La Légende de Zatoïchi : Voyage en enfer

The state of blindness does not hinder the swordsman masseur, Zato Ichi, in this well-crafted tale of pre-modern Japan, as he is determined to do what is correct by assisting a young girl's recovery from a severe wound suffered in tangential fashion during a sword-fight involving gangsters in the bandit-ridden country. Of the approximately 25 Zato Ichi films, this must rank as one of the better ones, as Shintaro Katsu who portrays the sightless samurai during the entire series, permits us to see more of the inner man behind the warrior facade, aided by an interesting story written by Kan Shimozawa, who contributes the most complex scenarios of this group of works. In early civilized Japan, all masseurs were blind, as then they could not look upon the bodies of their clients, and Zato Ichi ("Ichi the Masseur") is following this tradition, but he is as well an inordinately successful warrior with his cane sword, mastering with cold aplomb each challenge by aggressors, no matter how many they might be. Ichi is a prototypical loner who makes his way in this work, as in all others, by massaging, while handsomely adding to his income through his cheating skills at gambling, since he is also an inveterate confidence man, yet one who makes mistakes and these errors in judgement serve in strengthening his accessibility to the viewer. There is a pleasingly intricate plot, which places Ichi as a travelling companion of an itinerant samurai named Jumonji, played well by Mikio Narita in his first cinematic role, who is the chess expert of the English language title, and the two interact with several other groups of characters in a neatly-woven narrative. The complicated scenario is capably handled by veteran director of samurai motion pictures, Kenji Misumi, who later added other outstanding Zato Ichi films to this first one in his list, as he balances the interwoven dramatics neatly and nicely. Reasons for the societal and artistic success of this series are manifest in this film, wherein Ichi represents values that most peoples are struggling to identify and capture, with the blind swordsman becoming an iconic figure as he stumbles and totters, rather than riding, into the sunset, after completing his clash with evil.

Good combination of humor, action and a couple of twists (although if one watches enough of the Zatoichi movies, twists should be expected). I especially thought in this movie, Zatoichi came across more human and not just the guy that hides his cleverness through bumbling. Things to watch for: Zatoichi hustling the dice players but also failing at his own game, the battle in the swamp with his desperate search for the box of medicine and not one but two suspenseful battles at the end. His discussion with the chess expert on fighting was also insightful. There are swordfights and these last a little longer than the earlier movies but no geysers of blood or decapitated limbs so stay away if you are looking for that.

Zatoichi and the Chess Expert is the twelfth entry in the franchise and one of the best movies about the blind masseur, skilled gambler and skillful swordsman. The story of this film is unusually clever, complex and twisted. Zatoichi meets a smart chess player while traveling on a ship and the two end up respecting one another so much that they start traveling together. When Zatoichi is attacked by some folks whom he tricked during a dice game on the ship, a young girl traveling with a beautiful woman gets injured, so Zatoichi organizes some medicine and travels with the two as he grows fond of the joyful child. Zatoichi also encounters a sick man and his sister who is disguised as a man to avoid trouble on the road who travel with a helpful retainer who gets brutally murdered during a prayer. Soon enough, these three seemingly different story lines end up being connected in most surprising ways as Zatoichi needs to figure out who is friend and who is foe.

What I really liked about this film is the complex story with its numerous clever twists. The characters also have great depth. Even Zatoichi seems more emotional than usual as he opens up about the love of his life and his low self-esteem while being caring, helpful and respectful to those who need his help. The perfectly portrayed chess expert is hard to figure out because of his harsh convictions versus his impressive intelligence. The young woman Zatoichi travels with falls in love with the blind samurai and is at times desperate and at other times joyful about their complicated relationship. Her child is quirky but polite and its heart-warming to see how the girl and Zatoichi grow fond of one another. The sick man, his mysterious sister and his helpful retainer are also quite intriguing characters. This movie is more than just a classic chambara film and also a drama for all the complex relationships going on and a thriller because of the cruel murder of the retainer. The movie's atmosphere gets more and more mysterious throughout the nicely paced film. The landscapes are memorable, gorgeous and authentic, especially the port and ship in the beginning of the film and the modest inn with the hot springs that plays a central role in this film. The fight scenes are more vivid than in the preceding film. Most sword fights occur at the beginning and in the final five minutes but they are nicely choreographed. My favorite fight scene was when Zatoichi got ambushed in the middle of the night in the muddy meadows while carrying the expensive medicine for the sick child.

There really isn't much to criticize regarding one of the franchise's very best films. Obviously, there are some recurring elements in the movie such as numerous gambling scenes, traditional sword fights and Zatoichi traveling through rural landscapes but these predictable elements give each film about the blind masseur their very own identity.

If you like sword fighting movies or care for Japanese culture, history and nature, you will particularly like Zatoichi and the Chess Expert. You an learns more about Japan in one hour and a half here than you could by watching anime for a whole year. Since this is one of the most profound entries in the franchise, this movie would be recommendable to get to know a true piece of Japanese art.

Zatoichi films are all pretty similar. There are gambling (dice) scenes, Zatoichi vs. large gang fighting scenes, massaging scenes (usually of beautiful women), Zatoichi eating and drinking scenes, bath scenes, travel sequences, often a scenes with a child (or children) - and they all wonderful. One other consistent element is that they all are shot in glorious widescreen and contain some exquisite cinematography. I always find at least a couple of scenes in each film of this series to be quite breathtaking - certainly worthy of pondering over. I find these films so appealing regardless that I know exactly what is to come.

In this chapter Zatoichi meets a rather confident and intelligent foe in the guise of a chess expert. This is, of course, after he has easily defeated all his lesser foes who seek vengeance on his gambling prowess (sound familiar?). We have a female love interest and Zatoichi spurning her because of his opinion of his own "lowlife" status. All in all I was more enthralled with the first 3/4's of this particular film, but felt it failed slightly at the end. Still I think the world of Zatoichi so I give this 4.5 /5

This is another good performance from Shintaro Katsu as Zatoichi. Also, the character, Jumonji, was very versatile. First, he befriends Zatoichi on a boat journey, where they play a game of chess. After they land in town, they stay at the same inn,and Zatoichi becomes the area masseur in the inn. Then, Jumonji finally challenges Zatoichi to a fight. What's really intriguing about this film is that the compassion that Zatoichi has for children. When the little girl thanks him for getting her the medicine needed to save her life, he gets all emotional and has to run outside. And another heartwarming scene is towards the end of the movie, when she helps Zatoichi with his shoes, he gets down and touches her face, before he moves on his journey.