NOTE IMDb
6,1/10
2 k
MA NOTE
Peu de temps après qu'un robot géant ait détruit un village, des extraterrestres de l'espace arrivent offrant leur amitié.Peu de temps après qu'un robot géant ait détruit un village, des extraterrestres de l'espace arrivent offrant leur amitié.Peu de temps après qu'un robot géant ait détruit un village, des extraterrestres de l'espace arrivent offrant leur amitié.
- Réalisation
- Scénario
- Casting principal
Avis à la une
There's something endearing about this movie. The plot is good, casting is good (with so many pretty faces, no wonder the Mystery guys wanted to come to earth), and even the score (by Akira Ifukube) remains in your head long after you see the movie. But above all there's a special atmosphere about this movie that won't let you forget it any time soon.
Mogera (Of Godzilla vs Space Godzilla fame almost 40 years later) makes its debut in this movie, and it started its career as weapon of the aliens not a giant UN transformer robot.
Once the fact that the Mysterians showed themselves, earth defense force ( thus the movie's Japanese title Chikyu Boeigun ) musters up all its plans for super weapons and goes on the offensive against the Mysterians (who've shacked up in Japan even before they got official permission from them ).
If military technology can catch up with the aliens so quickly as in this movie, we won't have any problems. In reality from what I understand, we're not even near parity.
Special effects are good, and weapons looks cool (Designed by famous Japanese sci-fi artist Shigeru Komatsuzaki. They have kind of a retro look which still works today) which all adds up to make this movie one of Toho's best.
It's one of a kind movie, and highly recommended to watch.
Mogera (Of Godzilla vs Space Godzilla fame almost 40 years later) makes its debut in this movie, and it started its career as weapon of the aliens not a giant UN transformer robot.
Once the fact that the Mysterians showed themselves, earth defense force ( thus the movie's Japanese title Chikyu Boeigun ) musters up all its plans for super weapons and goes on the offensive against the Mysterians (who've shacked up in Japan even before they got official permission from them ).
If military technology can catch up with the aliens so quickly as in this movie, we won't have any problems. In reality from what I understand, we're not even near parity.
Special effects are good, and weapons looks cool (Designed by famous Japanese sci-fi artist Shigeru Komatsuzaki. They have kind of a retro look which still works today) which all adds up to make this movie one of Toho's best.
It's one of a kind movie, and highly recommended to watch.
When Godzilla with its American scenes with Raymond Burr made it to the USA it started a run of Japanese science fiction that lasted well over a decade. When I was a lad I well remember the TV commercials for this film and how I just had to go see it.
60 years later The Mysterians holds up rather well. A group of aliens arrive and demand a small tract of land for use. We have to grant it because these folks are way technologically superior to us earthlings. But when a big robot starts doing to Japan what live monsters usually do it's time to resist.
What I remember best from this was the rather quick end the USA and the USSR terminate the Cold War to fight these aliens. They also start researching and move quickly up the scale in weaponry.
They are a mysterious group these Mysterians. We never do see their faces.
It's always been a pet theory of mine that a lot of cultural differences will melt rather quickly if earth ever did face an alien invasion. The Mysterians is one of those few films that support that thesis.
I wish they'd show this thing. Back in my younger days after its theatrical release it was constantly on local TV in New York City.
60 years later The Mysterians holds up rather well. A group of aliens arrive and demand a small tract of land for use. We have to grant it because these folks are way technologically superior to us earthlings. But when a big robot starts doing to Japan what live monsters usually do it's time to resist.
What I remember best from this was the rather quick end the USA and the USSR terminate the Cold War to fight these aliens. They also start researching and move quickly up the scale in weaponry.
They are a mysterious group these Mysterians. We never do see their faces.
It's always been a pet theory of mine that a lot of cultural differences will melt rather quickly if earth ever did face an alien invasion. The Mysterians is one of those few films that support that thesis.
I wish they'd show this thing. Back in my younger days after its theatrical release it was constantly on local TV in New York City.
We have always enjoyed the early Japanese Fantasy Films circa 1954-1963. During this time they took themselves and there subjects seriously. What ever their technical short comings were you could see they were in earnest. Basically after this period starting with KING KONG -vs- GODZILLA the slide down to kiddy fare began just a step above STARMAN.
Though we consider the original GORJIRA/Godzilla as the first and the best THE MYSTERIANS is the one (1) we enjoyed most. This is a SPACE OPERA on a grand scale. Watching it is like seeing the old pulp Science-Fiction magazine covers of the 1930's being brought to life. Basically the team that acted and made the original Godzilla are back plus the addition of Technicolor and WideScreen. They needed a big and splashy story and THEM -vs- US for the world was the canvas that well suited this first effort.
We first saw it on T.V. in the mid 1960s and were enthralled like any early teenagers by these scenes of action and massed destruction. But even then we (my brother and I) felt something was missing. It was not until the early 1990s that we saw a restored Japanese print in it's original format (WS) and subtitled in English that what happened on screen made sense. Best of all there were more scenes of destruction.
It is a pity that TOHO did not make a direct sequel and made BATTLE IN OUTER SPACE instead (still a fun film). Now that they are more technically adapt it would be nice to see this film remade. The one (1) thing I would keep though (other then the basic plot line) is the exceptional musical score.
