Attack of the Crab Monsters

Roger Corman's Attack of the Crab Monsters is just one of many cheapo monster movies from the 50s to blame nuclear fallout for messing up nature, and features lots of the elements one might quite rightly expect from the genre—a team of brave US scientists (including the obligatory pretty female doctor), wooden acting, unconvincing locations, and crummy effects. However, it also manages to present a few unique ideas that elevate it above many of the standard 'mutated monster on the loose' creature features of the era.

The critters that grow to massive proportions in this film are land crabs that have been exposed to radiation from A-bomb tests, but rather than simply being scaled-up versions of regular crustaceans, these guys possess an atomic structure consisting of liquid in a permanent form, making them extremely hard to destroy; they also have the ability to assimilate their victims, absorb their knowledge, and lure further victims to their death by talking to them telepathically. Pretty far-fetched I know, but very creepy, the crabs eerie, echoey, disembodied voices being surprisingly effective.

Of course, given the movie's low low budget, the monsters themselves are pretty rubbish—awkwardly moving lumps of papier-mâché with gangly legs dangling uncontrollably, coat-hanger antennae, and massive human-like eyes that look really daft—but I wouldn't have it any other way: a badly designed, poorly constructed monster is half the charm of a B-movie like this.

6.5 out of 10, rounded up to 7 for a couple of surprisingly nasty moments (a decapitated body and a severed hand—in black and white, but still pretty gruesome) and the somewhat unnecessary but enjoyable underwater swim by Pamela Duncan.

I don't know why I am haunted by the movie. I first was it in the late 50's and for some reason it captured me. it is not shown much if at all anymore on TV. I had all but given up ever seeing it again let alone owning a DVD. I looked at all the sites that offered it and finally found it on DVD on Overstock.com. OH JOY! OH JOY!

Of course, I ordered it and found it to be every bit as entertaining as I had remembered. Mel Welles deliciously over-acting as did most of the cast. What a treat!

You don't have to wait long for the Crabs to attack. They hit as soon as the characters land on the beach. They begin dropping like flies.

If you get the chance, watch this forgotten little flick. I think you'll like it.

Ah, Roger Corman, the purveyor of the finely tuned art of ten-dollar-to-shoot-and-distribute sci-fi movies. This, Attack of the Crab Monsters, is part of the minor boom in the B-movie world of the GIANT THING THAT WILL KILL YOU craze, where anything that could be done to capitalize on the threat of *the* bomb (remember, kids, by the way, duck and cover!) could be marketable for a short time, as long as not much real solid thought or questions were raised. Charles Griffith's script posits a group of scientists- off to seek out another expedition that went missing, on some small island out in the middle of A-Bomb-nowhere's-ville, and encounter a super-atomic species of land-crab that get possessed by those that they kill. They (or rather one at a time as Corman's budget had only enough for one crab at a time to shoot) project telepathically the 'souls' of those they kill, and can only be controlled by, gasp, electromagnetic fields!

So, once you get past the fact that there's not a shred of intellectual engagement here, that there's an opening title scrawl that comes out of a video game directing 'You' to be apart of the crab team and that the voice of the crabs are like the voice of God, and that the crab itself happens to have Asian eyes, it's fun crap. Crap, of course, not to be taken likely, as you and your friends can make a very fine MST3K right in your living room for no additional charge! On that level, it's classic stuff, and seeing one guy get his hand chopped off by a random rock, lots and lots of long takes of two of the scientists in deep-sea diving gear looking around for s***, is good for a gas. And the action is a real hoot, in that no-budget 50s tradition that combines miniatures that are really the production designer's toy-towns made by their kids and stock footage of LOTS of A-Bomb explosions, plus the crumbling field or two. Did I mention you can see the strings puppeting the crab? Will these directors never learn?

Any movie that passes off a 1950s' home in the Hollywood Hills as a research center located atop a shrinking Pacific atoll, a well-foliaged hillside as a fresh landslide, Griffith Park's Bronson Caves as a passage to the sea, a dyed-blonde Mel Welles as a "French" scientist, and a rolling and flopping papier-mache model with humanesque eyes as a terrifying monster crab is MY kind of movie! Artistically, probably one of Corman's worst, this still is great FUN. Like many other "bad" horror movies of the fifties, I can watch it over again and again! Unfortunately, though, the only print that seems to be available--either on VHS or DVD--is not a very good one. Enjoy! (NOTE: An earlier reviewer indicated that Beverly Garland is in this film; she is not.)

I last saw this film in 1963 on "Chiller," a locally produced TV show out of Minneapolis which showcased B horror movies every Sunday night. For years my friends and I would toss around the line, "I can grow a new claw--can you grow a new life?" I recently purchased a copy on the Internet and had a chance to watch it again. Except for the conventional bumbling around that characters in this kind of movie do (wandering in the dark in the middle of the night; responding to amplified voices as they lie in their beds in fear; going alone through caves where there is only one exit and the crabs are definitely around) this is pretty entertaining. I'm not sure whether these crabs have world domination in mind (revenge for those little forks and drawn butter) or just want to rid the island of humans. They do a real number on the eco-system. Will they have any beaches left to go to. Will they eventually go back to being "just crabs" or will they take their ventriloquist act on the road? We really don't know.

I think the strength of the movie is the cool, oppressive atmosphere and threat posed by the enterprising crustaceans. A weakness is that there is no explanation of their fine motor skills. They seemingly knock down everything in their paths in their lumbering way, but are still able to destroy just the right parts to dismantle a radio and are able to blow up a plane. If you don't do too much criticizing or thinking, you will enjoy this early Roger Corman gem.