rôles principaux42

    Modifier
    Rock Hudson
    Rock Hudson
    • Lt. Frederick Henry
    Jennifer Jones
    Jennifer Jones
    • Catherine Barkley
    Vittorio De Sica
    Vittorio De Sica
    • Major Alessandro Rinaldi
    Oscar Homolka
    Oscar Homolka
    • Dr. Emerich
    Mercedes McCambridge
    Mercedes McCambridge
    • Miss Van Campen
    Elaine Stritch
    Elaine Stritch
    • Helen Ferguson
    Kurt Kasznar
    Kurt Kasznar
    • Bonello
    Victor Francen
    Victor Francen
    • Colonel Valentini
    Franco Interlenghi
    Franco Interlenghi
    • Aymo
    Leopoldo Trieste
    Leopoldo Trieste
    • Passini
    José Nieto
    José Nieto
    • Major Stampi
    • (as Jose Nieto)
    Georges Bréhat
    • Captain Bassi
    • (as Georges Brehat)
    Johanna Hofer
    Johanna Hofer
    • Mrs. Zimmerman
    Eduard Linkers
    Eduard Linkers
    • Lieutenant Zimmerman
    Eva Kotthaus
    Eva Kotthaus
    • Delivery Room Nurse
    Alberto Sordi
    Alberto Sordi
    • Father Galli
    Luigi Barzini
    • Court Martial Colonel
    • (non crédité)
    Memmo Carotenuto
    Memmo Carotenuto
    • Nino the Doorkeeper
    • (non crédité)
    • Réalisation
      • Charles Vidor
      • John Huston
    • Scénario
      • Ben Hecht
      • Ernest Hemingway
      • Laurence Stallings
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs49

    5,83K
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    Avis à la une

    Doylenf

    Hemingway strikes out again!!!

    Strange that one of America's favorite writers has no success in having his novels transferred to the screen with any fidelity or improvement over the original. 'A Farewell to Arms' is a lumbering, turgid, over-stuffed movie that never seems real. Chemistry between Hudson and Jones is simply not there--Jennifer Jones, in particular, seems remote and detached as the nurse even when she's supposed to be wildly in love. And then there's the matter of length--it seems to go on forever with a very weak resolution.

    David O. Selznick wanted to create something that would rank alongside his 'Gone with the Wind' as an epic romance with a war background--but the talky script defeated everyone. Hemingway himself publicly disowned the movie, claiming that Jones was far too old for the part and unhappy about the film in general. At any rate, it was not the hoped for success and did nothing to halt the decline of Selznick's career--or Jennifer Jones' career for that matter. A big disappointment.
    5JamesCartwright

    Jones was too old

    Rock Hudson wasn't bad but it was painfully obvious that Jennifer Jones was a lot older than him. It was absurd she was supposed to be English when she sounded just as American as Hudson and Elaine Stritch. The film is spectacular but too overblown for a trifling romantic story.
    7bkoganbing

    The Unique Problems Of Hemingway And Selznick

    A lot of people are being terribly unfair to this production of A Farewell To Arms. Not that it's a great film, it misses that by a good distance, but that even films that are the best adaptations of Ernest Hemingway's work fall far short for Hemingway purists. And David O. Selznick was far from a Hemingway purist.

    No Selznick when it came to the career of his wife Jennifer Jones lost all kinds of sense of balance. Another reviewer was quite right, Jean Simmons, Joan Collins, Elizabeth Taylor all would have made acceptable Catherine Barkleys.

    One thing also to remember that we're not even starting out with pure Hemingway to begin with. Both this version and the 1932 version that starred Gary Cooper and Helen Hayes are not just based on the novel, they are based on a play that was adapted from the novel by Laurence Stallings who wrote What Price Glory. The play ran for 30 performances in 1930 and starred Glenn Anders and Elissa Landi on Broadway. I suspect the Depression had a lot to do with the closing as it did many shows that year.

