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MA NOTE
Un journaliste sportif écrit une série d'articles compromettant le milieu de la boxe. Menacé, il est obligé de s'enfuir. La mafia décide alors de kidnapper sa femme.Un journaliste sportif écrit une série d'articles compromettant le milieu de la boxe. Menacé, il est obligé de s'enfuir. La mafia décide alors de kidnapper sa femme.Un journaliste sportif écrit une série d'articles compromettant le milieu de la boxe. Menacé, il est obligé de s'enfuir. La mafia décide alors de kidnapper sa femme.
- Récompensé par 1 Oscar
- 1 victoire et 3 nominations au total
Don Anderson
- Fight Spectator
- (non crédité)
Helen Andrews
- Model
- (non crédité)
Jan Arvan
- TV Director
- (non crédité)
Rodney Bell
- Drunk Reporter
- (non crédité)
Arthur Berkeley
- Fight Spectator
- (non crédité)
Otis Bigelow
- Set Designer
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis film received just one Academy Award nomination, for Best Original Screenplay. When it won the award, eyebrows were raised, because it was generally acknowledged that this movie was an unofficial retread of an earlier MGM film, La femme de l'année (1942).
- GaffesWhile visiting Marineland, bottlenose dolphins are incorrectly referred to as porpoises, both by Mike and by the off-screen announcer of the dolphin show.
- Citations
Mike Hagen: [narration] Liquor, I've found, makes me very smart sometimes.
- Crédits fousAs 'The End' appears on the screen, Maxie Stultz delivers the final line of the movie while punching a 'speed bag' in a boxing gym: "I'm making a comeback, you know?"
- ConnexionsFeatured in Gregory Peck: His Own Man (1988)
Commentaire à la une
Helen Rose, MGM's Oscar-winning fashion guru, suggested the idea for this bit of fluff and the original casting was supposed to have been: Grace Kelly (eventually, Lauren Bacall), James Stewart (then, Gregory Peck), and Cyd Charisse (finally, Dolores Gray). George Wells won an Academy Award for his witty script and the production values were about the best that MGM could muster. Bacall gives a sly and glamorous performance, probably a little difficult for her since her husband, Humphrey Bogart's health was becoming a very serious concern while this film was in production. (Humphrey Bogart died in January of 1957.) Peck matches Bacall with a humorously masculine presence that was right-on. Dolores Gray tosses off a couple of jazzy production numbers (with the emphasis on her singing...presumably Cyd would have unfurled those legendary legs and would have been dubbed had singing been required.) And Mickey Shaughnessy provides a bit of cruder comic counterpoint as a punch-drunk boxer ("I'm makin' a comeback!") Minnelli, as usual, uses Metrocolor and CinemaScope to creative effect and Andre Previn contributed a main title theme that's instantly memorable.
The DVD now available restores the widescreen ratio and there's a curious "Behind-the-Scenes Minidocumentary" featuring costume designer Helen Rose, shot in black-and-white, in which she seems to be responding to questions posed to her by an unseen person whose questions were not actually recorded on the soundtrack! Wonder why they didn't fix that omission for its inclusion on the DVD version. Anyway, it's fun and worth a look.
The DVD now available restores the widescreen ratio and there's a curious "Behind-the-Scenes Minidocumentary" featuring costume designer Helen Rose, shot in black-and-white, in which she seems to be responding to questions posed to her by an unseen person whose questions were not actually recorded on the soundtrack! Wonder why they didn't fix that omission for its inclusion on the DVD version. Anyway, it's fun and worth a look.
- gregcouture
- 11 avr. 2003
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Designios de mujer
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 58 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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