Les Ailes de l'espérance

Douglas Sirk's career at Universal throughout the fifties was a constant battle. It was a battle to make quality movies despite the often dire screenplays and less than talented casts he often had to put up with. Miraculously he most often was victorious despite the odds. "Battle Hymn" was one of his defeats. It remains his least likable film.

In his book "Sirk on Sirk" Michael Halliday sheds some light on this. Sirk had broken his leg badly and had to direct from a wheelchair which severely limited him. But the main reason for this somewhat heavy handed film was the presence of Dean Hess on the set and his overseeing each scene.

The film is a biography of Dean Hess himself. A man who turns to the church after the trauma of bombing a German orphanage and killing 37 children, Hess leaves his position of preacher in small town Ohio and volunteers for service in Korea. It's an odd choice for a man of his past, but "Killer Hess" as he was known, gets the opportunity to save Korean orphans in the process, putting to sleep his inner demons and putting things right in the world.

Sirk was very put off by Hess' presence on the set and more so by his input. He was clearly a man of much ambiguity, something that fascinated Sirk. Yet Sirk was unable to really express this in meaningful way on the screen. He wanted to give Hess a drinking problem as a way of expressing his pain, but Hess would hear nothing of it. He clearly wanted to be portrayed as a holier than though hero. The result is that the film has an awful self congratulatory feel about it.

Sirk was fascinated by characters who conceal within themselves a deep conflict. To him these were the most interesting of all. In all the movies Sirk made with Rock Hudson, he always cast him as the stabling influence and a foil to those unstable characters around him. Robert Stack in both "Written on the Wind" and "Tarnished Angels" is a perfect example of a split character playing against Hudson as the basically good, well grounded opposite. It's of course extremely ironic since in real life Rock Hudson was surely terribly conflicted by his concealed homosexuality while idolised by the masses as a model of masculine heterosexuality. Perhaps that is part of Sirk's affinity for him. Yet Sirk felt that Hudson's simplicity and basic goodness were suited to playing uncomplicated characters. "Battle Hymn" is the only film in which Sirk cast Hudson as a conflicted character. Had his character been better written there may have been a chance to pull it off. But as it stands, it's a competent and respectable performance, but something of a missed opportunity for Hudson.

The rest of the cast acquit themselves well. Anna Kashfi is particularly effective with her ethereal presence. James Edwards deserves a mention, since his role as a black fighter pilot was certainly ground breaking for its time.

There are however some really cringe inducing moments such as the aforementioned James Edwards breaking into "Swing Low" after an air raid and the final scene of the Korean orphans singing "Battle Hymn of the Republic" for Hess as he returns to Korea with his wife. These moments are meant to be uplifting, but seem now to be in somewhat poor taste.

The Korean children in the film were actually Korean orphans and they are a delight. Sirk had great affinity with young children who in turn gave memorable performances in his movies.

But when all is said and done, "Battle Hymn" is a film best forgotten, unlike his other war film, the remarkable "A Time to Love and a Time to Die" which he would soon make.

I am sick and tired of the misinformation that is constantly related about Colonel Hess. He was NOT a fighter pilot turned minister, it was the other way around. He was an ordained minister before joining the U S Army Air Force, as it was called in World War Two. Although he could have been a Chaplain, he did not feel that he could bless others for doing something he wasn't willing to do. If he had conflicts on the set of the movie, it was because of the way the Director wanted to portray him, not because he wanted to appear "Holier Than Thou". Anyone who wants the facts should read the book "Battle Hymn". It is out of print, but should be available through Amazon or Alibris. The orphanage bombing incident did take place. It happened because a bomb hung up on his P-47 (NOT a P-51 as shown in the movie) it was not a deliberate act. The incident did haunt him the rest of his life, But he saved many more orphans than were killed. "Operation Kiddy Car" was a real happening. As a final note, the money Hess received for the Screen Rights to his book, were given to the Korean Orphanage to repair its roof

Without any opening credits, I would have recognized here a movie directed by Douglas Sirk, a movie that of course evokes FAREWELL TO ARMS, maybe because of the plot and also the presence of Rock Hudson. That's not my cup of tea, both features, but that's the recipe of a war melodrama, the kind of scheme for which you can also expect a William Holden, a Rock Hudson or a Jimmy Stewart's presence, and certainly not Dan Duryea, who is totally in midcast here. It is a routine job from the duo Douglas Sirk - Rock Hudson, and I forgot the producer Ross Hunter. I prefer a true melodrama without any war lines.