Though we consider the original GORJIRA/Godzilla as the first and the best THE MYSTERIANS is the one (1) we enjoyed most. This is a SPACE OPERA on a grand scale. Watching it is like seeing the old pulp Science-Fiction magazine covers of the 1930's being brought to life. Basically the team that acted and made the original Godzilla are back plus the addition of Technicolor and WideScreen. They needed a big and splashy story and THEM -vs- US for the world was the canvas that well suited this first effort.
We first saw it on T.V. in the mid 1960s and were enthralled like any early teenagers by these scenes of action and massed destruction. But even then we (my brother and I) felt something was missing. It was not until the early 1990s that we saw a restored Japanese print in it's original format (WS) and subtitled in English that what happened on screen made sense. Best of all there were more scenes of destruction.
It is a pity that TOHO did not make a direct sequel and made BATTLE IN OUTER SPACE instead (still a fun film). Now that they are more technically adapt it would be nice to see this film remade. The one (1) thing I would keep though (other then the basic plot line) is the exceptional musical score.
I just rented "The Mysterians" which seems to be called "Earth Defence Force" in the Japanse version. The movie holds up well because it seems that the people involved treated the story seriously. When I was young I remember that the "Marcolights" were pretty cool and the music was very dramatic. The music still sounds good today but the sound quality on the tape wasn't that good.
I am glad to see the writers took the job seriously and had the characters ask the questions we asked from the audience. Can the Mysterians be trusted even though they say they are peaceful? Should we ask for a nuclear strike? The Marcolights have a limited range, how can we get around that? Should we wait for the Electronic Cannon or attack right now with the giant airships and Marcolights?
There were a few flaws. For example one of the characters mentioned that a fixed base was a weakness. I assume that is because you can't depend only on a defensive shield. A base must be defended by mobile fighter craft as well. The flying saucers performed that function until they unexpectedly retreated to the base during the climatic battle. The other weak point was the giant airships Alpha-1 and Beta-1. They moved like zeppelins and the standard cannon seemed weak. I guess their plot purpose was to be shot down so that Beta-2 could built for a second attack on the Mysterian base.
If you saw this movie as a kid it is still enjoyable as an adult. If you've never seen it then it is probably only of interest to those who want to see the early days of Japanese monster movies. You may be pleasantly surprised to see the leader of the Seven Samurai as the head scientist.
I am glad to see the writers took the job seriously and had the characters ask the questions we asked from the audience. Can the Mysterians be trusted even though they say they are peaceful? Should we ask for a nuclear strike? The Marcolights have a limited range, how can we get around that? Should we wait for the Electronic Cannon or attack right now with the giant airships and Marcolights?
There were a few flaws. For example one of the characters mentioned that a fixed base was a weakness. I assume that is because you can't depend only on a defensive shield. A base must be defended by mobile fighter craft as well. The flying saucers performed that function until they unexpectedly retreated to the base during the climatic battle. The other weak point was the giant airships Alpha-1 and Beta-1. They moved like zeppelins and the standard cannon seemed weak. I guess their plot purpose was to be shot down so that Beta-2 could built for a second attack on the Mysterian base.
If you saw this movie as a kid it is still enjoyable as an adult. If you've never seen it then it is probably only of interest to those who want to see the early days of Japanese monster movies. You may be pleasantly surprised to see the leader of the Seven Samurai as the head scientist.
This is a pretty decent invasion film. This time around, Honda seems to have been inspired by the films "War of the Worlds" and "The Day the Earth Stood Still" and does a good job in conveying a lot of themes that pretty much permeate a lot of his films, fear of nuclear war and the world unifying for a common cause. Also, Akihiko pretty much built on his portrayal of the tragic hero that sacrifices himself at the end to save humanity and did his usual good job.
The only complaint I have about the film is the fact that the appearance of Moguera takes place too early in the film and his destruction is much too early. They do return him to the end, but I would have preferred to see him as the weapon of last resort that the aliens use to try to deliver the crushing blow. Other than that, this is a pretty good movie.
The only complaint I have about the film is the fact that the appearance of Moguera takes place too early in the film and his destruction is much too early. They do return him to the end, but I would have preferred to see him as the weapon of last resort that the aliens use to try to deliver the crushing blow. Other than that, this is a pretty good movie.
Le saviez-vous
- AnecdotesShortly before his death in 1993, director Ishirô Honda was said to have mentioned that this was his favorite of all his films.
- GaffesIn the American version, director Ishirô Honda is mistakenly credited as Inoshiro Honda.
- Citations
Ryoichi Shiraishi: The tragedy of the Mysterians is a good example for us! Don't use science in the wrong way!
- Versions alternativesIn the original japanese version but edited out for the US release, during the final battle there is a brief scene with a second Mogera (the giant robot). Also, the ending is slightly different.
- ConnexionsEdited into King Kong contre Godzilla (1963)
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- How long is The Mysterians?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 975 000 $US
- Durée1 heure 29 minutes
- Rapport de forme
- 2.35 : 1
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What is the Spanish language plot outline for Prisonnières des Martiens (1957)?
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