Ajouter une intrigue dans votre langueProgressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly gu... Tout lireProgressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
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I recently got the opportunity to see this movie (was airing on a movie channel), and felt really blessed and privileged to see it.
It may not be a technically perfect movie, but V.Shantaram has crafted a masterpiece in terms of portraying the characters and the plot to the audience in the simplest way. The movie is high on emotions as it tries to dig into some hard to call humans (convicts of single/multiple murders) and a warden who believes that with forgiveness and love, they can be cured to live in a civilized society.
In a lot of scenes the movie uses metaphorical representation/dialogues to convey the underlying emotion to the audience and I found this to be very very intriguing. The end specially I feel is unmatched on it. Something that a non-interested movie goer can understand, and something that an enthusiast can really appreciate.
I think the movie is not way ahead of it's time, but way behind. Something like Ramayana and Mahabharata, timeless.
It may not be a technically perfect movie, but V.Shantaram has crafted a masterpiece in terms of portraying the characters and the plot to the audience in the simplest way. The movie is high on emotions as it tries to dig into some hard to call humans (convicts of single/multiple murders) and a warden who believes that with forgiveness and love, they can be cured to live in a civilized society.
In a lot of scenes the movie uses metaphorical representation/dialogues to convey the underlying emotion to the audience and I found this to be very very intriguing. The end specially I feel is unmatched on it. Something that a non-interested movie goer can understand, and something that an enthusiast can really appreciate.
I think the movie is not way ahead of it's time, but way behind. Something like Ramayana and Mahabharata, timeless.
In an attempt to reform a group of murderers a jail warden takes them to farm in a barren land. There they are free and earn their daily bread by learning to farm. Slowly they are integrated into the society.
Inspired by a true story, this film is a reflection of a new independent India. This film has great music and the songs are superb. Being a period piece it has some over the top moments. It also has one of the greatest shot where the warden is sitting on a cot and the murderers sitting in front of him with a pistol in between and a lullaby being sung in the background. This film deserves a watch for that moment alone.
Inspired by a true story, this film is a reflection of a new independent India. This film has great music and the songs are superb. Being a period piece it has some over the top moments. It also has one of the greatest shot where the warden is sitting on a cot and the murderers sitting in front of him with a pistol in between and a lullaby being sung in the background. This film deserves a watch for that moment alone.
During a phase of my life, I had a roommate who had used to sing "Ai malik tere bande hum" (O Lord, we're thy servants!) pretty often, and that was the only reason I watched this movie (the song was from this movie, he had told me!), when it was broadcast by Dordarshan, the National Television Channel of India, a few years later. And I must admit, it was a good movie. Sure, it had all those mandatory songs, but yet the songs didn't intrude into the movie, at least for an Indian such as I, used to heavy and endless dose of songs in movies.
To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.
It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.
It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
1st watched 10/14/2001 - 8 out of 10(Dir-V. Shantaram): Very interesting story about a reformer who takes six murderers out of jail to try and prove that they could function working their own fields and taking care of their own farm despite their evil pasts. Filled with up-tempo musical numbers despite it's very serious story make for a varied movie experience. The basic theme here is forgiveness over and over again and how the kindness displayed to them eventually changes them but not without many trials. These trials make up the rest of the movie and fill in where the musical numbers are not there. I would have liked to see the English subtitles in place during the music just so I could understand instead of guessing what they were singing about but this isn't the fault of the movie just those who distributed it to English speaking audiences. If there is a copy with this added I'll watch the movie again and enjoy it that much more. But even without this, this is a movie that should not be missed by those who wish to expand their movie-viewing horizons to other countries that are not seen often in the movie world.
10tnkcool
I first saw this movie when I was just a little kid. I loved it then and I love it now. Do Aankhein Bara Haath is one the finest movies ever made. The plot is about an idealistic police officer who tries to rehabilitate 6 criminals and succeeds facing several problems during the course, The ending of the movie makes me cry each and every time. V Shantaram was a genius, and this movie is his masterpiece. A must watch for each and every human who needs to re-affirm his faith in the good of humanity. The song "Ae Malik tere bande hum", sung by Lata Mangeshwar(of course...who else?..there is no competition)is an evergreen track. The female lead in the movie, Sandhya has acted very well...and the lead Male, played b V. Shantaram himself is worth every penny of the money and time you spend on watching this movie.A definite must watch...no doubt about it!
Le saviez-vous
- Anecdotes"Ae Maalik Tere Bandhe Hum" sung by Lata Mangeshkar from this movie has been adopted as the anthem by a school in Pakistan.
- ConnexionsReferenced in Jawan Muhabat (1971)
- Bandes originalesHo Umad Ghumad Kar Aayi Re Ghata
Lyrics by Bharat Vyas
Music by Vasant Desai
Sung by Lata Mangeshkar and Manna Dey
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- How long is Do Ankhen Barah Haath?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Zwei Augen - Zwölf Hände
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 23 minutes
- Couleur
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By what name was Deux yeux, douze mains (1957) officially released in Canada in English?
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