    Originally John Huston was slated to direct and he had directed Jones in both We Were Strangers and Beat The Devil with little or no interference from Selznick. But Selznick fired Huston and replaced him with Charles Vidor because allegedly too much attention was paid to Rock Hudson and not enough to Jennifer.

    That's ironic as all get out because the novel itself is as all Hemingway works is male chauvinistic in the extreme. If he wanted to showcase Jennifer, any Hemingway just ain't the vehicle. He should have used one of the Bronte sisters.

    Since the novel is male oriented Rock Hudson makes a fine Fredric Henry, the idealistic man who volunteers on the Italian front as an ambulance driver to experience war so he can write about it when it's over. On that Italian front it didn't look like it was ever going to be over.

    That's another problem with this work, how do you sell it to the movie going public, as a romance or an anti-war tract? If you're Adolph Zukor for Paramount or David O. Selznick probably romance is the aspect that does sell.

    The third major character in the film is that of the Italian army doctor Major Rinaldi played here by Vittorio DeSica. This version is more faithful to the book and presents Rinaldi as a three dimensional character.

    In the 1932 version Adolphe Menjou was Rinaldi and Menjou did fine with the part as your typical suave continental type. Here Rinaldi's outspokenness about the futility of the Italian campaign leads to tragedy. It also led to an Oscar nomination for Vittorio DeSica as Best Supporting Actor. It was the only recognition A Farewell To Arms got from the Academy and DeSica lost to Red Buttons for Sayonara.

    Whether Huston or Vidor did them, the battle scenes and the scenes of retreat are shattering and moving. Given the unique problems of Hemingway and Selznick, we're lucky the film came out as good as it did.
    3TheLittleSongbird

    Amazing visually but dull

    I really wanted to like A Farewell to Arms. But despite for love for Ernest Hemingway and for Rock Hudson, A Farewell to Arms just didn't work for me. Granted it does look amazing, with ravishing use of CinemaScope and the scenery and costumes are gorgeous as you can see in the first hour. The direction is fine, and the music is beautiful and cleverly composed. However, in the pace the film was very pedestrian, but the pace wasn't the only dull thing about it. I am especially talking about the story, which was overall uninteresting and wasn't affecting, and the script, which is really stilted in a lot of scenes. The ending also felt abrupt. The acting is not good, considering how talented the actors are. I love Rock Hudson, and he visibly tries hard and looks really handsome here but he seems very out of his depth. Jennifer Jones is miscast, and her performance is a very uneven mix of overacting and underacting, also she seems very detached from her character and Hudson as well. As for Vittoria di Sica, he overdoes it so wildly you feel as though he accidentally walked onto the wrong set. All in all, despite the talented cast and director and the beautiful visuals and score, the film was dull. 3/10 Bethany Cox
    6jjanen

    Just read the book

    Recently read the book...disappointed by the movie as it departed from the story in several key areas. The scenery was pretty.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rock Hudson turned down The Bridge on the River Kwai (1957), Sayonara (1957) and Ben-Hur (1959) in order to make this film. He later said this was the biggest mistake of his career.
    • Gaffes
      The British nurses at the hospital all have American accents.
    • Citations

      Major Alessandro Rinaldi: She's very strange, very moody, who knows she might even prefer you to me.

    • Crédits fous
      Producer David O. Selznick tries to imitate the opening credits of his classic film, "Gone With The Wind", by having the letters of the title "A Farewell to Arms" sweep slowly across the screen from right to left.
    • Connexions
      Featured in Au coeur du temps: The Ghost of Nero (1967)

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    FAQ18

    • How long is A Farewell to Arms?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 mars 1958 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Latin
    • Aussi connu sous le nom de
      • Adiós a las armas
    • Lieux de tournage
      • Venzone, Udine, Friuli-Venezia Giulia, Italie(first 20 minutes)
    • Société de production
      • Selznick International Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 353 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 32 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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