Les amants de Montparnasse

The last years of Modigliani's life in Paris 1919, this famous italian-french painter not match with greatest like Cezanne and Van Gogh, but their paintings are so expensives nowadays which put him at high ground, the movie cover a few last years, he already condemned to die due the alcoolism, stayed some time in Nice near the sea to try to recover, back in Paris died still young 36 years old, sad end to true genius, neglected by many, today is honored, but too late!!! Great casting Lili Palmer, Anouk Aimée, Lino Ventura and Gérard Philipe as Modigliani.

Resume:

First watch: 2018 / How many: 1 / Source: DVD / Rating: 8.25

First, the re-issue is excellent; the Centre National de la Cinematographie has really done a fine job of restoration of the negative. The black and white values come through very well.

I suppose Gerard Philipe was the natural choice to play Modigliani, but I wasn't as impressed by his work here as I had been by Les grandes manoeuvres or Les orgueilleux: there's a routine quality about his acting here that I hadn't seen before. Anouk Aimee is very beautiful, and manages to infuse her portrayal of Jeanne Hebuterne with some life. Gerard Sety as the lifelong friend Zborowsky, Lilli Palmer as the wacky English mistress, and Marianne Oswald as the gallery owner all contribute fine performances. I don't care about how the picture was made--the lawsuit and everything else--just about the results.

I love this French romantic dramas. This one have a big of a drama as well behind the camera.

Gérard Philipe was hired to work with Max Ophüls, unfortunately Ophüls died in production of this film not even finished to read the script made by Henri Jeanson who after his death fought vehemently with Becker to keep the original script. He didn't, he accept to film this Biopic for the admiration he had for Ophüls that before he died asked him to do the film. Jeanson did quit the film, Becker had terrible communication with the main actor Gérard Philipe for differences in how to approach scenes and they disagree constantly on set. Tragically Philip will die a year after this film was concluded at 36 of Liver cancer and Becker 3 years later at 53

This is the story of the last year in the life of Amadeo Modigliani the great Italian painter, theres a reference in my favourite scene of the film that Modi will cite Van Gogh talking about the fact of painting simple every day men instead of cathedrals. The question is asked by the ignorant millionaire who is trying to buy his paintings to use them as publicity banners, and that Modi strictly reject the offer. I felt so overwhelmed of passion and respect for him as the story is reared to this moment and the facial aspect of Gérard "ces't magnifique"

La dernière scène, le "marchand d'art" comme un corbeau attend sa mort puis, comme une lance, donne la poussée finale à Amadeo et Jeanne c'est terrible et la route avant sa mort m'a rendu très triste Es una película preciosa e inolvidable.

the temptation to see the film as one about Gerard Philipe is not small. and, in a way, it could be the basic motif for admire it. because it seems be a film for his admirers. a last word, testimony /legacy of great art. the close up, the dialogues, the reactions of Amedeo Modigliani are easy to define the last years of his interpreter. because, except that, "Les amants de Montparnasse" gives the same picture of damned artist, ignored by his contemporaries, single against the love story, fragile, vulnerable, strange. of course, a good recipes for public success. but, maybe, not the best. and this does it a homage to an unique French actor. and the beginning of the end of an age of cinema.

Not particularly stunning but very effective and rather affecting film roughly based on the last years of the life of Modigliani directed by Jaques Becker following the death of Max Ophuls who had already done much preparation. That early work included the recruiting of glamour boy of the time, Gerard Phillipe. He did not have the physical presence of the painter, nor was he Italian but he was considered good looking and I feel carried off the role of the vulnerable, violent and volatile painter well enough. Lilli Palmer and Anouk Aimee excels as his mistress and lover respectively with Lino Ventura turning in a wonderful small but key performance as a rather state dealer. The streets and buildings of Paris and Nice are depicted well although much is filmed in the studio and although Becker is to be congratulated to bring this film in in difficult circumstances ( the writer took him to court and Ophul's death hung over proceedings) it is not typical of his output.