Sugarfoot

It's been mentioned over and over, the Tom Brewster character called "Sugarfoot" in this series was an "unlikely hero." Sugarfoot is much like "Monk" in that, he has a handicap - he is apprehensive and often unsure of himself. He wants to solve crimes in the Old West but is often thrust into scenarios in which he feels uncomfortable. His character is much like Jimmy Stewart in "Destry Rides Again," or perhaps, Gary Cooper in "Along Came Jones." Then again, perhaps there is a hint of "Jim Rockford" in this character.

Will Hutchins was obviously chosen for his appeal to young ladies as a surfer-looking blond with a good haircut. Seems like he would have fit a little better in a "Hawaiian Eye" style show. He has a bit of an "Owen Wilson" appeal, although, definitely campier.

All of this considered, I enjoyed "Sugarfoot" as a tongue-in-cheek Western series.

"Sugarfoot" was one of 4 westerns that shared a time slot on the same night. The other shows were "Maverick", "Cheyenne",and "Bronco Lane". So you only got to see each of them once a month. Each had it's own song, and unfortunately, I remember them. They were all different but strangely alike. Sugarfoot was a blond,blue-eyed young man who really went against the "cowboy/hero" type. He was an "aw shucks," type and didn't use his gun as much as other western heroes. Maverick was a smooth talking gambler and was usually funny. Bronco Lane was from Texas and as far as I remember, was his best attribute. Cheyenne was an absolute hunk with broad shoulders, really big chest, and a small waist. Each one of them seemed to just roam around, getting into trouble, rescuing people, and solving crimes. Boy, could we use them nowadays.

Will Hutchins (as Sugarcoat Tom Brewster) is not one's idea of a leading man, action hero or western star, but maybe that doesn't matter. His boyish charm is no different from Peter Falk's charade as Columbo or Peter Seller's nonsense as The Pink Panther. What makes the show fun is its humor (often passed off as naivety), the on-location scenery, and the appearance of many of the well-known character actors of the time, along with guest stars long before they reached their prime.

The story lines are unusual. Some are touching, some violent, and many offer a message in morality and justice (the lead character is an extremely moral and just person). Some nice bits of history are thrown in, too, with references to the prejudices of the time, including toward Indians (Native Americans) and Blacks. And the treatment of women; many of the episodes feature strong women.

All in all, justice prevails--as you would expect--but the stories leave the viewer feeling good.

Thanks to the folks at my cable provider, I am able, once again, to see a few of the shows that emanated from the Warner Brothers Television 'boilerplate', namely, 77 Sunset Strip, Hawaiian Eye, Maverick, and, Sugarfoot. Watching them was a fond memory for me, and THIS is the type of television that I will always remember. An attractive ensemble cast for each program, and the songs by Mack David and Jerry Livingston (the former-named is the brother of Hal David of that 'other' songwriting ampersand), and the opening and closing artwork (the opening was in lowercase letters, the closing had initial capital letters, at which time the respective theme songs were sung by a fine group of studio singers).

What a pleasure to see these shows again. Let's get THESE on DVD.

When the television series Sugarfoot was winding down its four year run I remember that The Man Who Shot Liberty Valance had a way too old James Stewart playing a young attorney who came out west to seek fame and fortune as per Horace Greeley. Will Hutchins as Tom Brewster was more the age of the character that Stewart did.

And Brewster came to us once a month sharing viewing time with Cheyenne, Bronco, and Maverick. You have to remember that the stars of all these TV westerns were aspirant film stars as well and Warner Brothers was going to get maximum use out of them. And of course James Garner from Maverick had the biggest success on the big screen.

Hutchins was a nice peaceable sort of young man in the Wild Bill Elliott tradition. He may have started a greenhorn in the west, a Sugarfoot so to speak, but he learned to handle a Colt .45 with reasonable skill as I recall.

Sugarfoot came at the height of TV westerns, we'll never see these kinds of shows again, I fear.