I found this older movie in an unusual way, I was looking for Martha Hyer movies. In this one her role is somewhat brief as the wife of the main character but in her early 30s was as beautiful as ever.

Rock Hudson is very good as Colonel Dean E. Hess, who in real life was an American minister and United States Air Force colonel who was involved in the so-called "Kiddy Car Airlift," the documented rescue of 950 orphans and 80 orphanage staff from the path of the Chinese advance during the Korean War on December 20, 1950.

As the movie opens we see Hess as a minister but still feels guilt from an accidental bombing of a church and orphanage in Germany during WW2. He isn't sure he is genuine as a minister and goes back into active duty, training Koreans to fly fighter planes. But his soft spot for orphans gets him involved in providing care for them, an activity that he continued in future years. He died, aged 97 in 2015.

Good movie.

This is the apparently true story of Colonel Dean Hess as the upright clergyman turned fighter pilot . After accidentally bombing , during WWII , an orphange as a fighter pilot a Col. , Rock Hudson, becomes a God minister . Problem is , he is plagued with guilt and wishes a real redemption . Later on , he leaves his pregnant wife , Martha Hyer, and returns to the Air Force in 1950 to train Korean pilots in Seoul ; there he meets a motley bunch , such as the army sergeant companion , Dan Duryea in a rare likeable character , the officers Don DeFore , Jock Mahoney , the sympathetic cook Alan Hale Jr and the African-American James Edwards , among others . Then , at the quarters show up a group of 37 orphaned children wanting shelter from Commie attacks and bombings .Along the way Hess winds up building a home for the local orphans .

This is a true story in which the real Hess served as technical advisor . Pure sentimental slop , it is a stirring and sometimes moving tale , accompanying some spectacular aerial scenes and impressive dog-fighting . Main cast is pretty well . As Rock Hudson gives an acceptable acting as a chaplain whose wartime bravery earns him a string of honours ; however, he suffers strong remorses . This is Hudson's third modern-day adventure in the East , the others were : Spiral road and Thunder of God . Rock was Sirk's fetish including important titles as Taza , Magnificent obsession , Written in the wind , among others . His wife is well played by the attractive Martha Hyer and Anna Kashfi, Marlon Brando's spouse , plays the oriental girl who helps and falls for him . Magnificent support cast with plenty of notorious secondaries such as the usually veteran bad man Dan Duryea , Don DeFore , Jock Mahoney , Richard Loo , Carl Benton Reid , Alan Hale Jr , and Philip Ahn as the old man philosopher .

It contains a colorful cinematography in Technicolor by Russell Metty, though a perfect remastering being extremely necessary . Sensitive musical score including oriental sounds and choral music by Frank Skinner. The motion picture was well directed by Douglas Sirk . He was a fundamental filmmaker who gave prestigious movies , usually collaborating with similar technicians as cameraman Russell Metty , Production Designer Alexander Golitzen , Producer Ross Hunter and writer George Zuckerman . Sirk directed a lot of classic melodramas such as : Never say goobye , Interlude , Summerstorm , The first legion , The lady pays off , Tarnished Angels , A time to love a time to die , Magnificent obsession , All that heaven allows , Written in the Wind . But he also directed other genres as WWII : Mystery submarine , Hitler's madmen ; Thrillers and Film Noir : Shockproof , Thunder on the hill , A scandal in Paris , Lured ; Historical : Attila with Jack Palance ; Adventures : Thunderbolt and Lightfoot with Hudson and Barbara Rush ; and even a Western : Taza , again with Rock Hudson.