L'homme qui n'a jamais ri

I'm sure that Donald O'Connor gave Buster Keaton the performance of his life as he would like to be remembered. It certainly wasn't anything close to the life of the real Keaton.

In his prime Keaton, Lloyd, Laurel, and Chaplin contended for being the greatest of silent screen comedians with most conceding Chaplin was best. The others are still remembered for their wonderful routines and for the fact that they survived and made the transition to sound. So did the real Buster Keaton, but not as a star.

The best part of the film is Donald O'Connor recreating some of the classic routines that Keaton did from the silent screen. No doubt Buster worked with O'Connor because he sure got them down quite well.

Ann Blyth and Rhonda Fleming played the women in Keaton's life composites of women he was actually involved with in real life. Peter Lorre has an interesting part as well as a director who Keaton runs roughshod over in his star days, but who Lorre rather subtly gets back at when the movies transition to sound.

In real life it wasn't as simple for Keaton as talking or not talking. When later on he did do the bit parts in films that he scorns on the screen when producer Larry Keating offers him a role, Keaton did have a voice that matched his stoic stone face.

One thing I disagree with. In his case it was right for him never to crack a smile, very much like George Burns. But people like Red Skelton were always laughing at their own material and the audience didn't seem to mind. Different attitudes get different latitudes.

The Buster Keaton Story is not a great film, but O'Connor does well in the role and I'm sure Buster liked it.

While you might not immediately think Donald O'Connor would be the perfect choice to play Buster Keaton, after you watch The Buster Keaton Story, you'll change your mind. Buster was a trained stuntman and Donald was a trained dancer; they each have incredible control over their bodies. After all, if someone's going to portray Buster, it would be sacrilegious for him to use a stunt double, wouldn't it?

There are so many wonderful elements to this movie. If you know and love silent film legend Buster Keaton's stunt sequences, you'll get to relive his glory by watching Donald O'Connor recreate some of his most famous film scenes. Not only is this a treat because this movie was made at a time before audiences could rent or own their favorite films-they hadn't been able to watch these snippets in thirty years-but it's touching to see someone who was in diapers during Buster's heyday give such a tribute to his talent and legacy. Also, if you know anything about Buster Keaton's real life, you'll recognize that this Hollywood recreation is very sugarcoated. If you love Buster, you'll like seeing things turn out better for him, and that he could live out a do-over on the screen. And if you need one more reason to love this movie, here it is: Buster in real life didn't adjust well to talking pictures, and as his career ended, his bank account dwindled. By selling the rights to his life story for this film, Buster was able to live comfortably for the rest of his life. Isn't that heartwarming?

If you want to learn the facts about Marion Davies, you don't watch "Citizen Kane." If you want to learn the facts of the St. Valentine's Day Massacre, you don't watch "Some Like it Hot." Similarly, don't watch "the Buster Keaton Story," if you want to learn the facts of Keaton's amazing life. This is what Keaton and some other people thought would be entertaining for a 1957 audience to know about Buster Keaton. It emphasizes three points 1. Keaton was a vaudeville child performer and became a big star in Hollywood Silent films in the 20s, 2. When sound came in some mean people in Hollywood forced him to talk in ways he didn't like and this caused his films to bomb and he became an alcoholic, and 3. Later Keaton with the help of a good woman who loved him, found appreciation again when he returned to live audiences.

The bad part is that there are no other real historical characters besides Keaton and his parents (for four minutes) in the film. Not only names but also characters have been changed and generalized into types , probably to avoid lawsuits. Even the clothes are not of the historical period.

The good part is that it is still an interesting story with very good acting, especially by. Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre and Larry Keating.

The best part is that we know that Buster Keaton as the technical advisor on the film recreated about 15 of his great bits and gags from his early films. One of the funniest was a brief recreation of a great scene with Thelma Todd from the movie "Speak Easily," where he tries to put a drunk woman on a bed.

Take the movie for what it is: a fictional biography by and about Buster Keaton, and you will enjoy it. Take it for what it is not: a true biography of Keaton, and you will be disappointed.

Donald O'Connor plays Buster Keaton in this flick. It follows him mostly from his arriving in Hollywood, becoming a star, hitting doldrums in his career as well as alcohol problems...especially alcohol problems.

"The Buster Keaton Story" is a bio-pic which represents the worst sort of thing that Hollywood could do. Why? Well, despite Keaton being a real person, so much of the film is completely wrong and the writers didn't even consult with Buster to make sure they got his life story right...presumably because they just didn't care. Too often bio-pics do this...and I wonder why...especially because Keaton DID have an interesting life and while he did have troubles with alcohol, it was way overblown for the movie. My advice is to read up on the man...you'll likely enjoy learning about him...much more than you'd learn in the film.

The weird thing about this film is it's NOT the Buster Keaton story at all. The main character is a fictional studio executive named Gloria who falls in love with Buster (inexplicably, as he's portrayed as a graceless, unattractive slob) and puts her happiness and career on the line in order to nurture and protect him as he chases another woman, blows all his money and drinks himself silly. The surprisingly faithful recreations of classic Keaton routines dropped in awkwardly here and there do nothing to relieve the tedium of this glum, sour women's picture masquerading as a biopic.